rgrenaderphoto wrote:
Light painting is whatever the Photographer defines it as. I've used penlights to trace the outline of a model in the pitch dark of a mine, used colored jells on strobes to light up abandoned buildings and to highlight a foreground object in the course of a 90 minute star trail shot. The point of the post was to illustrate new creative opportunities.
Harold Ross is doing the exact same thing that I have done and that Nick Carver did. So, how do you feel Ross is different?
It would be necessary to watch a video of Ross doing light painting to see his method. He keeps the light source constantly moving in a manner appropriate to the part of the object that is being painted. Every separate part of a still life is painted separately. For example, a pair of metal framed eyeglasses would have the ear pieces lit separately from the nose bridge. The results look like Renaissance paintings.