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Those intense Cklassic Black and White Portraits
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Dec 3, 2023 22:55:59   #
E.L.. Shapiro Loc: Ottawa, Ontario Canada
 
User ID wrote:
The OP calls it film noire in speaking of a tonal scale for stills. You can play dictonary gestapo if you like, but its quite clear enuf what the OP wants to achieve, cuz he found a term that expresses what hes seeking.

If he uses that term within the stills realm to express a mood through tonality, it in no way attempts to meddle within the cine realm.

In reality he will read your essay length post, find it indigestible, and then he will light his merchants more or less by whim and trial & error. Then, also by whim and trial & error, our intrepid OP will PP the tonal scale until it kinda sorta looks Bogartish if you squint at it.

Soon enuf you wont hafta post those lengthy tomes. The new technical reality is you take "data" shots of the merchants and tell AI to make them look like stills from film noire. At bottom line, someone still hasta double park and deliver your pizza until 3D printed pizzas taste a whole lot better than the prototypes.
The OP calls it film noire in speaking of a tonal ... (show quote)


Could be! Maybe he won't read it all. Perhaps he'll be inspired and create a masterpiece. Small chance he'll read my "tome", find it useless and ignore it, or become overwhelmed and toss his camera in the garbage and forget about photography.

An AI-generated pizza "baked" in a 3-D printer will probably taste better than the piece of cardboard and glue the local greasy spoon sent over the other night. I think the driver got a parking ticket.

I'm certain our OP will derive a great deal of inspiration and knowledge from your post. Good to know someone is reading my stuff- I just do it for typing practice. Thanks for the "book review". My next tome will be entitled "Don't Drop this Book on Your Foot (serious injury may result)!

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Dec 4, 2023 00:00:55   #
MDI Mainer
 
Depending on the camera body you have, you might also check the menu options to see if any stylized black and white settings are available that result in the look you are seeking.

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Dec 4, 2023 01:22:12   #
R.G. Loc: Scotland
 
E.L.. Shapiro wrote:
"Film noir" is a Cinematic term as explained in this excerpt from Wikipedia "Film noir (/nwɑːr/; French: [film nwaʁ]) is a cinematic term used primarily to describe stylized Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression.[1]"

You are not making movies but shooting still portraits. You might be referring to LOW KEY portraiture. The contrast, interaction of highlight and shadow, mood, and "look" you are trying to achieve is mainly a function of classic lighting for portraiture. Several basic lighting forms and principles are usually applied to this style of work. Generally, short lighting in the Modofoed Butterfly, Rembrandt, Split, and Rim form works best in a lighting ratio of 1:4 or more.

If you are not familiar with some or most of the aforementioned terms, they are all part of the basics of classic portraiture. If the light is not addressed, the effect can not be obtained by simply darkening an image with relatively flat lighting.

In your question, you did not specify exactly the location of your "merchant" shoots. Is it planned to be a studio-lie fixed location, or on location at their places of business including the environment of each place? What lighting gear is at your disposal? Do you mean to use available light?

If the lighting is planned effectively and the dynamic range is well controlled, successful printing, preserving good highlight detail specular highlights and rich by transparent shadows should not be problematic.
"Film noir" is a Cinematic term as expla... (show quote)


I'm guessing but I get the impression that out of all your suggestions, what the OP is looking for is Rembrandt lighting, probably with an approximate 50:50 split of light and dark, which would require a single bright light source (high and to the subject's right) and with ambient light being kept to a minimum.

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Dec 4, 2023 02:01:10   #
NorCal Bohemian
 
E.L.. Shapiro wrote:
Could be! Maybe he won't read it all. Perhaps he'll be inspired and create a masterpiece. Small chance he'll read my "tome", find it useless and ignore it, or become overwhelmed and toss his camera in the garbage and forget about photography.

An AI-generated pizza "baked" in a 3-D printer will probably taste better than the piece of cardboard and glue the local greasy spoon sent over the other night. I think the driver got a parking ticket.

I'm certain our OP will derive a great deal of inspiration and knowledge from your post. Good to know someone is reading my stuff- I just do it for typing practice. Thanks for the "book review". My next tome will be entitled "Don't Drop this Book on Your Foot (serious injury may result)!
Could be! Maybe he won't read it all. Perhaps he'... (show quote)


I appreciate your informative posts. The time and effort you take to share your knowledge and experience help to elevate photography and make Ugly Hedgehog worth reading. Nice burn on the vacuous troll with attitude, whom I have yet to see contribute a bit of useable knowledge, let alone a whit of wit! Thank you for your continuing educational contributions - again - deeply appreciated!

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Dec 4, 2023 03:40:53   #
User ID
 
NorCal Bohemian wrote:
vacuous troll with attitude, whom I have yet to see contribute a bit of useable knowledge, let alone a whit of wit!

