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Mar 8, 2015 15:21:53   #
Photocraig
 
SharpShooter wrote:
Pilot, We see it here many times over when the question comes up after someone posts about some pro using a cell-phone to create spectacular pics or shooting in manual!!

Does the equipment matter?!?!

You just fell victim to that answer. Maybe not for doing landscape and chasing bugs!! :lol:
But most of those answering, no, have never shot a lick of action!

Sharpie, I used a 200mm f2 on a Canon workshop. It was so bright and clear through my viewfinder it gave me PERMANENT GAS!

But, even a 50 mm 1.8 would got you ONE good Basketball shot if a grandpa positions himself correctly. And that's ALL you need. A Jr. High Gym is usually not that well lit, at all. So it is important to set your expectations.

And, yes, if it's available to you, next time rent a good sports outfit and blast away!

F4 is very borderline in a poorly lit gym. You were already at 3200. Not much more you were gonna squeeze out of your gear.

My best advice several times has been that if an event is VERY important to you and you can't borrow the correct gear, rent it for the weekend. Hindsight is a bitter pill to swallow.
If you could have borrowed an 85 1.8 it may not have been ideal but it would have tripled your sped, OR cut your ISO in half AND doubled your speed. Sorry to hear of your disappointing outcome!

It would be nice if we could all use a 200 1.8, just once!! :thumbup:
SS
Pilot, We see it here many times over when the que... (show quote)

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Mar 8, 2015 18:54:48   #
BillKe
 
pilotboat wrote:
My grandson was in the state championship BB tournament. I wanted to get some action shots. The gym was a middle school
gym of typical size and height. The lighting was overhead fluorescent.

I am using a Canon D60 with a Canon 70 to 200 mm , F4, L series lens. I set the white balance to fluorescent and was using a tripod as a monopod.

I could not get any shot that was clearly focused when shot with the lens set to it max. I tried TV, AV, and action modes. ASA was set at 3200.

Was I overextending the ability of the gear? Or crisp shots are not possible under the circumstances?

Any thoughts??
My grandson was in the state championship BB tourn... (show quote)



I shoot AAU basketball every weekend from Sept to March. This is how I do it:

Camera Nikon D810 with 70-200mm f2.8 lens and battery grip (90% of my shots are portrait orientation).

ISO 6400, f2.8, Aperture priority--which translates into a shutter speed of about 1/500 sec.

Autofocus Dynanic 9 point--I am always moving the focus point around. All shots handheld, and I shoot in bursts at the highest speed the camera will handle.

Before each game I shoot a gray card for color balance in post processing.

All shots RAW processed in DxO Optics 10 with Prime noise reduction (which takes about 4 minutes per image). Final editing in Photoshop.

My keeper criteria:

--must be in focus
--must see at least one eye of my subject
--(usually) must have the ball in the photo

Keeper rate about 70% (but only about 5% are lost because they are not sharp and those are because I had the focus point on the wrong subject).

Equipment cost >$6,000; took me about 1 year to figure out how to get it right.

Can you do it for less $$$--sure, but the keeper rate is (in my opinion) is directly proportional to the quality of the gear (assuming you know how to use the equipment).

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Mar 9, 2015 07:24:31   #
Jcmarino
 
I didn't see anywhere where you posted your shutter speed. That may have been the problem, also, if it is an older gym with wooden bleachers, they move! It could have been just plain ol camera shake.

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Mar 9, 2015 09:20:40   #
twowindsbear
 
Here's my thoughts.

You say you're having focus issues - change your focus mode! Use more focus points - or fewer, or just 1. Set your camera so the shutter will only activate when the lens is focused.

However, IF you are confusing focus issues with motion issues - either camera movement or subject movement, you'll need to use a shorter shutter speed and a corresponding higher ISO setting to 'freeze' a moving camera or a moving subject.

Or, just shoot 'away' BB games, in a gym with better lighting!

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Mar 9, 2015 09:34:46   #
AP Loc: Massachusetts
 
pilotboat wrote:
My grandson was in the state championship BB tournament. I wanted to get some action shots. The gym was a middle school
gym of typical size and height. The lighting was overhead fluorescent.

I am using a Canon D60 with a Canon 70 to 200 mm , F4, L series lens. I set the white balance to fluorescent and was using a tripod as a monopod.

I could not get any shot that was clearly focused when shot with the lens set to it max. I tried TV, AV, and action modes. ASA was set at 3200.

