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Full Frame Cameras
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Jul 16, 2015 13:46:42   #
RichardSM Loc: Back in Texas
 
Bobspez wrote:
That's why I have a FF, a DX camera, a CX camera and a bridge camera. The camera is a tool. And I try to pick the right tool for the job. One just doesn't cover all the bases.


Now your talking!

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Jul 16, 2015 14:40:18   #
speters Loc: Grangeville/Idaho
 
jdubu wrote:
"Wide angle lenses are truly the same wide angle. You don't lose the wideness due to crop factor." That was in reference to his question of what is the advantage of a FF camera. There is no loss of wideness from crop factor because there is no crop factor.


Did i not say that correctly? A wide angle lens on a FF camera is a wide angle lens of that mm. you don't have any narrowing to your field of view due to crop factor.

I agree that that is a major plus for FF cameras, but like the exposure triangle, you get from one side, you give on the other. Crop factor on the tele end is an advantage for reach.
"Wide angle lenses are truly the same wide an... (show quote)

Of course you get a different field of view, using a crop versus a full frame!!!!( Gee, you make that statement, but in the same sentence you say that on the tele end it's an advantage for reach?????????????

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Jul 16, 2015 15:15:49   #
Don Fischer Loc: Antelope, Ore
 
Damn, all I want to do is take a picture! :-(

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Jul 16, 2015 15:39:54   #
kbarnes42 Loc: North Carolina
 
One thing I haven't seen mentioned is the higher number of shutter operations the pro model cameras have over the prosumer camers.

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Jul 16, 2015 16:34:53   #
Grammieb1 Loc: New Orleans
 
For me, the advantage is being able to shoot indoors without flash & at a comfortable shooting distance with an excellent image as my reward. Other than shooting at a great distance, I think that 35 mm cameras deliver better results. Crop cameras & mirrorless have a size & weight advantage, usually at some loss of IQ. When going to an all day theme park trip with my grandkids. I sacrifice a little IQ & use a Canon Sl 1 I an 18-135 STM lens. Bab

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Jul 16, 2015 17:02:01   #
Grammieb1 Loc: New Orleans
 
RichardSM wrote:
Now your talking!


That is why I have a 5Dlll for general use & indoors, a 7Dll for distant wildlife & some out of door sports & a SL 1 for traveling light & doing casual snap shots. Bab

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Jul 16, 2015 17:06:26   #
Grammieb1 Loc: New Orleans
 
rehess wrote:
Unless you are using the Canon 5DS. At 50MP, they have finally managed to pack the pixels as tightly on FF as normally seen on APS-C, and (as predicted) it shows on the DXO tests

I don't care about DXO tests or charts. I only care about the photos on my wall or album or slide show or the ones I send to loved ones. The pictures are good & dear. Not once has anyone asked to see my DXO scores. You DXO fanboys need to get a life. Bab

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Jul 16, 2015 17:20:42   #
CO
 
amfoto1 wrote:
There are both advantages and disadvantages to so-called "full frame" cameras.

Advantages:

FF has potential for better image quality. Among the most basic reasons... a bigger sensor simply means less enlargement to make any given size of print. For example, to make an 8x10 (or 8x12) from a FF image is about 8.5X enlargement. From the APS-C crop sensor camera, around 13X enlargement is needed to make that same size print.

Another way of looking at it... you likely can make bigger prints from a FF capture, than from an APS-C. The difference in quality may not be very noticeable in an 8x10 or at Internet resolutions... but would be more obvious by the time you're making 16x20/16x24 and larger prints. Or, yet another way of looking at it... the FF image is more "crop-able".

Larger pixel sites possible with a FF size sensor gather more light, so can record more detail.

And the much larger sensor area can make for a less crowded sensor, which in turn helps reduce heat generated and cross talk between pixel sites, both of which make for less image noise and higher usable ISOs. For example, 18MP APS-C cameras I use have about 54,000 pixel sites per square millimeter. Compare that to a 21MP full frame camera I also use, that has less than 25,000 pixel sites per square mm.

A less crowded sensor is less prone to moiré effect, so can get by using a weaker Anti-Alias filter. To offset moiré, AA filters actually blur the image ... which is then re-sharpened. A weaker AA filter, less blurring and less re-sharpening with FF, preserves more of the original detail in the image.