NoCalBo made coffee shoot outa my nose !
NoCalBo made coffee shoot outa my nose !...
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Welcome !
Welcome !...
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Base image
Base image...
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3-Band editing
3-Band editing...
(Download)

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Dec 4, 2023 07:51:05   #
Ellen101 Loc: Manhattan NY ..now Spring Hill, Fl
 
MJPerini wrote:
Ellen 101
This is a great project! However you do it will be great.
I will make a suggestion for your consideration. Film Noir was a Hollywood style that was extensively lit with hard lights.
Fresnel Spots etc . The best pictures ever made of trades people and shop keepers were Irving Penn’s , collected in his ‘Small Trades series’. All done with single large source (window light ) in his Paris studio.
It could be beautifully adapted to your location portraits. The other Photographer that did brilliant work was August Sander.
In both cases the person is portrayed with great dignity and simplicity.
Noir lighting sort of calls attention to itself.
But these are your pictures if you still want to go after the Hollywood glamour/ film noir look, look up George Hurrell
Good luck with your project.
Ps you can get a lot of the Penn look ( large single light source and a reflector) with subtractive lighting. Store or open sky lighting tends to be flat , by using the black side of a large reflector above an to one side, what is left of the ambient lighting becomes your main light
Ellen 101 br This is a great project! However you ... (show quote)


THANK YOU for aLL THAT WONDERFUL INFO

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Dec 4, 2023 10:01:30   #
MrPhotog
 
Ellen101 wrote:
I am taking black and whte portraits of merchants (local) for a photo show I am having in January.
Question: how do I get that film noir look, the intense balck and white on a print?
Please
Thank you


It comes from controlling your lighting. And sometimes using several lights of various strengths.

Work in a dim area, so yoh control the lighting.
Use a darker background.
Use direct light on the subject, and reflectors or additional lights to provide just enough light to get details in the shadows.
Reflectors can he cheap cardboard, and are very effective for the price.

Often the light will come from the side or even behind the subject. You would have a silhouette without reflecting some of the overspill back onto your subject.

The term ‘high contrast’ can be confusing. Ay the extreme, a high contrast photo would have just white and black images. All highlight areas go to pure white, and anything darker than a midtone goes pure black. That is fine for printing plates, but not portraits. I think what you want is a portrait which has rich details in the darker midtones, leading to a rich black in total shadows. A longer tonal range would be a lower contrast image. You are looking for shadow details, where others want highlights.

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Dec 4, 2023 11:09:53   #
jaymatt Loc: Alexandria, Indiana
 
Ellen101 wrote:
I am taking black and whte portraits of merchants (local) for a photo show I am having in January.
Question: how do I get that film noir look, the intense balck and white on a print?
Please
Thank you


Finish editing in Nik Silver Efex Pro. It has a film Noir preset.

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Dec 4, 2023 13:41:46   #
User ID
 
jaymatt wrote:
Finish editing in Nik Silver Efex Pro. It has a film Noir preset.

A *stills* photo preset named "Film Noir" ?
Well, aint that a hit of fresh air ! Guess the Dictionary Dictators must have been looking the other way that day. Or maybe they just went out to the movies .

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Dec 4, 2023 19:48:17   #
E.L.. Shapiro Loc: Ottawa, Ontario Canada
 
Just a few remarks for those who are interested.

I never got into cinematography. I love good moves but shooting films and video is not my thing. I have shot still on 17 motion picture sets for major productions. I can tell you, unequivocally, that these directors of photography or cinematographers know the onions, especially when it comes to lighting. The collaboration with directors, writers, and other key staff produces the look or mood of the screenplay to perfection.

The nomenclature, gear, and some of the terminology are different in some cases but the light, in many cases, correlates very closely to classic portraiture. Of course, it is easier to create a precise lighting form in a still image of a single subject- like a portrait.

"Noir" translates to "Black in France. I don't think the OP wants images that simply have intense black tones just dark or contrasty. I guess he is referring to dramatic or dynamic low-key portraits of his intended subjects or clients. So, for the record, this is what a low-key portrait is all about- technically!

For purists, the best subjects have dark hair and eyes, and darker skin tones although anyone can be effectively photographed in low-key. Clothing and background should be dark but not necessarily black. The shadows should be somewhat dense but not entirely vacant of detail. The concept is that the diffused and specula highlights on the face of the subject should be the brightest tone in the image, in the composition therefore leading the viewers' eyes to the motif of the image- the subject.

That is the densitometry part! If the OP wants dramatic, moody, and dynamic results as if extracted from a good mystery movie- that will be up to his ability in posing, direction, eliciting expressions, and composition. He still needs to get his lighting down pat!

Rembrandt Lighting. Interestingly enough, Mr. Rembrandt, himself, the great painter did not always pose his subjects in the same light. Many of his works exhibit the classic feature that a photographer would call short lighting with the familiar triangular highlight in the shadow side of the face. His works were classic examples of the Currocrusso effect- the use of highlights and shadows to create dimensionality.

The low-key effect in photographic portraiture can be, in part, accomplished in various kinds of lighting conditions Istudio or studio-like) with artificial lighting, natural light, available light, and a wide range of equipment from very elaborate studio setups, a simple single light source and a reflector, or even window light or a candle as long as you know the theory. how to expose and establish a ratio. Applied methods such as feathering will provide control over the rendition of texture and intensity of specular highlights.

By the way- we do have a specialized and underutilized portrait section here on UHH. If anyone wants to have a serious conversation about this kinda stuff, drop in and post.

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