one_eyed_pete wrote:
...The LR workflow is still: Import, Rating/Sort Library(keepers/trash), Develop (a little or a lot based on image), Print or Export....
Where Develop (i.e. adjustments) for
raw files is concerned, the tools are best used in the order they appear in the Develop section (except perhaps lens corrections that are best done early). I would also recommend getting any cloning done early. If you clone over areas that have had adjustments applied via the Adjustments brush it can produce funny effects, such as stuff below the patch showing through even at 100% opacity.
Also, if you've added a lot of sharpening it can affect how the brush works when in Auto Mask mode, so it's a good idea to get brushwork done before sharpening.
If you use Auto in the Basic section to get the light levels adjusted, see that as a starting point. Further tweaking may well be required, especially where highlights and contrast are concerned. Typically, Highlights will be well to the left and Contrast at least half way to the right.
If adding contrast causes the darks to be crushed (too dark and solid) use the Blacks slider to lift the darks - and
do that by eye - ignore the
Shadow Clipping warning (if it's switched on in the Histogram - top left hand corner). However you should use the Whites slider together with the Highlights Warning (top right hand corner of the histogram) to set the white point (to avoid clipping).
Use the Clarity slider sparingly (typically less than 8) at the end after you've made all of the other adjustments. Likewise with the Saturation slider. Any problem colours can be worked on in the HSL section.
Where sharpening and denoise are concerned, if you don't feel confident about doing them by eye, have some default settings that you can use for all of your shots. Fairly safe options for a raw file would be:-
Sharpening:-
Amount - 60.
Radius - 1.7.
Detail - 22.
Auto Masking - 60.
Noise Reduction:-
Luminance - 4. Detail - 65.
Color - 20. Detail - 65.
Extreme noise would require more extreme adjustments. Those above should be good for ISOs up to about 1600 with your D500. Very bad noise requires either a re-shoot or an AI denoise package.