BlackRipleyDog wrote:
Projection much?
Maybe I was unclear ... this thread is blatantly intentional trolling ... great "family fun".
Its nothing more than amateur mildly comic entertainment, a "Gong Show".
I await some amusing escalation and, acoarst, am actually grateful for your providing a bit of weeknight diversion.
CHG_CANON wrote:
Actually, as expressed in this thread, nothing actually looks larger. The exact same focal length image exists in both the FX and DX version of the same image from the same lens. You just see less of the image circle from the DX crop. Or, are you under this Reach spell?
That can't be true. If it was that simple we wouldn't spend this much time discussing it.
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Longshadow wrote:
I see the
effect I see.
Look through an FX camera with a 50mm; look through a DX camera with the same 50mm,
Does one look closer?
You might want to run your experiment yourself and report your actual results. The focal length doesn't change. You should not, in fact, see any difference in magnification.
User ID wrote:
Maybe I was unclear ... this thread is blatantly intentional trolling ... great "family fun".
Its nothing more than amateur mildly comic entertainment, a "Gong Show".
I await some amusing escalation and, acoarst, am actually grateful for your providing a bit of weeknight diversion.
Wow, how perceptive. Yes, I do live to troll you. Thanks for playing along.
Does it really matter!!!!!!
You look through your viewfinder, if you want more image change to a wider angle lens. You want to zoom in change to a telephoto lens. Who CARES if it's a DX, FX, 3/4, It's all horse bologny. What you see in the viewfinder is the image you'll photograph.
Steve DeMott wrote:
Does it really matter!!!!!!
You look through your viewfinder, if you want more image change to a wider angle lens. You want to zoom in change to a telephoto lens. Who CARES if it's a DX, FX, 3/4, It's all horse bologny. What you see in the viewfinder is the image you'll photograph.
Amazing how that works, and how simple it is, eh?
BlackRipleyDog wrote:
The Common Fallacy - Putting an FX lens on a DX (Crop) body changes the optical peformance of that lens.
A 300mm FX lens does not have the magnification of 450mm when mounted on a DX body. It only has the tighter field-of-view of a 450mm lens. The DX sensor is the same distance from the lens mount as an FX sensor. Same focal plane.
A sample frame from a Nikon DX is natively 14.3" x 9.5" opened in Photoshop. An FX frame is 27.5" x 18.4.
The DX area is about 1/4th the size of the FX area. To achieve comparable magnification, you have to up-size the DX frame 2 times to achieve the same image area. That alone gives the mistaken impression that the DX body has some mystical juju. If that were the case then the smallest possible sensor would be top of the camera food chain while everyone was working at adapting medium format lenses to them for the biggest bang for the buck.
"Reach" as frequently expressed on this forum and others is a unicorn and can't be quantified.
The Common Fallacy - Putting an FX lens on a DX (C... (
show quote)
Yes, knowledgeable photographers already knew that. Newbies and the chronically ignorant may not know this, but this knowledge will have little effect on their photography anyway. In fact this knowledge will little effect on almost everyone's photography.
Who has a doctorate in photography, optics, and physics.
Forget logic, we don't need that.
If your sensor throws away 50% of the frame, how will you ever achieve your potential as a photographer?
CHG_CANON wrote:
If your sensor throws away 50% of the frame, how will you ever achieve your potential as a photographer?
Take twice as many pictures!
Sometime your boys worry me!
Life as a photographer is either a daring adventure or just a cropped-sensor body.
BlackRipleyDog wrote:
If it actually increased sharpness, I would agree. In any case, it is the photographic equivilant of "Fools Gold".
You are just blowing up the smaller DX frame to match the already 4x6 FX frame.
Since that center section of the image circle is usually the sharpest part of the image it not only is "pre-cropped" as if it were a longer lens but the image will have better sharpness over all because the usually softer edges and corners are "cropped off". Hence "crop sensor". Plus at a given MP for the sensor the crop sensor has smaller, denser pixels and thus usually shows more small detail.
So "DX", APS-C or crop sensor actually does in effect act as if your lenses is longer even though it isn't.
To get the same density and therefore detail as the 7DII 20.2MP a full frame sensor would need aprx 46MP.
A 20MP FF sensor does have much larger pixels and those are almost always better in dim light and in my experience less subject to motion blur from tiny camera movements.
The Canon 90D with 32MP was a chore for me to get used to and not get excessive blur from camera motion.
OK, take a shot at my personal belief/understanding. I am a retired History/Geography/Government teacher and "No habla tecnología/matemática." very well in my own opinion. Though I am often surprised at how bad some who think they are experts really are. Might come from teaching at some schools with very high ranked/elite math and science departments where some of the teachers I was friends with were PhDs. You do not run into many PhDs in anything but "Education" teaching at Jr and Sr High Schools.
User ID wrote:
Trolls are in no position to accuse others of being passive aggressive.
Anywho, Im not passive. I call a spade a spade, a troll a troll and stupid as stupid.
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FWIW, for a given lens, if youre gonna crop the FX format down to the DX area, an actual DX camera body can provide superior results. The IS and focus are calibrated for 50% higher magnification applied to the result.
Plus you get more MP on the subject. Using a DX lens on my Z6 only uses about 10 MP. On my Z50 I get 24 MP on the photo. That can be significant…especially if you plan to crop.
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