A different way of looking at sensor pixel density... If the same pixel size and density is used in both cases, the FF camera will be much, much higher resolution. Canon's 20MP APS-C EOS 70D and 50MP FF EOS 5DS have about the same pixel pitch.

Wide angle lenses don't need to be as extreme designs with FF, so potentially may be more easily corrected.

Disadvantages:

FF cameras cost more to buy, because they cost more to make. For example, a common "wafer" used to make sensors can accommodate 80 APS-C size... or 20 FF size. So in raw materials alone, a FF sensor costs 4X as much to make.

Also, those wafers have flaws that will cause some number of the sensors made from them to be unusable. Let's say, for example, that there are two such flaws in on a given wafer, so that two of the sensors made from it are unusable. If it's being used to make APS-C size sensors, that's a 2.5% rate of loss. But in the case of FF, it's a 10% rate of loss!

Some other components of a FF camera need to be scaled up to match the sensor size, too. The shutter, mirror, focus screen, pentaprism and other optical viewfinder parts all have to match the larger sensor size. This often makes for a bigger camera, as well as higher cost.

Often FF cameras produce significantly larger image files, which either slow down shooting speeds, or call for larger image buffers and more powerful processors to be able to maintain high frame rates and long bursts of images.

Larger moving parts (mirror and shutter) also make the FF camera more prone to internal vibrations and likely to be noisier in operation. It also often makes for slower flash sync speeds (FF 1/200 vs APS-C 1/250 or 1/300, is common with portable flash... FF 1/120 vs APS-C 1/160 or 1/200 is common with studio strobes).

FF cameras also need FF-capable lenses, which may limit choices to some extent. (Compared to APS-C cameras, which in most cases can use both FF-capable and crop-only lens designs.)

Lenses for FF need to be able to produce a bigger image circle, in order to fully and reasonably evenly cover the larger sensor, which makes for bigger, heavier and often more expensive lenses, too.

Much bigger image files produced by a FF camera may be "overkill" for many purposes (such as 8x10 prints and Internet image sharing). Computers to work with the larger images will need to be more powerful and to have more storage space.

Telephoto lenses, in particular, have less "reach" with FF, than they do on a crop sensor camera. This is partially offset by the differences in image quality, but there is still some advantage to crop sensor cameras with telephoto lenses. For example, I shoot a lot handheld with a 2.5lb, 300mm f4 lens that costs about $1400 on an APS-C camera. In order to get as tight an image of a distant/small subject with a FF camera, I'd need to get out an 8 lb., $9000 500mm f4 lens and a $1500 tripod to support it!

Myths about FF

Depth of field doesn't actually change with different formats. Only lens focal length, lens aperture and distance to the subject change D0F. However, many think it changes with FF because in order to frame a subject with FF the same way you did with a crop sensor camera, you either need to move closer to the subject or use a longer focal length lens, or a little of both.

Personally, I use both FF and crop sensor cameras. The urposes I use each digital format for are similar to what I did with 35mm film and medium format film cameras some years ago. What's really nice about digital is that the two formats can largely share lenses and other accessories. Often with different film formats, systems weren't interchangeable to much extent.

I'd estimate that I use my crop cameras about 10X as much as my FF. That's just due to what I shoot... a lot of sports/action, for which I prefer the croppers.

In my opinion, FF is sort of a fad right now. It's arguable that a lot of FF buyers and users really don't need it. So do, sure. But crop cameras, used right and not "pixel peeped" overly critically on computer monitors, can and do serve many folks just fine.
There are both advantages and disadvantages to so-... (show quote)


Great descriptions but I'm wondering about your first point under Advantages. You say that to make an 8x10 (or 8x12) enlargement from a FF image is about an 8.5X enlargement and from an APS-C sensor camera it's about 13X. Isn't it strictly the number of pixels that matters?
You get an image from the 24 megapixel DX (same as APS-C) sensor Nikon D7100 that can be enlarged as much as an image from the 24 megapixel FF sensor Nikon D750.

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Jul 16, 2015 17:55:44   #
Grammieb1 Loc: New Orleans
 
jdubu wrote:
I have both FF and crop sensor bodies. I tend to use the FF's for my interior architecture work, mainly because my TS lenses on a FF gives better results with less distortion, less PP.

