burkphoto wrote:
But that's the thing. I wouldn't make more than half a dozen exposures, before moving on. I think I only made more than 10 exposures of something for multi-image slide show animation. When I learned photography, I was a broke student and film and paper were expensive. That frugality persists.
I THINK before pressing the shutter. I hate the concept of "Ready? FIRE!!! Uhh, aim? WTF is aim?" Maybe it's the project management training I've had over the years... About half the steps of formal project management are planning. Even if the planning is quickly conceived, it's the vitally important first step in capturing something worth keeping. Spray and pray is not a very efficient strategy. It can work, but as you say, it's wasteful.
But that's the thing. I wouldn't make more than ha... (
show quote)
Bill, et al -
I hesitate to write any response, both because if it's long, no one will read. As well, I'm struggling with what counter-term to use going forward in response to spray&pray. This one comes up just often enough, as a catch-all, that I need a catch-phrase counter-response I can whip out on demand from memory. I'm going to start with 'fuddy duddy' until I find something better.
That flower example above, for me, would play out as:
1, A few test shots for the exposure. These are not sports / event images that can't be recreated. I can be casual in developing my manual exposure settings. There goes say 3 shots.
2, A few tests on where to focus on the flower. I don't chip very much, beyond a look for blinking highlights. Say +3 more.
3, Now, am I going to take one more and say I'm done? No, I'm going to work this flower, both landscape and portrait, if applicable. Varying my angle of view and / or position of the flower in the frame. If shooting from overhead, that's going to be another 10 to 20 shots, each rather similar, but also each composed individually and each unique. I'm not just holding the hammer down and ripping unnecessary duplicate images, what this spray&pray accusation means to me.
4, I also will likely try some eye-levels shots, either getting my behind on the ground or some risky just hold the camera down there (knee-level) attempts. That's going to double my total again.
The process above is why I'd expect to have 40+ images from just that one flower. I'll pull them up on my large monitor and look at each at the 1:1 pixel level details. I'll kick half, typically, before even importing into LR, using FastRawViewer to cull. There might only be 1 overhead and 1 eye-level that are worth keeping when done editing, including a process of one-to-one image compares at the pixel-level. But, I let the results and the uniqueness of each view determine the final count, not force the count to 1 or 2.
Those two images are probably a 30-minute commitment, covering the shooting time, culling and editing, probably an hour after prepping the social media versions for post. This is not spray&pray, which is why I 'promise' to find the term to throw back in response when I find the phrase / term that captures my sense of sarcasm, with a layer of mild bite. Anyone with candidate terms, please suggest. A photographer fuddy-duddy is a start, but doesn't feel yet like the new catch-phrase I'm wanting to use.
Hopefully, all can see why all but the final few best
digital results are junk in my book.