Ugly Hedgehog - Photography Forum
Home Active Topics Newest Pictures Search Login Register
Main Photography Discussion
Low Light Lens Envy
Page <<first <prev 3 of 3
Sep 23, 2012 08:02:31   #
jerryc41 Loc: Catskill Mts of NY
 
GoofyNewfie wrote:
jsutter wrote:
I wonder if anyone has tried using a fresnel lens concentrator kit for external flash to help with poorly lit night subjects.


Not personally, but here is a review:
http://www.luminous-landscape.com/reviews/better_beamer.shtml

http://www.bhphotovideo.com/c/product/427602-REG/Visual_Echoes_FX3_FX3_Better_Beamer_for.html

Looks good. I added that to my Cameras > Shopping bookmarks. By the way, Amazon has it for $2 less.

Reply
Sep 23, 2012 15:34:23   #
Photo-Al Loc: Sonoma County, CA
 
I purchased the Tamron 70-200 f/2.8 because I needed low light capability (outdoor evening rodeo in poorly light small arenas) coupled with fast shutter speed. I also shoot theatrical rehearsal performance, where flash is a no-no. This means that there is some post processing involved. Budget was also a consideration, plus I knew the name Tamron from working at a defense contractor specializing in lens for high-tech imaging equipment. I couldn't afford Canon L glass, but I am absolutely thrilled with the Tamron. I've since purchased a Tamron 200-500 and 24-135 lens. As long as you stay with Tamron SP series, I believe you'll be pleased. But ... even though the Tamron is lighter, I still recommend a monopod / tripod if you're shooting anything that is lengthy ... like a rodeo, football game, etc. Here's a couple shots with the 70-200 f/2.8

Low light photo fast action ... rodeo
Low light photo fast action ... rodeo...

Rehearsal for Antigone ...
Rehearsal for Antigone ......

Reply
Sep 23, 2012 15:58:51   #
jerryc41 Loc: Catskill Mts of NY
 
Photo-Al wrote:
I purchased the Tamron 70-200 f/2.8 because I needed low light capability (outdoor evening rodeo in poorly light small arenas) coupled with fast shutter speed. I also shoot theatrical rehearsal performance, where flash is a no-no. This means that there is some post processing involved. Budget was also a consideration, plus I knew the name Tamron from working at a defense contractor specializing in lens for high-tech imaging equipment. I couldn't afford Canon L glass, but I am absolutely thrilled with the Tamron. I've since purchased a Tamron 200-500 and 24-135 lens. As long as you stay with Tamron SP series, I believe you'll be pleased. But ... even though the Tamron is lighter, I still recommend a monopod / tripod if you're shooting anything that is lengthy ... like a rodeo, football game, etc. Here's a couple shots with the 70-200 f/2.8
I purchased the Tamron 70-200 f/2.8 because I need... (show quote)

Nikon for $2,400 or Tamron for $800. Oooh, tough choice. :D

I'm sure the Nikon is better in some way, but I would never spend three times more for it. Maybe if someone starts paying me to take shots at night. :D

Reply
 
 
Sep 23, 2012 16:09:11   #
WildBill Loc: South West Florida
 
Photo-Al wrote:
I purchased the Tamron 70-200 f/2.8 because I needed low light capability (outdoor evening rodeo in poorly light small arenas) coupled with fast shutter speed. I also shoot theatrical rehearsal performance, where flash is a no-no. This means that there is some post processing involved. Budget was also a consideration, plus I knew the name Tamron from working at a defense contractor specializing in lens for high-tech imaging equipment. I couldn't afford Canon L glass, but I am absolutely thrilled with the Tamron. I've since purchased a Tamron 200-500 and 24-135 lens. As long as you stay with Tamron SP series, I believe you'll be pleased. But ... even though the Tamron is lighter, I still recommend a monopod / tripod if you're shooting anything that is lengthy ... like a rodeo, football game, etc. Here's a couple shots with the 70-200 f/2.8
I purchased the Tamron 70-200 f/2.8 because I need... (show quote)


Sigma ranks higher than the Tamron according to all reviews I have read on the 70-200mm f2.8 . Glad you enjoy your lens and are happy with your results but I would rather lose a stop on aperture and have the superior quality of the canon L lens for the same price.

