minniev wrote:
Thanks for playing Bob. I really like this, it’s a quality artwork. I’m guessing it features kkkkksome images of tangible artworks on your walls, plus furniture and human figure taken from photos? Hope you’ll share more about what you used and what you did. Cool!
I thought you challenge interesting. In looking over what I had, I came across an older artwork. Then and now, I loved the polished brass background. I had cleaned the brass, but not finely polished it because I liked the look of the texture and the randomness of the lively strokes.
Some of the objects from the older artwork were removed, reworked, or some new added. Here's a list.
The table and chair are from a seaside restaurant in Puerto Vallarta. The broken light from surrounding foliage fit my recurring idea of the mystery of things, even of the most "obvious."
The hold-together for the work was the idea of the chair, which can be about to receive someone, or the place where someone was sitting to think and contemplate and now left, or a place quickly abandoned to go into action.
The signpost is a photo, with an artist's story-painting collaged on.
The gazing figure is from a photograph of an observer at a festival, now made Oberver General.
He looks at his life, the temptations, the craziness, the beauty.
A chair of repose awaits, alongside a peaceful, symmetrical fireplace (a photo) with the painted story appearing again on the wall.
It's all Photoshop, with layers of varying transparencies and types, and a slight use of filters.
It's fun rounding up all the things that I think are interesting, then beginning to find out how "they" want to go together, then processing them like a symphony conductor to get the whole thing to "work."