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Ektachrome is back again !
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Jan 9, 2017 11:25:30   #
wj cody Loc: springfield illinois
 
NIKONADDICT wrote:
The colors in Ektachrome looked like the crayola factory exploded. The reds seemed to drip off of the acetate. The prints I have made with Ciba/Ilfochrome still look outstanding. Home processing (E-6) is a piece of cake at home.


you betcha! so much for the death of film photography.

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Jan 9, 2017 11:34:12   #
Grandpa Loc: Sacramento, CA
 
The problem is, where do you get it processed?

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Jan 9, 2017 11:36:33   #
wj cody Loc: springfield illinois
 
Grandpa wrote:
The problem is, where do you get it processed?


heck! do it in your kitchen sink!

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Jan 9, 2017 11:59:42   #
thearborist Loc: Delaware
 
Before running out to buy those rolls of Ektachrome, be sure you know where to get it developed. Not too many places still do that. Home processing is not too hard, but you have to have the (simple) equipment and then get the chems for it. The prospect of using my F-1 again is alluring, but I don’t think I’ll be going back just for nostalgia.

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Jan 9, 2017 12:01:08   #
GWolf Loc: Ashland, OR
 
My dad shot a lot of slide film in the 40s and 50s, mostly Kodachrome but occasionally Ektachrome. All of the old Kodachromes are still intact with a full range of brilliant colors. All of the Ektachromes have faded and taken on a very strong magenta cast. I'll dust off my film cameras when they re-release Kodachrome.

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Jan 9, 2017 12:03:25   #
dzn1
 
OK, this question is begging to be asked. What if I expose 35mm ektachrome and process the result to transparency. Then photo copy it with the DSLR to RAW? Aside from allowing me to use the old analog gear would there be any other advantage?

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Jan 9, 2017 12:49:18   #
tnste Loc: New Westminster, BC
 
David in Dallas wrote:
While the other Kodak slide film, Kodachrome® was zippier and really did reds and oranges to perfection, it was slow. Ektachrome® for me always provided more believable colors, especially the blues and purples, and came in faster ASA ratings. The chemistry for development was also simpler, I understand (and less finicky) but I never did my own developing so have no experience in that department. When I was using Ektachrome (in the 1960s through 1980s) they offered an ASA 64 and ASA 160 version; Kodachrome was limited to ASA 25 and something faster (don't remember what it was). Kodachrome was always the archival standard--positives made with it seemed to last forever, while other slide films faded over time. Although I still have several 35mm film cameras, I don't think I'll be going back to film photography--the immediacy and ease of using the results of the digital world is just too compelling for me.
While the other Kodak slide film, Kodachrome® was ... (show quote)


When I got my first SLR Olympus OM-1 in the 70's I used Kodachrome 64 exclusively and loved the warm colour tones and fine grain giving great detail. I preferred it to any other film including Ektachrome and Fujichrome which I found were cooler. When Kodachrome was no longer available, I used fujichrome 100. The colour rendition was just as good if not better than Ektachrome but cheaper. I am not familiar with professional Ektachrome.

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Jan 9, 2017 13:45:26   #
Mud2
 
Ah, Kodachrome! I worked at Kodak (2 times). Certain images could not be sent through the mail, and were stored at Kodak if the user wanted to come and pick them up, but, when such was niticed, several of us would go down to the processing lab at look at them...

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Jan 9, 2017 14:50:58   #
BebuLamar
 
dzn1 wrote:
OK, this question is begging to be asked. What if I expose 35mm ektachrome and process the result to transparency. Then photo copy it with the DSLR to RAW? Aside from allowing me to use the old analog gear would there be any other advantage?


You are going to get a poorer image than if you shot with the DSLR to begin with and it cost you more money.

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Jan 9, 2017 14:52:34   #
Magicman
 
Why do you think Paul Simon wrote: "Mama(Kodak), please don't take my Kodachrome away" best natural color rendition.

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Jan 9, 2017 14:52:54   #
Darkroom317 Loc: Mishawaka, IN
 
Even more news: https://petapixel.com/2017/01/09/kodak-investigating-take-bring-back-kodachrome/

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Jan 9, 2017 16:12:33   #
NIKONADDICT
 
Any word on bringing back E-6 or did it ever get pulled?

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Jan 9, 2017 16:18:49   #
Darkroom317 Loc: Mishawaka, IN
 
NIKONADDICT wrote:
Any word on bringing back E-6 or did it ever get pulled?


Ektachrome, Fujichrome and other such films are all E-6 films. Kodachrome is the only recent still reversal film that is not E-6

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Jan 9, 2017 18:11:13   #
dzn1
 
So if DSLR is the better way to produce photos at least for 35mm/FF/crop format, what can be said about medium format? Is there an advantage of the emulsion over the smaller format digital?

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Jan 9, 2017 18:15:12   #
Darkroom317 Loc: Mishawaka, IN
 
dzn1 wrote:
So if DSLR is the better way to produce photos at least for 35mm/FF/crop format, what can be said about medium format? Is there an advantage of the emulsion over the smaller format digital?


Yes. The quality for the price point. Not to mention sharpness is not the only property of photography there are other properties that film gives the image.

My film large and medium format equipment was bought at pennies compared to digital medium format equipment.

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