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Am I Too Old?
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May 29, 2023 12:51:34   #
Bruce T Loc: Michigan
 
You are right about being able to walk. But people are too lazy to walk to their mail boxes and use golf carts too.
People use to do their only oil changed and spark plug changes. They got too lazy and take it to dealers. Now they don’t know how to do anything.
Understanding the photography triangle will make them better photographers….if not leave your camera on full auto and program mode.

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May 29, 2023 13:22:25   #
Urnst Loc: Brownsville, Texas
 
CHG_CANON wrote:
At this point, skip the software and keep working on your shooting skills, especially your camera set-up. The colors and pose of this image are wonderful. Alas, the soft focus can be traced to your set-up.

Change from AF-S to AF-C and practice tracking subjects with the shutter half-pressed, to continuously engage the AF. Better yet, configure back-button focus (BBF) and use your thumb to hold focus and your index finger to release the shutter, with your thumb actively pressing / holding the assigned BBF.

Next: learn, practice and achieve the finger dexterity to move / position a selected AF point onto the subject's eye, when possible, or at least the face. This image has a centered AF point on the body, not the eye. If 1 AF point to too hard to track the eye of a moving subject, use any of the 'zone' options, such as a 9-AF box or the slightly larger 12-AF box. Get that box over the subject eyes, the camera will do the rest. That 'dexterity' means changing the AF location with the camera held to your eye in a shooting position.

If you're going to be a JPEG shooter, not a post-processor, change from Adobe RGB to sRGB. Otherwise, you have to process every image before sharing, if for nothing more than correcting the colorspace to the online standard.

As a JPEG shooter, customize your Standard picture control. Bump the sharpening to +4.0 or +5.0. Add some saturation, say +0.5 or +1.0. You have clarity at +1.0, consider Contrast at +0.5 to +1.0. Test how these changes impact your images and fine-tune further, if desired.

This result shows you're in the neighborhood of success. Up your game with these setting updates and technique adjustments. Let the camera make you successful and you're justified in skipping the post processing downstream work.

When you become one with your camera, the magic begins.
At this point, skip the software and keep working ... (show quote)



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May 29, 2023 13:30:14   #
Sidwalkastronomy Loc: New Jersey Shore
 
I would spend my time researching different areas to photograph and not worry about post processing till he gets back. Use the jpeg, which usually are ok, then post what you have after. Adding the jpeg on does take up much file space so NO reason not to do it

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May 29, 2023 13:35:44   #
Bruce T Loc: Michigan
 
If you have the disk or USB drive space, take both.

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May 29, 2023 14:57:17   #
amfoto1 Loc: San Jose, Calif. USA
 
Sunsetpar wrote:
Hi friends. I enjoy my daily dose of Ugly Hedgehog, and value the expertise, opinions, and humor I find here. I have a dilemma, and would appreciate your thoughts. Bottom line...am I too old (age 70) to learn, use, and benefit from Lightroom? Put another way, should I shoot RAW + JPEG or just JPEG on my upcoming (mid-August 2023) trip to Brazil to shoot wildlife? A little background-- following a less than stellar photography performance on a trip to Costa Rica this past February, I vowed to improve my skills, and equipment, in an attempt to better deal with low-light (and other light challenges) photography in the wild. To this end, I acquired a Nikon D500 and a 500mm prime lens (the cheap one!) and have been practicing every day to shoot in manual mode, especially in low light. I feel that I am making progress, so I started looking ahead to my trip to Brazil, and the nuts and bolts of shooting and processing the photos I anticipate taking. As I sit here this morning, I am overwhelmed at the prospect of learning Lightroom (or some other PP program) prior to my trip, and am starting to question whether I should even try. After several hours of research (including in the post-processing forum) my mind is boggled. Heck, I am not even sure if I should try to use the Classic version or the cloud version. Right now my gut feeling is that JPEG images are more than sufficient for my needs (I have a website/blog that I created and maintain for my grandchildren and other friends who are interested in archaeology and birds), and I should devote my time to just taking the best JPEG images that I can at point of capture. I feel that I still have most of my wits about me, but I find myself doubting that I have sufficient gray matter to shoot and process RAW. What do you think this old man should do? (PS- attached is a "practice" photo I took a few days ago at a local park on a cloudy day)
Hi friends. I enjoy my daily dose of Ugly Hedgeho... (show quote)


First of all, that's a wonderful shot! There isn't a lot that can be done to improve it. In other words, you really "nailed" it.