Was I overextending the ability of the gear? Or crisp shots are not possible under the circumstances?

Any thoughts??
My grandson was in the state championship BB tourn... (show quote)


Well Pilotboat, sounds to me like your problem might be your fine lens was set to manual focus, not auto focus. There is a slide switch on your lens NOT your camera body. The switch on your lens might be set too manual focus (MF) and you do not know it.

You can make pictures all day and they will out of focus. Check that switch on your lens - (AF-MF). Once that is corrected, you'll make fine pictures all in focus! AP

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Mar 9, 2015 11:46:46   #
Gibar
 
amfoto1 wrote:
I shoot a lot of action/sporting events as the "official" photographer...

There are often other photographers shooting near me with their own DSLRs (rather than buy photos from me)... Moms, Dads, Grandparents, etc. I can't tell you the number of times I've heard the "beep" of their cameras, which tells me they are using the wrong focus mode and most, if not all of their photos are going to be out of focus. This happens a lot. I would also bet that most of them are disappointed and blame the camera for the missed focus... not themselves for setting and using the camera incorrectly, which is actually what's happening.

If you had your 60D set to the "Running Man" or Sports Scene Mode, it should have overridden any focus setting you made and used the correct AF mode (though probably also still forcing you to use "all points/auto selecteion", which leaves an awful lot up to chance that the camera will focus right where you want it).

However, I think if you were able to set the White Balance to Fluorescent, it's unlikely you used the Running Man mode. I don't think you can select a white balance setting when using the highly automated modes (but I don't know for certain... I avoid using those highly automated Scene Modes like the plague... they override too many other things I want to use.) So I suspect you weren't in Running Man mode.

This is part of the danger of being overly dependent upon the camera's high degree of automation. To photograph action, you should have been using AI Servo focus mode... not One Shot (which is the only mode where the camera can be set to give a Focus Confirmation "beep".

I never use AI Focus, which isn't really a focus mode at all. It's just more automation, where the camera is supposed to decide for you whether or not the subject is moving, then use whichever is appropriate: AI Servo or One Shot. I've found AI Focus doesn't always choose right, or change modes when the subject begins to move, or just causes a bit of delay that causes more missed focus shots. So I avoid AI Focus entirely (Note: it might be a clue that the more pro-oriented Canon models don't even have AI Focus mode.... they only have AI Servo and One Shot.)

On 60D, any of the AF points can be used since all 9 of them are more sensitive and responsive "cross type". But for best accuracy I'd more likely have used the center point only. I'd definitely have restricted the camera to center point only if it were D60... that camera's 7-point AF system only has one cross-type point, at the center. All the rest are slower, less responsive single axis.



Sorry, but that's utter bull.

I suspect pilotboat meant "60D" (which is from 2010 and a newer model than the two 7D or 5D Mark II that I shoot with), not "D60" from 2002 (which, if I recall correctly, had a top ISO of 1000... while original poster says he was using 3200).

But, really, no matter either way.

I've used the 70-200/4L IS USM, 70-200/2.8L IS USM and other, similar or far more expensive L-series lenses on EOS-3 (1998), Elan 7E (aka EOS 33, 2000), 10D (2003), 30D (2006), 50D (2008) and other "old" cameras. EOS cameras... EF lenses, especially L-series, are guaranteed fully compatible.

I used 10D, with the same AF system as D60 (and more primitive than 60D's) with EF 300/2.8L IS USM to shoot this (and many thousands other action shots)...



I usually use M or Av exposure modes, but keep an eye on my shutter speeds. However, it's possible to use Tv, too... and that's what many people prefer to use for action shots. I usually try to keep to a minimum of about 1/250 or 1/320 shutter speed for action shots... but sometimes that's not just possible and more images may suffer from some "subject blur".

With IS lenses, with reasonable care you don't need to worry about handholding shots at these or even slightly lower shutter speeds (above was done with a tripod, but only because that large lens gets pretty heavy during a 12 hour shooting day). However, IS can't do anything about subject motion... and any blur from that is often misinterpreted as focus problems. Only faster shutter speeds can freeze subject movement.

pilotboat, you probably should be disappointed in yourself, not in your camera gear. In poor indoor lighting conditions, and fluorescent light in particular, autofocus and auto exposure both can struggle. But there are nearly always ways to "get the shot".

