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Shooting paid wedding with consumer level camera
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Mar 13, 2013 10:06:24   #
planepics Loc: St. Louis burbs, but originally Chicago burbs
 
bobmcculloch wrote:
5 days , easy, metrocard + charge card= B&H, whatever I decide I want, insurance will replace, no compromise on the wedding, Bob.


If I ever visit NYC, I'd like to visit B+H (along with the usual tourist stuff). I bought my first system upgrade from them late last month...a lens and lens case. They seem to have good prices and the box arrived on the day they said it would.

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Mar 13, 2013 10:10:56   #
Pablo8 Loc: Nottingham UK.
 
I've even had a wedding guest come up to me (in the early digital days) and questioned my using a "Box Camera" on a tripod. It was after all Hasselblad. There's no accounting for ignorance.

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Mar 13, 2013 10:13:43   #
jrb1213 Loc: McDonough GEorgia
 
Pablo8 wrote:
I've even had a wedding guest come up to me (in the early digital days) and questioned my using a "Box Camera" on a tripod. It was after all Hasselblad. There's no accounting for ignorance.


Now that's funny.

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Mar 13, 2013 10:21:12   #
Novots Loc: Grand Forks, ND
 
As long as you could get some good strobes for the formal shots, you could use any of the above. Reception and ceremony shots (no flash) would be much harder as bumping the ISO very high on those cameras would likely yield poor results. Also, that's why wedding photographers have a backup unit or two. IMHO

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Mar 13, 2013 10:43:23   #
jenny Loc: in hiding:)
 
Pablo8 wrote:
I've even had a wedding guest come up to me (in the early digital days) and questioned my using a "Box Camera" on a tripod. It was after all Hasselblad. There's no accounting for ignorance.

* * *
RIGHT ON! The assumption that a "pro" or "semi-pro" would always have a "NIKOCAN" is one of the silliest ideas i've ever seen on this forum!!!!!

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Mar 13, 2013 10:50:41   #
Nanabutterfly Loc: Southeast US
 
As the mother of a bride who got seriously ripped off:

a) Have you ever shot a wedding?
b) If anyone in the wedding party is a friend that you value...don't do it!

The young man we hired for our daughter's wedding had an expensive "pro" camera, but didn't have a clue how to use it. I payed, up front, 50% of the huge fee. Only to be shocked at his results!

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Mar 13, 2013 10:58:24   #
Xantoz Loc: Delaware
 
planepics wrote:
bobmcculloch wrote:
5 days , easy, metrocard + charge card= B&H, whatever I decide I want, insurance will replace, no compromise on the wedding, Bob.


If I ever visit NYC, I'd like to visit B+H (along with the usual tourist stuff). I bought my first system upgrade from them late last month...a lens and lens case. They seem to have good prices and the box arrived on the day they said it would.



I guarantee you will never leave B&H it's like the Bloomingdales of photo equipment. They let you try whatever you want at the time. Their prices are excellent and the staff is amazing! Well worth he trip.

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Mar 13, 2013 11:13:26   #
Nanabutterfly Loc: Southeast US
 
"You can't fix stupid!"

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Mar 13, 2013 11:14:14   #
sixshooter Loc: constitution state
 
wilsondl2 wrote:
I would pick what I thought I could do the best job with. In over 40 years of doing weddings at least half the time one or more of the guests have had a newer or better camera than I have. All of today's DSLR are good enough. - Dave


I wholeheartedly agree! This being theoretical..And with 20 years of weddings under my belt..If you know what you're doing you can absolutely shoot a wedding with a consumer level camera.All of todays DSLR's are worlds away from the analog film cameras that I started out with (when you really did need to know what you were doing) An extremely good photographer with strong technical skills (which I hope you are if you work in this field) Can and will make it work. If I HAD to shoot a wedding with the dreaded "Rebel" (I'm assuming some fast glass and a speed light at the very least) I'd shoot in Manual/Raw and I'm really confident that my work would not suffer in a way that was obvious to anyone. I too have seen some "pro's" with great gear churn out some real crap.I wouldn't even bother covering the label..Never had a client ask to see my equipment during a consult. They do love my portfolio.

