These two are ultraviolet images from the last shoot.
Nikon D7000 Nikkor 35mm/f2 @ ISO 3200 f5.6 1/60
The 35mm is c.1968 glass.
The metallic glints from her nails weren't visible in normal light, her ink was almost invisible in the UVA light.
The skin tone that results from this process reminds me strongly of a platinum print. Those prints has the same silvery, soft, and smooth tone. At the same time the shadows are harder and deeper. Its a fascinating way to look at the world.
It hurts even thinking about getting in that position.
These photos remind me of a call-in radio talk show snippet I ran across about a week ago. Callers were asked to describe the most interesting, legal thing they had done to make money. This gal said that she sold photos of her feet to people starting at $50 each, many with food in the shot. She really liked sticking her feet in watermelons and having honey poured over them. Said she made over $10,000 in four years. Bizarre.
Then there's this.
Nikon D850 24-70mm f2.8 @ ISO 100 f/4 1/60th
And yes, there's more.
And this one - she held it for quite some time.
Nikon D850 24-70mm f/2.8 @ ISO 100 f/4 1/60th
Lovely work and tonality.
--Bob
smf85 wrote:
These two are ultraviolet images from the last shoot.
Nikon D7000 Nikkor 35mm/f2 @ ISO 3200 f5.6 1/60
The 35mm is c.1968 glass.
The metallic glints from her nails weren't visible in normal light, her ink was almost invisible in the UVA light.
The skin tone that results from this process reminds me strongly of a platinum print. Those prints has the same silvery, soft, and smooth tone. At the same time the shadows are harder and deeper. Its a fascinating way to look at the world.
These two are ultraviolet images from the last sho... (
show quote)
Looking at her in some of those positions hurts just to see her contort into them. Well done smf85 & Frankie.
bdk
Loc: Sanibel Fl.
I remember her, the girl with what seems like too many arms and legs.... Gotta love her ...
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