Lawmanb2 wrote:
What is the general consensus on Teleconverters? Are they worth the price? How do they perform?
Bill
You should ask about a specific teleconverter for use with a specific lens.
Results vary wildly, there are so many possible combinations.
Some lenses simply can't be used with some teleconverters... they physically won't fit together.
All that said, in very general terms....
There is some loss of image quality any time you add a teleconverter to a lens. It might be very, very little with some combos. But it's often noticeable and then becomes a matter whether the results are "good enough" and acceptable for your particular purposes.
Teleconverters typically work best with prime lenses instead of zooms.
Less powerful 1.4X (and more uncommon 1.5X) teleconverters usually do quite a bit less "harm" to image quality than stronger 2X (and less common 1.7X) teleconverters. I've even seen a few 3X teleconverters... but never one that was worth using on any lens, due to horrendous image quality.
You also "lose light" with teleconverters, which in turn can cause autofocus to fail. A 1.4X "costs" one stop, while a 2X reduces light passing through the lens/TC combo by two stops. For example, an f/2.8 lens will become f/4 with a 1.4X added... or an f/5.6 with a 2X. That shouldn't cause any focusing problem with most modern cameras. But if you put a 1.4X on an f/5.6 lens it becomes f/8... while 2X on that same lens will make it an f/11. Depending upon the camera, those may cause autofocus to hunt badly or fail completely. Overall, the loss of light might slow AF, especially in more challenging lighting conditions.
This light reduction will also dim down a camera's optical viewfinder, potentially making manual focusing difficult. An electronic viewfinder (such as some mirrorless cameras use) or Live View (in both DLSRs and MILC) might be a workable alternative that allows manual focus... But in all cases this will likely be a slower process and will probably be impractical with active, moving subjects.
In some camera systems teleconverters are referred to as "extenders" (in that they "extend" a lens' focal length).
This should not be confused with macro extension tubes, which make a lens capable of focusing closer. Extension tubes come in various lengths and fit between the lens and the camera. They have no optics inside, so are generally less "harmful" to image quality. And, while there is some light "falloff" inside an extension tube, there's usually not as much light lost as there is with a teleconverter, unless you add a whole lot of extension!
With modern, electronically controlled lenses, it's advisable to use extension tubes that maintain connectivity so that autofocus and images stabilization are able to work. But even more important with many modern lenses, that connectivity is needed to be able to control the lens aperture. There are cheap tubes that lack this... but are virtually unusable with many modern cameras and lenses.
A teleconverter increases lens focal length and increase potential magnification without changing a lens' minimum focus distance (MFD). For example, I have a 300mm lens that has an MFD of approx. 5 feet and renders 0.24X maximum magnification. It works very well with a 1.4X teleconverter, to make for a "420mm f/5.6" combo. It's MFD is still 5 feet, but because the focal length is now longer, it can render nearly 0.34X maximum magnification.
Extension tubes don't change lens focal length, but increase magnification by reducing a lens' minimum focus distance (MFD). The longer the lens focal length, the more extension that's needed to significantly change MFD.... For example, I've used a 12mm extension on a 20mm lens and had subjects touching the front lens element in focus. Normally that lens has a 9 or 10" MFD! In contrast, I've added 36mm of extension to a 500mm lens so that it's able to focus at 12 or 13 feet, instead of approx. 15 feet. Maximum magnification with that telephoto isn't very impressive... only about 0.12X. I don't know exactly what max mag is with 36mm extension added, but it isn't changed very much (but it can be enough to make a difference in a shot of a small subject).