R.G., I kind of got lost with some of what your follow-up said (my aging brain struggles mightily some days), but one comment you made is interesting food for thought:
"with art the whole intention is to be evocative." Does that suggest a wide gap between amateurs and professionals? And is the intent to be evocative something innate, or learned and refined as we go along? However that works, I think we still need to keep in mind that one person's masterpiece might be another's piece of junk. Which is why I enjoyed the suggestion that a piece succeeds or fails "based on whether the viewer connects with the message." I do get your point about refined tastes - though "refined" in American English can have a bit of negative connotation. Like "exclusive," there can be an implied feeling of superiority and a separation between cultured/sophisticated and all the rest of us
Cwilson341 wrote:
...To me, one category is not more prestigious than the other...
---I sincerely enjoy all four!
Thank you Carol! Your use of prestigious resonates because I think many folks feel "fine art" is kind of a pretentious term. Or out of reach, either in understanding, or as too lofty a goal in their own work. I wouldn't label my own photos as fine art, except in this discussion.
At times I would like to be able to learn more effective ways to reach people on an emotional level, but I doubt I'll ever narrow my focus entirely since there are too many scenes to enjoy, and styles of pp to experiment with - too much fun, in other words
minniev wrote:
...I found myself using the term "fine art" a lot in discussing my dam bird portfolio with prospective galleries. My purpose in that was to tell them (multiple times) that these were not wildlife photos, they were artistic conceptions...
Minnie. I really appreciate that you detailed your manipulations of the photo, since some are not obvious to the casual eye, e.g. mine!
Your mention of "how they are presented" reminded me I saw an article referencing fine art as encompassing a
body of work, not just a single image. I don't recall if the author was referring specifically to gallery presentations, but that would make sense.
And if so, that implies there must be a base point of technical competence (worthy of offering for sale or professional critique?), not just creative vision. I wonder if there is "fine art light?" I could aspire to someday being in that category
JD750 wrote:
... Ye god man, just look at it and feel it. "Use the force Luke". Experience it. What feeling do you get from fine art? That is the important part.
There you go - so simple!