Reply
Sep 23, 2012 18:10:01   #
Photo-Al Loc: Sonoma County, CA
 
WildBill wrote:
... have the superior quality of the canon L lens for the same price.


(I added italics in your post ...) So would I ... IF the price was the same. But they aren't. Canon is more than 3x the price and, like I said, budget was a factor. I don't fault anyone who has the $$$$ for buying the best lens money can buy, but since I don't have that luxury, I have to buy the best lens my money can buy ... and I believe I did, and I'm extremely pleased with the quality of shots I'm getting.

Reply
Sep 23, 2012 18:35:46   #
WildBill Loc: South West Florida
 
My original post was suggesting the 70-200mm f4L which is only one stop difference from the Tamron and actually costs almost 100 dollars less (679.00 vs 751.00 for Tamron) for much better image quality, build, and focus speed. Yes, the canon 70-200mm f2.8 is much more expensive but I would loss the one stop rather than going to the Tamron personally.
I am not trying to say the Tamron is a bad lens; it isn't. It is just not an option for my tastes considering the alternative.

Reply
Sep 23, 2012 18:46:34   #
jerryc41 Loc: Catskill Mts of NY
 
WildBill wrote:
My original post was suggesting the 70-200mm f4L which is only one stop difference from the Tamron and actually costs almost 100 dollars less (679.00 vs 751.00 for Tamron) for much better image quality, build, and focus speed. Yes, the canon 70-200mm f2.8 is much more expensive but I would loss the one stop rather than going to the Tamron personally.
I am not trying to say the Tamron is a bad lens; it isn't. It is just not an option for my tastes considering the alternative.

Understood. Although it's a difference of only one stop, 2.8 just sounds so much better than 4.0.

Reply
 
 
Sep 23, 2012 19:24:44   #
WildBill Loc: South West Florida
 
jerryc41 wrote:
WildBill wrote:
My original post was suggesting the 70-200mm f4L which is only one stop difference from the Tamron and actually costs almost 100 dollars less (679.00 vs 751.00 for Tamron) for much better image quality, build, and focus speed. Yes, the canon 70-200mm f2.8 is much more expensive but I would loss the one stop rather than going to the Tamron personally.
I am not trying to say the Tamron is a bad lens; it isn't. It is just not an option for my tastes considering the alternative.

Understood. Although it's a difference of only one stop, 2.8 just sounds so much better than 4.0.
quote=WildBill My original post was suggesting th... (show quote)


It sure does LOL

Reply
Jun 7, 2013 22:18:12   #
capsar050 Loc: Piedmont in North Carolina
 
capsar050 wrote:
My experience has shownn me that I am willing to accept a little less than the mega buck lenses as I am not out in the wild for days waiting for that one chance shot. I started learning how to compose telephoto shots with an old OM 500mm and E-300 and had a lot of fun, I now use the OLY E-5, E-30, and backup E-3 and have great tele shots using my 70-300 and 1.4X or the 500mm OM. I guess it all boils down to how deep are your pockets and how great your commitment to obtain the best possable shot. I recomend a solid (I like vintage Hollywood) tripod for your best result.
My experience has shownn me that I am willing to a... (show quote)


Update: I have been fortunate enough to get a 50-200 and use it on my E30 ( both Oly ) and found it is an outstanding pair for low light and FAST action.

Reply
Page <<first <prev 3 of 3
If you want to reply, then register here. Registration is free and your account is created instantly, so you can post right away.
Main Photography Discussion
UglyHedgehog.com - Forum
Copyright 2011-2024 Ugly Hedgehog, Inc.