Gene51 wrote:
I do things a little differently sometimes. I employ "local sharpening, clarity and contrast enhancement" using either Lightroom, ON1 or Photoshop. There are times when I use selective focus with a larger aperture, and want to further enhance the sharpness differential, or If I am doing a portrait, I will selectively focus the eyes, hairline, mouth, and mask out the rest of the face so it is less "crisp" and likely to show unflattering detail.
I guess the point was that what should be sharpest should be in the plane of focus more specifically the focal point that was chosen when taking the shot. Something off the plain of focus would have some degree of blur and should have some blur.
Thats why I am suggesting it's best to try for the best sharpness at the focal point used and then you can mask to ensure you are not sharpening what should be soft. There seems to be a noticeable difference overall when you try to get the sharpening right for the focal point.
What pushed me towards this line of thought was focusing film for printing, essentially it is common to focus on the film grain, although that would tend to make a better print of film grain wouldn't it. The alternative is to concentrate on greatest contrast at the focal point. The latter being close to the digital experience.
It seems to work for me, to look closer at the focal point than not too when post processing. Maybe others will find the same result.