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Purist: To be, or not to be….
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Nov 2, 2013 11:49:56   #
RolandComfort Loc: Saint Louis
 
Natural art would be, for instance, painting in watercolor using brushes and paint and paper you made yourself, like, say, American Indians 200 years ago. When you buy modern technology you enter a world of endless options provided by other people. You didn't make the lens, or the camera, or the software. As a photographer, your job is to use all of it to create whatever you want. Ansel Adams didn't make his camera himself either. I think he felt just fine about dodging and burning and whatever else he could do to make great pictures. If he had PhotoShop in the day, I think he would use it. Today's art is mastering the ever changing technology. We gave up true art when we quit drawing pictures with chalk on cave walls.

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Nov 2, 2013 11:53:17   #
Shutter Bugger
 
Occasionally I get a shot straight out of the camera
that is exactly what I want.
More than once when that has happened I feel
robbed of the pleasure of adjusting the image
in a photo editing program, and more than once
I have bee compelled to open an image in
an editing program to give it a massage
only to realize that the "Before" is better
than my best efforts at the "After".
Darn D700 is just too good... "Ocassionally".

My image below is a section of our public library;
and of course the place is brightly lit to facilitate
reading; however I wanted something
different, and the editing program
allowed me to create the image I wanted.

The editing programs are just another tool
for us to create what is in our minds eye.



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Nov 2, 2013 12:04:28   #
RolandComfort Loc: Saint Louis
 
I agree! And, I think I would have removed the dot size reflections in the window too.

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Nov 2, 2013 12:15:52   #
russelray Loc: La Mesa CA
 
Tranceman wrote:
This concept of being a "purist" if you accept, without any further manipulation, what comes out of your camera is simply a ridiculous concept. Even if you are shooting JPEG's the camera itself "manipulates" the data produced by the lens and the sensor to generate the image you see. The raw data from the camera sensor is not something that one can even see as a "photograph." As others have pointed out, photography has always involved manipulation of the image. All of a sudden, with the advent of "digital film," you are a "manipulator" if you further revise/refine the recorded 1's and 0's that now comprise your images. It is the same thing as was being done before, just using different technology (although I suspect that if one is knowledgable enough, one could generate the mathematical formulas that describe what happens to silver halide on paper when you burned, dodged or used a selenium toner on it). There has never been "purism" in photography and never will be! The concept is simply not applicable to the art form.
This concept of being a "purist" if you ... (show quote)

I like you. :thumbup: :thumbup: :thumbup: :thumbup: :thumbup:

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Nov 2, 2013 12:19:28   #
bersharbp Loc: Texas
 
russelray wrote:
Should you feel guilty? Depends on what you are trying to accomplish and who your audience is. If you're trying to win a prize in a contest and you say you did one thing but in actuality you did something else.... a lie.... then you should feel guilty.

My wise old grandmother also said, "What comes out of the camera is just the basics to start with."


Well stated....If it's not a lie...On occasion, even if it's a lie

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Nov 2, 2013 12:44:35   #
DonWauchope Loc: Brevard, NC
 
Interesting discussion on a very old issue. Check out the book "Photography in Print" by Vicki Goldberg. What passions this topic have aroused. My only comment is, I recently thumbed through an issue of "Outdoor Photography" and the pictures were--well, mostly lurid, saturated colors which looked synthetic to me. The occasional magnificent flaming red maple seen on a walk is so striking because its not common; real nature is mostly subtle IMHO.

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Nov 2, 2013 13:05:19   #
Shutter Bugger
 
RolandComfort wrote:
I agree! And, I think I would have removed the dot size reflections in the window too.



I have contemplated removing those on a couple of occasions
but decided to let them stay. The image would be a bit sleeker
with them gone... In the immortal words of Ludwig Mies van der Rohe; "less is more"



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Nov 2, 2013 13:07:58   #
jenny Loc: in hiding:)
 
Wellhiem wrote:
Why do we call them "purists"? In the days of film, if you didn't take control of your own developing and printing, you would have been called a snapper.

* * * * *
This dialog or controversy, has been chewed to death so many times and will continue to be just as eg. UV filter/none and other examples never cease.
Wellheim ,you and many others, in taking this position re. film,are speaking exclusively for PRINT film people. Ansel Adams even becomes the excuse for PP that Adams would never have considered as he was n his own way a purist who squeezed everything possible from his camera before processing a negative, or after that then printing it. Those steps were necessary for print film. As print film always sold in more volume than color reversal film in order to serve the snapshooter market it is not surprising if there are more people who justify anything post processed even to the point of abandoning reality entirely.

Let's point out that color reversal ("slide") film people were
limited to E6 processing,which meant the original film that went in the camera was the one seen when projected or used for other purposes.No wonder they had to become purists! They were not using a 3-step process from film to negative to transfer to paper.

The debate as to how anyone chooses to produce a photographic image in relation to "film",therefore is entirely useless. However,as with many other photographic issues it will probably never end.

:)

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Nov 2, 2013 13:12:47   #
russelray Loc: La Mesa CA
 
Shutter Bugger wrote:
I have contemplated removing those on a couple of occasions
but decided to let them stay. The image would be a bit sleeker
with them gone... In the immortal words of Ludwig Mies van der Rohe; "less is more"

I like it a lot better with the spots gone. There are four or five other areas where there is glare that I would also touch up.

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Nov 2, 2013 13:16:45   #
LoneRangeFinder Loc: Left field
 
jenny wrote:
* * * * *

....The debate as to how anyone chooses to produce a photographic image therefore is entirely useless. However,as with many other photographic issues it will probably never end.

:)


"entirely useless?"

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Nov 2, 2013 13:19:37   #
RolandComfort Loc: Saint Louis
 
Ain't technology great! Forgot to say before, with or without dots, that is a wonderful picture. I am really enjoying blogging with you UHH guys and gals.

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Nov 2, 2013 13:28:46   #
Shutter Bugger
 
russelray wrote:
I like it a lot better with the spots gone. There are four or five other areas where there is glare that I would also touch up.


It would not hurt to remove the small blue parallelogram like reflection.

I like the reflections of the lights that run in a more or less
straight line across the glass.

However feel free to edit the image to your hearts content;
I would be pleased to see others takes on it. :thumbup:

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Nov 2, 2013 13:34:55   #
Shutter Bugger
 
RolandComfort wrote:
Ain't technology great! Forgot to say before, with or without dots, that is a wonderful picture. I am really enjoying blogging with you UHH guys and gals.


Thanks Roland. That library is very photogenic. It's the best
thing I've seen a local council do.

I took this with my cell phone featuring the reflections
I took this with my cell phone featuring the refle...

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Nov 2, 2013 13:38:40   #
russelray Loc: La Mesa CA
 
Shutter Bugger wrote:
It would not hurt to remove the small blue parallelogram like reflection.

I like the reflections of the lights that run in a more or less
straight line across the glass.

However feel free to edit the image to your hearts content;
I would be pleased to see others takes on it. :thumbup:

I like all the colors, so I'd leave the blue parallelogram. It's the glare that I'd remove. They are white/whitish. There are eight of them that I see. The photo has so many wonderful colors that I find the white glare distracting.

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Nov 2, 2013 13:55:52   #
Shutter Bugger
 
russelray wrote:
I like all the colors, so I'd leave the blue parallelogram. It's the glare that I'd remove. They are white/whitish. There are eight of them that I see. The photo has so many wonderful colors that I find the white glare distracting.


Do you mean the reflections of the round coloured lights and the 3 straight fluorescent tubes?

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