However, like ANY image, there is ALWAYS something that a little post-processing can add. In this case, selective sharpening and a little increased contrast on the bird really makes it pop. Some might also play around with lightening the background slightly or adding a mild vignette in the corners. These are the sort of things that are done "to taste".

Any post-processing is best done working on a RAW image. This is because the RAW has the full data captured initially and the maximum bit depth. Interpolated as 16 bit by the post-processing software, working from a RAW file will make for smoother transitions, avoiding possible "banding" that can occur when JPEGs are post-processed. Your sample image is a poor example for this, simply because it doesn't need much adjustment! But, be honest... how often do you achieve near perfect exposures like this? Especially shooting wildlife where circumstances can change rapidly... the subjects quickly appear or move from one lighting condition to another. Even shooting RAW with as much care as possible, there can be shots that are just unusable. But when shooting JPEGs and not doing any post-processing, I would be that "keepers" are pretty far and few between!

Just to illustrate the difference between RAW and JPEG, do a little experiment. Set your camera to shoot both RAW and JPEG. Take a few shots that way. Download them to your computer and then inspect the file properties. See how the RAW file is larger? That's because a lot of data was "thrown away" when the camera made the JPEG. There is no getting that back. It's gone.

Another comparison... a JPEG is an 8 bit file. This means that the 0s and 1s that make up individual colors comprise 2 x 2 x 2 x 2 x 2 x 2 x 2 x 2 or 256 tonalities per color channel. There are three color channels (red, blue, green) and to make an image tonalities from each channel can be mixed with tonalities from the others. 256 x 256 x 256 equals more than 16.7 million possible. That's A LOT of possible colors, isn't it?

However, 16 bit has 65,536 tonalities per color channel (2 to the 16th power). 65,536 x 65,536 x 65,536 gives a 16 bit file a palette of 281 trillion possible colors! Precise color is MUCH more possible and gradations can be MUCH smoother with roughly 16,800 times as many colors to work with!

Note: Most digital don't actually shoot 16 bit RAW files... Most shoot 14 bit or 12 bit (or in some cases can be set to shoot one or the other). Don't worry about it. These files are "interpolated" as 16 bit by any image editing software.

You may not be aware... You're actually already shooting RAW files. In fact, every digital camera initially takes a RAW shot. When you set the camera to RAW... it simply saves the entire file. When you set the camera to JPEG, it quickly post-processes that "16 bit" RAW according to the settings of the camera, saving what it thinks is needed and throwing away the rest. Again, the settings of your camera... contrast, saturation, sharpening, white balance (color temp and tint), etc.... are all applied to the JPEG. Those are not applied to the RAW file, though they are recorded along with it for later use, if wanted.

Your camera probably came with some RAW conversion/post-processing software. Camera makers' own proprietary software usually has an "as shot" conversion option, where the software will make a JPEG from a RAW file EXACTLY the same way the camera would have done. In other words, so long as you have your camera maker's RAW conversion software, you can ALWAYS make a JPEG from it with a single click that will be at least as good as if you had set the camera to JPEG. However, since you still have the RAW file, you also have option of changing many of the settings that were recorded by the camera. The biggest of these is probably the white balance. Have you ever set it incorrectly and had your JPEGs end up with a strange tint? If you had shot RAW you can easily correct the white balance. You also have a lot more latitude to brighten up a dark image or lighten one that's over-exposed.

3rd party RAW conversion software like Lightroom doesn't have that "as shot" option, but Lightroom and most of them do have a "one click" that can be used to get pretty close. Lightroom and other, similar 3rd party software often is a lot faster and has many more features than the camera maker's software. For example, Lightroom has a ton of organization tools. It also "meshes" very well with Photoshop for more intensive image editing, when needed.


It's up to you, whether to shoot RAW or JPEG, as well as whether to post-process your images or not. Personally I think EVERY image needs some post-processing. Sometimes it's very little. Other times it's a lot. I tend to post-process for a realistic look and often that means very subtle adjustments.