Sports photography is difficult, particularly in lower light conditions. Without seeing the actual scene for myself, it's hard to say, but maybe it was just too dark. An f2.8 or faster lens might have helped, in that case. On all Canon EOS cameras, at least one AF point (typically the center one) will act as more sensitive when used with larger aperture lenses. I like using my 70-200/4 and 300/4 lenses, for their reasonable size and weight during a long shooting day. But if needed I have f2.8, f2, f1.8 and f1.4 lenses that can give me up to three more stops light. (However, I have to watch out for too-shallow depth of field issues with these bigger apertures).

Often there are brighter and darker areas within an arena or gym, too. It often pays to explore a bit and find out if there are some better places to shoot and other places to avoid.

When lighting is just too dim, I'll use flash when I can. For action shooting, this forces you to slow down, to wait for the flash to recycle. Using a rather powerful external flash and an accessory battery pack can help speed this up.

Back Button Focusing is a popular technique among sports photogs in particular. If not already using it, that may be something you would want to learn to do before "the next time". (http://www.learn.usa.canon.com/resources/articles/2011/backbutton_af_article.shtml) BBF makes it possible to leave the camera in AI Servo mode in more situations, to make it your default mode to be ready for almost anything. It also sort of puts the photographer back in charge of where the camera focuses, rather than leaving it up to chance with more automated settings.
I shoot a lot of action/sporting events as the &qu... (show quote)


Right on! Excellent post. Nice to see facts over guesses and opinions

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Mar 9, 2015 12:13:44   #
Redron Loc: Fairfield. California
 
Im not sure exactly but that being a great lens Something in the manual about using it on a tripod Not to set it in autofocus or image stabilation

Somehow the lens is affected by the tripod Sorry I dont have exact info but I Used to know I had that lens in 2.8 years ago and knew at that time
Also
In a situation where lighting is fixed Set your settings and take a shot and check the histogram to make sure you have good coverage and unless you go to different light Your good for the whole shoot
HERE IT IS
On a final note, it is well worth mentioning that for the sharpest results when photographing still subjects, nothing beats a camera mounted on a sturdy tripod with the image stabilization turned off. This is because image stabilization, by its very nature of using motion along one axis to counter motion in the opposite axis, often creates varying degrees of image degradation of its own, whereas a camera firmly coupled to a stable tripod and tripped with a cable or remote release with the mirror locked in the up position will in almost every instance take a sharper picture.

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Mar 9, 2015 17:58:24   #
redrocktom Loc: Sedona
 
P.B. lots of great input. Also, check your histogram of your images. Those will at least tell you where your exposure came in at your given exposure choices.

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Mar 9, 2015 18:41:51   #
rbfanman
 
With a tripod, getting fuzzy focus images usually means that you were not using a fast enough shutter speed. For sports, go with 1/500 sec, and up...to 1/8000 sec, or whatever. If the shutter speed was good, you may have vision problems...seeing things differently through your wonky eyes than the non-wonky lens sees them. Get an eye test. If the shutter speed was good, and your eyes are fine, the camera may have a problem...bent iris blades, defunct processor, or such. Have it checked.

Does your camera have an OLPF...Optical Low Pass Filter / Anti-Aliasing Filter in it? It is old enough that it probably does. If it does, THAT will cause some fuzziness even in the best composed, steadiest, shots. Consider getting a camera without such a built in filter. The Nikon D3300 is one camera which lacks the OLPF. Generally, cameras which have 20MP, and up, are less apt to have an OLPF, as they will not need it so much.

The higher MP count, and newer processor, a camera has-such as the D3300's 24.2 MP, and Expeed 4 processor-the less apt it is to have an OLPF, as the higher MP count, and faster processor, make an OLPF less useful than such filters were in lower MP count cameras. Even so, some high MP cameras do still have OLPF. Shop around, and see what you can find in the way of a non-OLPF camera. I suppose that Canon makes a few, though I don't know which they might be.

PS - UPDATE -

I went to Canon, and checked. The Canon 60D has been around since 2010, and DOES have a Low Pass Filter in front of the sensor. THAT is probably at least a part of your problem. That filter will fuzzy up every shot you take...somewhat. ON a camera that costly, that is a crime in my book.

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Mar 12, 2015 07:36:25   #
pilotboat
 
Sorry for the delay. I appreciate your interest. The shot attached was on e of the better shots I took. I shot from the opposite end and side of the gym.


