tcanzano wrote:
I am looking for a landscape lens. I want to spend between $400 and $600.
I am looking at:
Nikon AF-P DX 10-20 F4.5-5.6 $306.00
Signa EX DC HSM 10-20 F3.5-22 $399.00
Tokina ATX-I 11-20 F2.8 $529.00
Any other suggestions?
You might want to go for a little more reach, say 35mm.
I have the Sigma 10-20 for my crop frame Nikons. Works great. Just remember to avoid big foregrounds or to put something interesting in them. Plus you can get vertical lines tipping in or out depending on how much of an angle you’re shooting up or down. Best to hold it level as much as you can.
GKarl
Loc: Northern New Hampshire
I have been using a Nikon 12-24. However, after looking at what I choosing most of the time in my landscape pictures I found most of the shots were at the upper end. I believe I will be selling the 12-24 and buying a Nikon 16-35 f4. Just a personal anecdotal story. Good luck.
I shoot M4/3 exclusively (12 years). I have a 14-42 (28-84 equiv) which is my "landscape lens". I am awaiting delivery of a 25mm (equiv. of a nifty fifty) which I think I might use for the same purpose. Guess I want to compare a fast prime with my slower 14-42. I have a 45-175 which I don't often need for my sort of landscapes. However, I remember Linda from Maine posting some superb landscapes with a longer reach telephoto. Having said that, I do believe that you should start with a SHORT range "standard zoom". Whatever - you will need it anyway.
DirtFarmer
Loc: Escaped from the NYC area, back to MA
[quote=tcthome]
Gene51 wrote:
Ultrawides are special purpose lenses with limited application for landscapes. I shoot full frame and use a 45, 85, 70-200 and 100-300 for my landscapes. If I need a wider angle of view, I just shoot multiple overlapping images and stitch a panorama.
I use to almost use the Nikon 14-24 for landscapes. More & more I have been using the 70-200 & stitch when need. If I had the 24-70 I might use that more. Anyway the wider lens is great when a close foreground subject is being shot & the distant objects aren't as important IMHO.
Ultrawides are special purpose lenses with limited... (
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I have a 14-24 and use it occasionally but it doesn't fit well in my bag so it doesn't get a lot of use. Landscapes get stitched using the 24-70 frequently. One place I was happy to have the 14-24 was when I was shooting a wedding breakfast in a tight space. The scene was dynamic so stitching would have been a problem.
I should note also that I have used stitching on dynamic scenes such as the audience in a concert. I repeated the shot sequence 3 times and none of them did well using Photoshop to do the stitching. However, I took the one that came closest and was able to use Photoshop to edit the masks to the point where I could get the stitching to work acceptably.
Tokina ATX-I 11-20 F2.8 is your best bet look for reviews
The Tamron 10-24mm f/3.5-4.5 Di II VC HLD is considered to be ultra wide zoom lens for cropped sensor cameras right now. I have one that I use on my Nikon D500's. It's fully weather sealed and has vibration compensation. I don't know of any other ultra wide zoom lenses for cropped sensor cameras that are fully weather sealed. Its HLD (High/Low torque modulated drive) focusing motor focuses very accurately. Flare and ghosting is very well controlled.
Beware of the Tokina ultra wide zoom lenses. They have suffered from horrendous flare and ghosting. See reviews and sample photos on LensTip.com.
Gene51
Loc: Yonkers, NY, now in LSD (LowerSlowerDelaware)
DirtFarmer wrote:
I have a 14-24 and use it occasionally but it doesn't fit well in my bag so it doesn't get a lot of use. Landscapes get stitched using the 24-70 frequently. One place I was happy to have the 14-24 was when I was shooting a wedding breakfast in a tight space. The scene was dynamic so stitching would have been a problem.
I should note also that I have used stitching on dynamic scenes such as the audience in a concert. I repeated the shot sequence 3 times and none of them did well using Photoshop to do the stitching. However, I took the one that came closest and was able to use Photoshop to edit the masks to the point where I could get the stitching to work acceptably.
I have a 14-24 and use it occasionally but it does... (
show quote)
Totally agree - I too have a 14-24 F2.8, and it gets used a couple of times a year, in special situations. I prefer the more natural perspective provided by longer focal lengths, free of the extension distortion that plagues most very wide lenses. I've not gotten great results stitching images with lenses wider than 28mm.
Living in the rocky mountains, I take a lot of landscape shots. The vast majority are shot between 35-60 (full frame) which offers the most natural perspective. I sometimes use 24 if I'm standing on the shore of an alpine lake but that's about it. Depending on the situation, a 70-200 can be useful too. Wide angles produce vertical compression which ruins mountain shots. Stitching is a much better solution.
I use the Nikon AF-P DX 10-20 F4.5-5.6
and I am very pleased with the results.
From some inside knowledge, take the Nikon lens.
--Bob
tcanzano wrote:
I am looking for a landscape lens. I want to spend between $400 and $600.
I am looking at:
Nikon AF-P DX 10-20 F4.5-5.6 $306.00
Signa EX DC HSM 10-20 F3.5-22 $399.00
Tokina ATX-I 11-20 F2.8 $529.00
Any other suggestions?
Theses are all wide-angle lenses. If you're looking 4 distance, i'd go 4 the 70-200?
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I don't think a 20 or non full frame camera 30mm lens is the max you want but all 3 are worth the money. Less choice and quality will go crazy on this blog.
tcanzano wrote:
I am looking for a landscape lens. I want to spend between $400 and $600.
I am looking at:
Nikon AF-P DX 10-20 F4.5-5.6 $306.00
Signa EX DC HSM 10-20 F3.5-22 $399.00
Tokina ATX-I 11-20 F2.8 $529.00
Any other suggestions?
Travel a lot with a Nikon AF-P DX 10-20 F4.5-5.6 $306.00. Extremelly happy with the results moreover considering its low price. It is light, fast, very sharp around f 5.6/f 11... I can't say about the others as I never used them.
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