If you want to give it a try, you might consider Adobe Photoshop "Elements" instead of Lightroom. Elements can do a lot and, like Adobe Lightroom and Photoshop, is well supported. Elements is NOT a subscription. It's a perpetual license and costs about $100 (if you also shoot videos, Premiere Elements can be bought in bundle with Photoshop Elements for $150... saving $50).

Lightroom is good, though. I use it along with Photoshop. Mine are older versions of it, though. Today's subscription versions have some new features I'm not familiar with.

I hope you don't mind, to illustrate what I mean by subtle post-processing I took your image into Photoshop did some very selective adjustments of contrast, saturation and sharpening, then slightly lightened the background. See what you think, below. Especially look at the bird's eye, bill and legs detail. At higher magnifications there is a little noise showing up, but by limiting the sharpening to the bird that will be hidden in the feather textures in any print that were made from this image. Again, this image is simply "too good"... it doesn't need much in the way of post-processing!


(Download)

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May 29, 2023 15:05:22   #
druthven
 
UTMike wrote:
Tom, I took up with Lightroom when I was 77. Go to the Anthony Morganti or Mark Koslowski videos to get started.


I took up Lightroom at 81 and I second Morganti. The basics are pretty easy to grasp and use and Morganti doesn't talk so fast that it is difficult to assimilate. Just take notes so that after a layoff you don't have to remember, "do I turn the highlights up or down and which way do the shadows go".

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May 29, 2023 15:57:41   #
klf
 
I am 90 + and starte shooting

I am 90+ years and have been shooting nothing but
RAW for 4 years








raw

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May 29, 2023 16:20:11   #
clint f. Loc: Priest Lake Idaho, Spokane Wa
 
Bruce T wrote:
You are right about being able to walk. But people are too lazy to walk to their mail boxes and use golf carts too.
People use to do their only oil changed and spark plug changes. They got too lazy and take it to dealers. Now they don’t know how to do anything.
Understanding the photography triangle will make them better photographers….if not leave your camera on full auto and program mode.

Auto maintenance isn’t a DIY skill any more. You can’t get under a car with a creeper any more. Waste oil disposal is a problem and the cost to have it done by a shop is nearly the same as buying the oil and filter and oil plug washer. Changing spark plugs used to be a simple process. Pull out the old ones gap new ones and install. Easy as can be. Now you have coil packs associated with each spark plug on many cars. Have to have an OBDII reader to make sure all is well. You may know how to adjust a carb if the car isn’t running right. But electronic fuel injection, not so much. If you have the time, tools, knowledge and a place to work on your car you may be lazy but if you are missing just one of those the professionals are the only answer.

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May 29, 2023 16:35:49   #
CHG_CANON Loc: the Windy City
 
MrBob wrote:
I kind of agree with you now Paul but in the not too distant future with much advanced processors, algorithms and gigantic databases, coupled with the ability to manipulate pixels at the lowest level, Won't AI be able to compare a poorly focused image and compare it to perfectly focused images in the database and emulate... I am just thinking out of the box a little... This path could easily lead into some form of Holography I would think... what do you think or am I going off the deep end ?


Why buy expensive cameras and lenses if you're not going to obtain the best possible results from that equipment? That may be the typical UHH community gear-head approach, but many others subscribe to this site and to similar "insider details" blogs to learn how to use their equipment in ways that are not covered in the generic manual and / or the 3rd party "user's guides". I have repeatedly posted topics that seek to distill the basics of these 'advanced-level' shooting technique, some covered in my initial reply earlier.

If a future-point software can deliver 'as good as' the camera could do in expert hands, why bother buying the expensive equipment at all? Just hocus pocus your own results there at your desktop without ever going outside. Personally, I don't see this happening as the software still has to 'invent' focused pixels that are missing from your near-miss results. Where, your time and sunk costs into the top-end gear could all be better spent learning the details and practicing the shooting technique. Someone who nailed the image in the camera will always have a visually better result, down to the pixel level, than the software / AI software could even achieve from the near-miss version.

