I might pay that if it would buy me sufficient influence to make a profit. Then I would hang it in the downstairs bathroom.
donrent wrote:
Actually, I like it.
Pay half a mill for it ? Do I look like a Democrate ?
Depends on whether you intend to pay for it with your own or someone else's money.
Alafoto wrote:
Depends on whether you intend to pay for it with your own or someone else's money.
I think it depends on how many times you can "wash" the bucks before they get to Hunter's bank account.
Bridges wrote:
You don't see it? It shows a Kildzak having carnal relations with a Supidious on the planet Solarnormous at noon under the second sun. The relationships here are so unthinkable that the very painting rips at the emotions in such a way that one could be institutionalized by just considering it! Amazing work!
“Amazing” seems like a pretty tame epithet to describe the potential emotional trauma the artist must feel supporting the obvious overpowering emotion of the down-trodden and suppressed minorities dominated by the all-encompassing primal emotional release demonstrated by the containment of severely-restricted minorities-of-color. The obvious repression of the minorities primal-urge to procreate is shown by the containment and subjugation of the secondary and minor shapes and colors by the fascist, racist overpowering presence of the all-encompassing superior dominant colors. The use of prime-colors in juxtaposition indicates the desired blending of racial-equalities on the fine-scale, while overall there remains the isolation of the “purity” of coloration separation . . .
Or some such Bovine Excrement.
Oh, man, that painting is bad, bad, bad. The alcohol inks combine in an interesting way in a couple places, but there's no sense of design, nor evidence of competence.
The only way I'd pay half a million for it is if I could insure it for a million, then set a match to it.
Wyantry wrote:
“Amazing” seems like a pretty tame epithet to describe the potential emotional trauma the artist must feel supporting the obvious overpowering emotion of the down-trodden and suppressed minorities dominated by the all-encompassing primal emotional release demonstrated by the containment of severely-restricted minorities-of-color. The obvious repression of the minorities primal-urge to procreate is shown by the containment and subjugation of the secondary and minor shapes and colors by the fascist, racist overpowering presence of the all-encompassing superior dominant colors. The use of prime-colors in juxtaposition indicates the desired blending of racial-equalities on the fine-scale, while overall there remains the isolation of the “purity” of coloration separation . . . Or some such Bovine Excrement.
“Amazing” seems like a pretty tame epithet to desc... (
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What a riveting analysis of that heart wrenching piece of art, but I think you have done a grave disservice ti the cows with your last statement.
Bridges
Loc: Memphis, Charleston SC, now Nazareth PA
Wyantry wrote:
“Amazing” seems like a pretty tame epithet to describe the potential emotional trauma the artist must feel supporting the obvious overpowering emotion of the down-trodden and suppressed minorities dominated by the all-encompassing primal emotional release demonstrated by the containment of severely-restricted minorities-of-color. The obvious repression of the minorities primal-urge to procreate is shown by the containment and subjugation of the secondary and minor shapes and colors by the fascist, racist overpowering presence of the all-encompassing superior dominant colors. The use of prime-colors in juxtaposition indicates the desired blending of racial-equalities on the fine-scale, while overall there remains the isolation of the “purity” of coloration separation . . . Or some such Bovine Excrement.
“Amazing” seems like a pretty tame epithet to desc... (
show quote)
Excellent summation, however you omitted the danger one should be aware of by looking at the work too long!
Bridges wrote:
Excellent summation, however you omitted the danger one should be aware of by looking at the work too long!
Good point. The only safe manner to view this "object 'de art" would be in a dark room with shade 10 welders goggles on.
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