nl wrote:
All the reviews I've read make them all seem like ink sucking monsters that clog up all the time? I've discounted HP, and I'm on the fence with Canon and Epson. Anyone have any good experiences with these printers?
NO inkjet printer will make inexpensive prints, compared to a photo lab. One does not make inkjet prints to save money.
NO inkjet printer is clog-proof. Generalities: Dye based printers clog less than pigment ink printers, because pigments can settle out of suspension and cause clogs. However, pigments last up to twice as long as dyes, and about five times longer than chromogenic color prints from labs.
If you are a serious hobbyist or pro, and intend to make a lot of prints, you probably do this yourself on an inkjet printer for one of these reasons:
You're a bit of a control freak.
You are very picky about color accuracy and color management.
You want the widest possible color gamut by printing directly from a processed raw file's bitmap image.
You make reproductions of photos and other artwork in a major art museum.
You need special papers, canvas, or other substrates.
You need near-immediate turnaround on small batches of work.
You make ten or more prints per month (this will keep the ink from clogging nearly any printer, as long as the ink is fresh (opened less than six months ago).
You want ultimate privacy for sensitive work.
You want very large prints that you will mount yourself (or at the frame shop next door).
Photographers who want a reasonable inkjet PHOTO printer should look at the Canon Pro 100. It gets good reviews from UHHers. If you want a really good EPSON Ultrachrome HD pigment ink printer, the P800 isn't cheap, but will give you the lowest Epson photo ink cost per print of any Epson photo printer under $1500.
If you don't care much about quality, a four color office printer will do an okay job. But for photos, you must use good photo paper!
There is an art to making and preserving good inkjet prints. If you don't have your color management act together, do that before getting a printer. This includes understanding color accurate workflow constraints, and calibrating and profiling your monitor with a hardware and software kit.