You really should try your 5DIV at higher ISOs... maybe with a touch of noise reduction in post-processing.
Part of the reason you "fear" high ISO is probably because you are viewing your image "at 100%" or higher on your computer monitor.
If you do that with the 24MP Fuji's APS-C images, on a typical modern monitor it's like looking at a 5 foot wide print from about 18 or 20 inches away. If you view the 30MP 5DIV's full frame images at similar 100% magnification, that's even larger.... like looking at a 5.5 foot by 3.75 foot tall print the same way.
In either case, by the time you reduce the image size for actual use.... especially for use on at Internet resolutions such as your example... any minor noise you might see has largely disappeared.
Below image was shot with Canon 7D Mark II (APS-C, 20MP) at ISO 16000.... Yes, that's ISO sixteen
thousand, not sixteen hundred that you consider your highest usable ISO.
And, sure, this image
does have noise, as you can see in the much enlarged detail on the right.
For the above image there was no noise reduction other than the default setting when I converted the RAW files to JPEG in Lightroom, I think it's pretty well controlled for such an extreme ISO. Normally with ultra high ISO such as this I apply some NR software in Photoshop. I like and usually use a Noiseware plug-in. I didn't in this case.... This image was deliberately done as an ultra high ISO test and I wanted it to be a "worst case". In my opinion, while not "noise free" at high magnifications, it's very usable.... certainly in small size and Internet resolutions like the above left example. It could be made even more usable... for a modest size print, for example.... with some extra NR work like I usually do.
For the above image and all higher ISOs I'm very careful to avoid under-exposure. Any time you have to boost exposure in post-processing, that will greatly increase the appearance of noise in the image, too. The only editing I did to the RAW file above was a slight boost in contrast and an adjustment of the black point. Higher ISOs also cause reduced dynamic range, but that's pretty easily adjusted.... so long as the image isn't under-exposed. In fact, sometimes it works well to slightly over-expose (+1/3 or +2/3 stop), then "pull" exposure back down in post-processing.
On all cameras I stay within the "native range" and avoid the "expanded" ISOs, because are actually shot at a lower ISO and then digitally "amped up" to give a higher "faux" ISO. On my 7D Mark IIs, the expanded ISOs start above 16000. Your 5D Mark IV's sensor is less crowded, with larger pixels and should be able to do even better within its native range of 100 to 32000 (its expanded ISOs are 50, 51200 and 102400).
Maybe part of my "tolerance" for noise is because I shot film for 25+ years.... where anything over ISO 100 started to show grain. Most of what I shot was ISO 25, 32, 50 or 100. I used some ISO 200 slide film. Any higher than that... 400 or occasionally pushed to 800... I either shot in B&W (and tolerated the graininess) or with color neg film. In comparison to film the high ISO capability of today's digital is amazing and just keeps getting better with each new generation. And I think many people who complain are very overly critical of their images, viewing them at sizes far larger than their intended use and far more magnified than anyone else will ever see the images.