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Mar 13, 2013 11:39:34   #
PAO Loc: Lewiston NY
 
You seem to be too hung up on what people think of your equipment instead of the finished product...If you know what you are doing you can make almost any equipment do the job...Several years ago I shot a wedding with an Olympus 700 zoom and the people were delighted with the results.

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Mar 13, 2013 12:15:44   #
BigD Loc: The LEFT Coast
 
If you are a "pro" using Canon that's a simple question to answer because as a CPS Platinum member my "friends" are at the Canon CPS 1(800) BAILOUT number. One phone call and in 24 hours I would have a pair of 1Dx's with a half dozen "L" lenses and a couple of 600 EX RT's for the reception. Since you did not mention my Elinchrom Ranger Asymmetrical kit I assume it would still be available :lol: If not I have another one I will bring instead but its a symmetrical one so it can be harder to get a nice ratio in a small area.

Real working professionals have several sets of equipment as well as the ability to make do with whatever. Anyone that has shot more than a few weddings knows that stuff ALWAYS happens and they have backups for their backups, insurance to replace gear, and access to more gear. :thumbup:

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Mar 13, 2013 12:37:04   #
sixshooter Loc: constitution state
 
BigD wrote:
If you are a "pro" using Canon that's a simple question to answer because as a CPS Platinum member my "friends" are at the Canon CPS 1(800) BAILOUT number. One phone call and in 24 hours I would have a pair of 1Dx's with a half dozen "L" lenses and a couple of 600 EX RT's for the reception. Since you did not mention my Elinchrom Ranger Asymmetrical kit I assume it would still be available :lol: If not I have another one I will bring instead but its a symmetrical one so it can be harder to get a nice ratio in a small area.

Real working professionals have several sets of equipment as well as the ability to make do with whatever. Anyone that has shot more than a few weddings knows that stuff ALWAYS happens and they have backups for their backups, insurance to replace gear, and access to more gear. :thumbup:
If you are a "pro" using Canon that's a ... (show quote)

All of that is a given...It was a hypothetical question.

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Mar 13, 2013 12:45:56   #
DebAnn Loc: Toronto
 
Oh come on guys - this is silly! A professional will do a good job, whatever camera or lens he's got. And the bride and groom won't care what he's using as long as the photos are good.
Shutterbugsailer wrote:
Just for the fun of it, I am proposing a hypothetical situation. You are a pro or semi-pro who is scheduled to do a wedding shoot. You have a full frame DSLR setup (Nikon D800, Canon Mk3, etc with all the necessary accessories. Five days before the wedding, your stuff is stolen or trashed. Your hobbyist friends are willing to lend you their stuff. What would you pick, given the following choices? Entry DSLR (Nikon 5100, 3200, Canon Rebel T3, T4 Sony Alpha 37, 57) or your choice of ANY mirrorless, large sensor compact, or bridge camera available. Were I in that situation, I would probably rule out the Canon Rebel series first. Even though it could pull off the job in the right hands, the "Rebel" label screams consumer product. My first choice would be the Sony as the buying public is the least aware of which models are pro and which are not. In an outdoor wedding in good light, I might even consider the Fuji XS1 bridge camera. It looks big enough to pass for "pro" I would rule out any mirrorless with the possible exception of the Olympus OMD or the Panasonic GH series. While the Sony Nex 7 especially with some real German optics attached could pull off the job, it just doesn't look the part. As for large sensor compacts, they are too "touristy" looking and lack sufficient zoom range to do the job.
Just for the fun of it, I am proposing a hypotheti... (show quote)

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Mar 13, 2013 12:54:24   #
13oct1931 Loc: Lebanon, Indiana
 
You are--in my opinion--starting down the wrong road. The camera is just a TOOL for the skillful and talented PHOTOGRAPHER. It is the RESULTS that truly count.
In answer to your question: I would choose all of them. I would choose none of them. alyn

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Mar 13, 2013 13:29:32   #
cyrel Loc: Eugene
 
I would rather be poked in the eye with a red hot poker than shoot another wedding...So if my equiptment was stolen i guess I might have to suggest somebody else do it and be heart broken :)

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