Pixelpixie88 wrote:
I am thinking of getting this lens. Would use for landscapes but a lot of sports too. The sports would be sitting next to the court, so I would be close to the action. I have read great reviews on the Tamron...some even better than the Nikon. I would love to hear from those here that have either one of them. How do you like yours? (Especially the Tamron with the smaller price.) I would be using it on a Nikon D7200.
Thanks...Marsha
First, Tamron makes really good lenses. My former employer was a Tamron dealer, *and* we had 440 of their zooms (28-75mm f/2.8) in the hands of our staff portrait photographers. Their latest 24-70 is a much better lens, and the 28-75 was great. Of course, Nikon makes great glass, and it may focus slightly faster, but if your budget has other priorities, there is nothing wrong with the Tamron pick.
A 24-70mm, used on your D7200, has the field of view of a 36-105mm lens on full frame. If you are thinking about court sports like basketball, volleyball, badminton, wrestling... it might work quite well for you. For baseball, football, track and field, even tennis... not so well. The 70-200 range (105-300mm effective full frame field of view on the D7200) would be more useful, and many photographers would prefer something longer. If you want facial close-ups of court sport players, the 70-200 helps.
When it comes to landscapes, real estate, and the like, the 36mm full frame perspective isn't usually considered wide enough. Nikon has a 14-24mm (21-36mm FF FOV on the D7200). A 10-20 or 10-22 would be even more useful.
My "holy trinity" (and that of many other professionals) varies with the sensor size:
WIDE ZOOM (normalized for about the same field of view range):
7-14mm or 8-18mm on Micro 4/3
10-20mm on APS-C/DX
14-24 or 16-35 on Full Frame/FX
"RUBBER NORMAL" ZOOM (normalized for about the same field of view range):
12-35mm or 12-40mm or 12-60mm on Micro 4/3
17-55mm or 18-55mm on APS-C/DX
24-70mm on Full Frame/FX
MEDIUM TELE ZOOM (normalized for about the same field of view range):
35-100mm or 40-150mm on Micro 4/3
50-150mm or 55-200mm on APS-C/DX
70-200mm on Full Frame/DX
LONG ZOOM (normalized for about the same field of view range):
100-300mm or 100-400mm on Micro 4/3
150-600mm on APS-C/DX and Full Frame
(I don't use anything longer than those. Your situation may vary. The D7200 has an APS-C/DX class sensor.)
I'm using Micro 4/3 now. My most-used lenses:
12-35mm f/2.8 Lumix pro zoom (at least half, maybe 2/3 of my work is done with this lens, and yes, I'd use it for sideline court sports work.)
35-100mm f/2.8 Lumix pro zoom (portraits and most of the rest of my work, other than copy work, slide/negative duplication, and product photos)
30mm f/2.8 Lumix macro (copying old slides and negatives, copy stand work, eBay photography, close-up process documentation...)
That covers the full frame equivalent range of 24mm to 200mm. When I need something wider or longer, I rent it. The favorite wide zoom rental has been the Olympus 7-14mm f/2.8 (for real estate interiors), while the favorite long zoom is the Panasonic Leica 100-400mm f/4-f/6.3 (wildlife).
I plan to add 15mm f/1.7, 42.5mm f/1.7, and 75mm f/1.8 prime lenses for film-like videography in low light. I don't like to use lenses with a smaller maximum aperture than f/2.8 on any format unless I'm working in decent outdoor daylight. Because I'm using Micro 4/3, I almost never use apertures smaller than f/8, and I try to keep it under f/5.6. All my lenses perform best at f/4. That Tamron 24-70 probably works best at around f/5.6.