I just saw this and gave it a try. Start with the typical three points and adjust as seen here. Also slightly bring up the black point in the lower left corner.
This is the original version.
Your corrections seem to be hazy more than soft.
The steepness of the line indicates the amount of contrast. A curve like that takes contrast away from the darks and adds it to the brights. In this kind of shot the detail that you want is mainly in the brights.
This example is a good reminder that softness isn't just about what the lighting is like at the bright end. It's obvious that if the brights are too contrasty the light is going to be harsh, but you can also lose softness by having the darks too contrasty, and it's often the case that contrast in the darks is expendable, as this example shows.
Craigdca wrote:
I just saw this and gave it a try. Start with the typical three points and adjust as seen here. Also slightly bring up the black point in the lower left corner.
It would work better if the highlights were not already blown.
Thanks for your feedback, everyone.
I use the curves tool quite often. It can be very useful.
Craigdca wrote:
This is the original version.
The Shadows/Highlights control does much more than that if you want.
Fotoartist wrote:
The Shadows/Highlights control does much more than that if you want.
I can see how that improves the details. Sometimes I’ve used a masked layer for “burn” curve with soft light to bring out details in bright areas.
Thanks
Craig
I use Curves all the time. The effect of the Shadows/Highlights adjustment can be achieved in Curves but S/H is more user friendly in its own interface.
Fotoartist wrote:
I use Curves all the time. The effect of the Shadows/Highlights adjustment can be achieved in Curves but S/H is more user friendly in its own interface.
That’s good to hear you say that you use the Shadows and Highlights sliders. I use them as a quick adjustment but your recommendation puts them in a higher ranking for me. Thanks for the advice
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