I agree with Haydon, grey is very versatile...
Haydon wrote:
Grey is the most versatile. You can light it to stay grey or shades of white, remove light to have it go black or gel it to go any other color.
Joe Ederman a 40 year portrait vet has a comprehensive YT video regarding this topic.
https://www.youtube.com/watch?v=fgtssUAjygA
Go to Harbor Freight, Lowes, or Home Depot and get either a cheap colored tarp or a painters (construction) canvas ! Either works well and you can dye the canvas!
Thank you. I thinking that would be my best option.
Haydon wrote:
Grey is the most versatile. You can light it to stay grey or shades of white, remove light to have it go black or gel it to go any other color.
Joe Ederman a 40 year portrait vet has a comprehensive YT video regarding this topic.
https://www.youtube.com/watch?v=fgtssUAjygA----------------------------------------------
Nice Info Joe......... Very Instructional for sure
Cheers
GeoVz
rjrbigdog wrote:
white, black or grey. want to use in post processing. and any recommendations on what to buy and where? thanks
Studio Grey, you can throw any color gel on a background light and that will be the color of the background.
rjrbigdog wrote:
white, black or grey. want to use in post processing. and any recommendations on what to buy and where? thanks
There is no best color. It depends on your creativity. I have black and I have white. Some people us that green-screen color. Others use gray. And still more use printed backdrops. It's up to you.
I should have stated that I want it for photoshop.
rjrbigdog wrote:
white, black or grey. want to use in post-processing. and any recommendations on what to buy and where? thanks
What are you shooting- flowers, people, still life? There is no universal background color or shade that is universal for every subject. You need to consider color harmony, key, the illusion of depth, separation, and more.
The best and easiest method of background management is to include the background, of the right color/shade, content, and/or density that is compatible and harmonious with the subject. If you are going to replace or create the background in post-processing, choose the color or shade that makes the process easy and convenient and less tedious and provides enough contrast and delineation so that you can see what you are doing and avoid bleeding.
If you are not shooting large subjects, smaller rolls of seamless background paper are not costly- you can have rolls of white, studio gray, and black.
thanks for the information, thats what im going to do.
If you use gray, be sure it is a pure gray, not tinted with any other color. That way yhou can change the effect by the light you have on it. If you use a brownish gray, or blue-gray, or whatever, you are stuck with it. Also see truthaboutneutrals.weebly.com
I have one wall painted with a pure gray, similar to the old photograhic gray-card. It works great for all kinds of photography, depending on the lighting used.
The advantage of using gray is that if you shoot with a colored gel on the background, the color will be much more intense than it would be on white. It rarely shows on black. I do this a lot and it's as if I had a lot more colors of background than I do. Dark gray gives the best saturation, pale gray less. I prefer using gels to changing in post, but I have the gels and others do not have this option.
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