My crop sensor bodies get used when the shooting situation warrants their attributes. I just want to use the right tool for the right job.

I don't notice any appreciable weight differences between them, most of the weight resides in my lenses.


This is why I change lenses as well as cameras when I do causal shooting & I want to go light. I go from a 5Dlll or 7Dll to a SL-1 camera & light STM lenses like 18-135 or 24 2.8 or 402.8 STM. When I use my 5Dlll, I am using 24-70 2.8 ll or 70-200 2.8 is ll or maybe 85 1.2 ll or 300 2.8. With 7Dll it would be 100-400 ll or 300 2.8 or Tamron 150-600. The difference in size & weight with the different camera & lens combinations can be significant. The camera lens combinations all contribute in IQ as well as weight. They are different tools for different purposes. A 35 mm camera is not an improvement in IQ unless the glass in front is also very good. Bab

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Jul 16, 2015 18:08:43   #
rehess Loc: South Bend, Indiana, USA
 
Grammieb1 wrote:
I don't care about DXO tests or charts. I only care about the photos on my wall or album or slide show or the ones I send to loved ones. The pictures are good & dear. Not once has anyone asked to see my DXO scores. You DXO fanboys need to get a life. Bab

For some reason Canon users don't like DXO.
I don't think you need 50MP for any photo small enough to fit on my walls.

In this case I referenced DXO because those tests show exactly what the rest of us expected, that those measures would be lower on the crowded 50MP sensor (Canon fanboys were saying that the sensor might give IQ just as good as any other Canon FF camera)

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Jul 16, 2015 18:09:57   #
Reinaldokool Loc: San Rafael, CA
 
kfoo wrote:
What is the main advantage of a full frame camera?


For most serious photographers, the advantage is that it weighs more and so do the lenses.

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Jul 16, 2015 18:10:03   #
Grammieb1 Loc: New Orleans
 
I would like to add one more thought to this discussion. The largest advantage for all modern day forgo graphs is the digital camera. Whether it is cropped, full frame, bridge camera or a point & shoot. The biggest advantage if we use it is that we can see what we take & instantly make corrections. We can also look at photos others have taken on photo sites & see what setting they used in different circumstances & try similar settings in a situation that is close to the same. When I shot film, I had to wait to see if my settings gave me the best results. Now anyone willing to put in the time & effort can improve their photography with research, time & effort. No matter what level of equipment you own, with the right settings, technique & composition, it is possible to produce good results. A good photographer is the mos important element. I have seen shots taken with really nice equipment that wasn't very good & I have seen great results with more modest cameras & lenses. Bab

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Jul 16, 2015 18:20:07   #
Grammieb1 Loc: New Orleans
 
rehess wrote:
For some reason Canon users don't like DXO.
I don't think you need 50MP for any photo small enough to fit on my walls.

In this case I referenced DXO because those tests show exactly what the rest of us expected, that those measures would be lower on the crowded 50MP sensor (Canon fanboys were saying that the sensor might give IQ just as good as any other Canon FF camera)


I don't dislike DXO. I just think that their results aren't necessarily the whole picture. The results you are referring to do not include resolution with a good lens. Since that is the whole idea behind the 5Ds & 5Dsr, that doesn't mean very much. These cameras don't suit my type of photography, but in the right hands with the right subjects, they can be a very good tool. I think DXO is loosing the respect of many photographers with the conclusions they make with their tests, not the test themselves. They reviewed their new camera that attaches to an iPhone & gave themselves good scores. Surprise surprise. When the did tests on the Nikon D800 series, the included resolution as a big factor, yet haven't done so with the Canon 5Drs cameras. Does that sound fair? Bab

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Jul 16, 2015 18:56:07   #
RichardSM Loc: Back in Texas
 
Grammieb1 wrote:
I don't care about DXO tests or charts. I only care about the photos on my wall or album or slide show or the ones I send to loved ones. The pictures are good & dear. Not once has anyone asked to ase my DXO scores. You DXO fanboys need to get a life. Bab


AMEN

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Jul 16, 2015 19:09:10   #
Don Fischer Loc: Antelope, Ore
 
Whoa! I like this girl!!! :thumbup:

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