jvnsuffolk wrote:
I’ve always had an issue when shooting with my telephoto lens. I have a canon 70-300mm when shooting at 300 at something that is lest say a bird pretty high up in the tree it always comes out blurry. I could use some pointers pls. Thx
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You didn't mention which Canon body you were shooting with.
With any lens on a Canon camera, you need to multiply the longest length of the lens by 1.6. If you're not good with math, add half of the lens length to get a rough estimate and use the next highest shutter speed.
The earlier suggestion of using 500 as the slowest shutter speed for the 70-300 is correct. If you don't have steady hands, increase the shutter speed even higher. The longer the lens is, the the faster your shutter speed will need to be.
Next, you need to consider your depth of field and which focal point(s) you have your camera set to use. Personally I only use the center focal point.
Shooting wide open (smallest f-stop #) gives you an extremely shallow depth of field.
To test this, take a tape measure and fully extend it and lock it out. I suggest at least a 20' or 30' length for this experiment, or set up multiple tape measures end to end, butting the pull tabs together in the middle.
Set up your tripod right above one end of the tape measure, and start shooting focusing on the mid-point point on the tape measure(s). I suggest a tape measure so that you can readily see how short or broad the in focus sections of the shot are. This experiment is best done outside in broad daylight.
Set your ISO to Auto, but limit the highest ISO to 400, and priority to "A" and start with your f-stop fully open, and take a shot. Change the f-stop to the next higher number, and take another shot. Keep going until you have gone up through an f-stop of 22. You will notice your exposure times will get longer and longer as the f-stop closes up.
Not only will you learn about depth of field, and how narrow, or broad it can be, but you'll get a good indication of the ISO limits on your camera.
I would also repeat the entire test setting the ISO at 100, at 200, and at 400.
This might seem time consuming and repetitive, but learning the limits of your equipment will help to make you a better photographer in the long run. Knowing when a narrow depth of field will work to your advantage, and when it will be a detriment to your "vision" of the shot is part of developing "An Eye" for composition.