(Download)

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Mar 12, 2015 09:48:34   #
blackest Loc: Ireland
 
pilotboat wrote:
Sorry for the delay. I appreciate your interest. The shot attached was on e of the better shots I took. I shot from the opposite end and side of the gym.


This is the exif for this image, there are a couple of points first shutter speed which is 1/50th of a second the focal length is 84mm so too slow for a stationary subject
which as a rule of thumb should be 1/84th with a moving subject twice as fast so roughly 1/180th would be good enough the other thing is 4 EV the amount of light present. Basically you needed 2 more stops of light if 12,800 iso was available that could have given you sharp if noisy images. An f2.8 lens would let you use a 6400 iso setting and f2 would give you the speed you needed.

I think if you had a f2 or better 50mm prime lens then you would have got reasonable shots and you could crop the image and still have had images which would work for screen use or moderate sized prints.

If you had been able to go to an iso of 12,800 the pictures in color may have been very noisy but you might have got a good black & white conversion from a single channel or all 3 combined.

4EV Candle lit close-ups. Christmas lights, floodlit buildings, fountains, and monuments. Subjects under bright street lamps. and your sports hall it seems.

exif
exif...
(Download)

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Mar 12, 2015 12:42:57   #
Architect1776 Loc: In my mind
 
[quote=amfoto1]I shoot a lot of action/sporting events as the "official" photographer...

There are often other photographers shooting near me with their own DSLRs (rather than buy photos from me)... Moms, Dads, Grandparents, etc. I can't tell you the number of times I've heard the "beep" of their cameras, which tells me they are using the wrong focus mode and most, if not all of their photos are going to be out of focus.

Very good explanation and great shots with a 10D. Thank you for taking the time to explain this.
BTW I use a 100-400MII on my 10D and it is not a waste.

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Mar 12, 2015 13:43:38   #
CHG_CANON Loc: the Windy City
 
pilotboat - thank you for the example and continuing the discussion.

I see blackest has already provided a detailed analysis of the picture. Although not disagreeing, I want to provide some ideas based on my 70-200 f/4L experience and the 60D. I don't have the camera, but do have the lens and my old 7D used the same sensor as the 60D.

You'll need more light and / or a higher ISO to shoot at a minimum of 1/200 to a preferable 1/500 to freeze action (or faster based on the specific sport / movement). An IS-enabled lens can help with camera shake at slower shutter speeds but IS will not freeze action -- that takes shutter speed. Your posted example would look much better with an IS enable lens when shooting at less than 1/(focal length) of the lens (84mm focal length in this example vs a 1/50 shutter speed).

A suggested approach using your camera, the lens and the same shooting situation would be: set ISO-6400, use Tv mode (shutter priority), and set the shutter to 1/100 to 1/200. You also want to manually set the center focus point and set the AF mode to AI Servo AF. (All these details can be found in the camera manual.) You should plan to get to the location a bit early and take a few test shots and see if anything needs to be adjusted. If there's more light available than the posted example, determine if you can make the shutter faster or lower the ISO to say 5000 or 4000 or 3200. These are ideas that can't be confirmed without being there and assessing the actual conditions. I'm unsure of the EV4 value in the EXIF data, but I would set exposure compensation to 0 based on the suggestions above using Tv.

You should end up with much sharper images assuming also good technique on holding your camera and lens. It's harder to hold a zoom lens steady at 1/50 second. Although at ISO-3200 or higher, the resulting images will need some noise clean-up and other post processing. Given your use of PSE, you seem to have these tools available to address in post.

Summary

1. Use a faster shutter speed that is a minimum of 1/focal_length of the lens. Adjust that speed based on the zoomed length, if needed. Try for a minumum of 1/200. If you can't shoot that fast, try slower down to 1/100 recongizing you should shoot still settings rather than movement.

2. Use a higher ISO to accomplish a faster shutter

3. Shoot wide open at f/4 for this lens (the Tv mode will automatically manage the aperture based on your shutterspeed and ISO setting)

4. Consider a flash or faster lens to allow more light to the sensor

Others have already suggested faster lenses or more advanced cameras. But, if you don't actively manage your shutterspeed, new equipment will not address camera shake in low light. You should be able obtain much better results using my changes and the relevant comments from others without making any equipment changes. Please let us know how things progress.

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Mar 12, 2015 16:13:07   #
twowindsbear
 
Can someone - anyone - determine where is the focus point in the OP's photo?

TIA

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Mar 12, 2015 18:58:38   #
pilotboat
 
Thank You

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