a6k
Loc: Detroit & Sanibel
scoundrel wrote:
I have never seen a 12% reflectance gray card, but I have a 18% reflectance one from Kodak. As far as I can tell, most sources use 18% reflectance as the standard for "medium" gray, which is what is typically used as a standard for measuring exposure with a reflectance meter that does not require exposure compensation. The 92% reflectance of typical white copy paper or the 90% reflectance white side of my gray card reflects 2-1/3 stops more light than the gray card and the exposure should be compensated accordingly.
As far as exposure tolerance goes, an exposure error of 1/3 stop (low by 20% or high by 25%) should probably be considered noticeable and should therefore be compensated for. This includes shutter speed errors.
I have never seen a 12% reflectance gray card, but... (
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This article by Mr. Borg, one of the experts behind RawDigger may help explain. Some key points IMO:
1. There is no ISO standard applicable to raw
2. It is common for camera makers to apply different standards to raw vs JPG "middle gray".
3. The result of the different standard is that the raw middle gray leaves more room from middle gray to fully saturated than JPG.
The PDF is downloadable. The two screenshots from FastRawViewer are from the same picture using "raw+jpg". The files were not edited at all. For those who don't know, FastRawViewer uses the same technology as RawDigger. The exposure was of my monitor's screen. The screen was displaying a background I created which is 255,255,255 or as white as possible. The camera, of course, tries to render it middle gray. You can see both in the part of the image that is showing and in the histogram, the significant difference. This merely demonstrates the understanding from the article.
Using FastRawViewer's ability to increase exposure in the display in 1/3 stop increments and its ability to show over exposure I demonstrated that the distance from the raw image's middle gray to maximum is 3.33 stop but the distance for the JPG is less, perhaps only 3.0 stops.
You can tell from the filenames which is which. Also by the caption on the histogram. BTW, using Mac's Preview does not show this. Like most viewers, it interprets a raw file according to the embedded JPG. But FastRawViewer does it right.
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a6k
Loc: Detroit & Sanibel
a6k wrote:
This article by Mr. Borg, one of the experts behind RawDigger may help explain. Some key points IMO:
1. There is no ISO standard applicable to raw
2. It is common for camera makers to apply different standards to raw vs JPG "middle gray".
3. The result of the different standard is that the raw middle gray leaves more room from middle gray to fully saturated than JPG.
The PDF is downloadable. The two screenshots from FastRawViewer are from the same picture using "raw+jpg". The files were not edited at all. For those who don't know, FastRawViewer uses the same technology as RawDigger. The exposure was of my monitor's screen. The screen was displaying a background I created which is 255,255,255 or as white as possible. The camera, of course, tries to render it middle gray. You can see both in the part of the image that is showing and in the histogram, the significant difference. This merely demonstrates the understanding from the article.
Using FastRawViewer's ability to increase exposure in the display in 1/3 stop increments and its ability to show over exposure I demonstrated that the distance from the raw image's middle gray to maximum is 3.33 stop but the distance for the JPG is less, perhaps only 3.0 stops.
You can tell from the filenames which is which. Also by the caption on the histogram. BTW, using Mac's Preview does not show this. Like most viewers, it interprets a raw file according to the embedded JPG. But FastRawViewer does it right.
This article by Mr. Borg, one of the experts behin... (
show quote)
I should have added this mathematical tidbit:
12.5% is 3 stops and 18% is 2.47 stops.
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