To your idea of a database of 'perfect' images, that might be how it could be done. None of that infrastructure exists today for consumers, that's more of fantasy / CSI TV ideas today, and maybe some nation-level facial recognition applications. In today's reality, people can buy whatever they can afford and use it anyway they want. But, when someone asks me for help, they'll get both candid feedback on current example results, and actionable ideas on the proper things to practice doing to the best of their ability.

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May 29, 2023 17:54:12   #
gener202002
 
There are all kinds of arguments on the internet about jpeg versus raw. But then again, might just make you more confused. I think so much depends on exactly what you want to do.

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May 29, 2023 18:01:38   #
DirtFarmer Loc: Escaped from the NYC area, back to MA
 
gener202002 wrote:
There are all kinds of arguments on the internet about jpeg versus raw. But then again, might just make you more confused. I think so much depends on exactly what you want to do.


Even if you are confused about raw va jpg it’s worth saving both. Memory is cheap and confusion can be overcome. The raw files give additional flexibility. If you don’t know how to fully use that flexibility now, you might be able to use it a couple years from now and you will have a stock of raw files you can use to improve your photos.

Saving raw files is like an investment in photo quality.

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May 29, 2023 18:43:46   #
gener202002
 
DirtFarmer wrote:
Even if you are confused about raw va jpg it’s worth saving both. Memory is cheap and confusion can be overcome. The raw files give additional flexibility. If you don’t know how to fully use that flexibility now, you might be able to use it a couple years from now and you will have a stock of raw files you can use to improve your photos.

Saving raw files is like an investment in photo quality.


I myself generally shoot in raw, but sometimes in both raw and jpeg. I like playing around with lightroom and photoshop to see what I can do. What makes something stand out and so on. But it seems more and more people are saying nowdays that jpeg is the way to go. I don't get into the arguments too deeply. I don't have time for it. But I like to experiment.

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May 29, 2023 19:01:07   #
Jdh1951 Loc: Los Angeles
 
Go for it! I was 68 when I started with Lightroom and almost right away was able to use it to produce noticeably better photographs. It's quite intuitive (unlike Photoshop) and has been substantially improved over the past decade with AI features that make it even simpler to use. I'd recommend the Creative Cloud subscription since Adobe is continually upgrading LR (you will also get Photoshop if you want to try something much more challenging).

Unless you can nail the shot in the camera at least 20% of the time, you'll appreciate the ability to do sophisticated post-production processing in LR. Also recommend using RAW rather than JPEG-- it's a lot easier to correct mistakes with exposure or white balance if you do.

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May 29, 2023 19:29:08   #
MrBob Loc: lookout Mtn. NE Alabama
 
CHG_CANON wrote:
Why buy expensive cameras and lenses if you're not going to obtain the best possible results from that equipment? That may be the typical UHH community gear-head approach, but many others subscribe to this site and to similar "insider details" blogs to learn how to use their equipment in ways that are not covered in the generic manual and / or the 3rd party "user's guides". I have repeatedly posted topics that seek to distill the basics of these 'advanced-level' shooting technique, some covered in my initial reply earlier.

If a future-point software can deliver 'as good as' the camera could do in expert hands, why bother buying the expensive equipment at all? Just hocus pocus your own results there at your desktop without ever going outside. Personally, I don't see this happening as the software still has to 'invent' focused pixels that are missing from your near-miss results. Where, your time and sunk costs into the top-end gear could all be better spent learning the details and practicing the shooting technique. Someone who nailed the image in the camera will always have a visually better result, down to the pixel level, than the software / AI software could even achieve from the near-miss version.

To your idea of a database of 'perfect' images, that might be how it could be done. None of that infrastructure exists today for consumers, that's more of fantasy / CSI TV ideas today, and maybe some nation-level facial recognition applications. In today's reality, people can buy whatever they can afford and use it anyway they want. But, when someone asks me for help, they'll get both candid feedback on current example results, and actionable ideas on the proper things to practice doing to the best of their ability.
Why buy expensive cameras and lenses if you're not... (show quote)


Thank you for taking the time to respond... Good points to chew on. Sometimes I tend to overthink things. My wife tells me to be happy with what I have...

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May 29, 2023 20:29:08   #
DVZ Loc: Littleton CO
 
You might try ACDSee it not as full featured as LR but it's very intuitive and has all you need.

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