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meg pix how important is size??
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Jul 3, 2017 06:58:20   #
therwol Loc: USA
 
russelray wrote:
You can tell Photoshop how to use those 36 megapixels. I have a 4K monitor, and to use the 24 megapixels of my camera I let Photoshop know that I'm using a 4K monitor with 3184 pixels. I do that by telling it that I have 163.404 pixels per inch over 23.5 inches. That gives me a real size on the screen, so that 10x14 inches on the screen is exactly the 10x14 inches that I will print on my printer, very useful when I'm doing something for my Clients, and once I explain how to get actual sizes on the screens, they wind up doing the exact same thing.
You can tell Photoshop how to use those 36 megapix... (show quote)


A 4K monitor can display 8.3 megapixels of information. An 8x10 print at the typical 300 dpi needs 7.2 megapixels. For most people, this is all they need. By simple multiplication, you'll use up all of your 24 megapixels by the time you get to 16x20 at 300 dpi. I don't think that anyone would argue that 6 megapixels is adequate when you start making very large prints, and the point about 6 megapixels is moot when you consider that you can't find cameras these days with less than 12 megapixel sensors, 20 now being common in compact cameras, but the actual need of most people isn't 24 or 36 or more megapixels in their cameras.

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Jul 3, 2017 09:20:12   #
Gene51 Loc: Yonkers, NY, now in LSD (LowerSlowerDelaware)
 
therwol wrote:
A 4K monitor can display 8.3 megapixels of information. An 8x10 print at the typical 300 dpi needs 7.2 megapixels. For most people, this is all they need. By simple multiplication, you'll use up all of your 24 megapixels by the time you get to 16x20 at 300 dpi. I don't think that anyone would argue that 6 megapixels is adequate when you start making very large prints, and the point about 6 megapixels is moot when you consider that you can't find cameras these days with less than 12 megapixel sensors, 20 now being common in compact cameras, but the actual need of most people isn't 24 or 36 or more megapixels in their cameras.
A 4K monitor can display 8.3 megapixels of informa... (show quote)


Please explain how Apple managed to take 8 mp images from an iPhone 6 and blow them up to billboard size? They look pretty sharp, don't they? The reason is that less ppi is needed for large prints.

If you understand the eye's limitations, you'll realize that a 16x24 print viewed at normal distances (1.5 x the diagonal dimension) does not need 300 ppi, but will still be perceived as sharp at 80 ppi.

These two charts from this link - explains it all - http://www.photokaboom.com/photography/learn/printing/resolution/1_which_resolution_print_size_viewing_distance.htm

In the simplest of terms, the resolution required to see "sharpness" diminishes as the viewing distance increases. If you anticipate closer viewing distances, then naturally you would need more resolution. But no one but an OCD photographer will walk up close to a 40x60 landscape print.

A 40x60 print only "needs" 32 ppi, or 1920x1280, or 2.6 mp to appear sharp. A 6 mp camera will provide 50 ppi, which is more than enough for a print that size viewed at 9 ft.

Your resolution requirement in ppi goes up as the distance decreases, so a 4x6 image, printed from the same 1920x1280 image that would have been fine for a 40x60, would barely be acceptable printed at 320 ppi.

This is pretty basic, but most, like yourself, usually get it wrong. If you still don't believe what you read, take a view minutes and go to a company that creates billboards and signage.




(Download)

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Jul 3, 2017 09:48:22   #
Gene51 Loc: Yonkers, NY, now in LSD (LowerSlowerDelaware)
 
therwol wrote:
A 4K monitor can display 8.3 megapixels of information.


Yes, and the Sony 4K theater projectors at the local multiplex are no different. They project a 4096 × 2160 px image or 8.8 mp.

Oh, and if you do bird and wildlife photography, cropping to 6-12 mp is the order of the day.

This is cropped to 5 mp and I have made some stunning 24x24 prints from it - no one has judged it to be soft. . . Just sayin'


(Download)

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Jul 3, 2017 10:40:32   #
joer Loc: Colorado/Illinois
 
Gene51 wrote:
Yes, and the Sony 4K theater projectors at the local multiplex are no different. They project a 4096 × 2160 px image or 8.8 mp.

Oh, and if you do bird and wildlife photography, cropping to 6-12 mp is the order of the day.

This is cropped to 5 mp and I have made some stunning 24x24 prints from it - no one has judged it to be soft. . . Just sayin'


Excellent Red-bellied.

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Jul 3, 2017 12:47:35   #
therwol Loc: USA
 
Gene51 wrote:
Please explain how Apple managed to take 8 mp images from an iPhone 6 and blow them up to billboard size? They look pretty sharp, don't they? The reason is that less ppi is needed for large prints.

If you understand the eye's limitations, you'll realize that a 16x24 print viewed at normal distances (1.5 x the diagonal dimension) does not need 300 ppi, but will still be perceived as sharp at 80 ppi.

These two charts from this link - explains it all - http://www.photokaboom.com/photography/learn/printing/resolution/1_which_resolution_print_size_viewing_distance.htm

In the simplest of terms, the resolution required to see "sharpness" diminishes as the viewing distance increases. If you anticipate closer viewing distances, then naturally you would need more resolution. But no one but an OCD photographer will walk up close to a 40x60 landscape print.

A 40x60 print only "needs" 32 ppi, or 1920x1280, or 2.6 mp to appear sharp. A 6 mp camera will provide 50 ppi, which is more than enough for a print that size viewed at 9 ft.

Your resolution requirement in ppi goes up as the distance decreases, so a 4x6 image, printed from the same 1920x1280 image that would have been fine for a 40x60, would barely be acceptable printed at 320 ppi.

This is pretty basic, but most, like yourself, usually get it wrong. If you still don't believe what you read, take a view minutes and go to a company that creates billboards and signage.
Please explain how Apple managed to take 8 mp imag... (show quote)


I think that my threshold for stepping back and looking from some distance might be different from yours. If someone has a 16x20 picture of an event or gathering of a lot of people, I'm going to have my nose up to the picture to see the faces and other details clearly. In the old days, such pictures would be taken on medium or sometimes large format film and printed optically. Disregarding imperfections in the enlarger or lens, you'd get a lot of detail in those pictures. On the other hand, I might just look at a poster across a room. It depends on the subject.

Also keep in mind that throughout this thread, I've been a support of the concept that we don't need as many pixels as most think we do. We get them anyway because that's where the market has gone.

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Jul 3, 2017 15:47:33   #
russelray Loc: La Mesa CA
 
therwol wrote:
A 4K monitor can display 8.3 megapixels of information. An 8x10 print at the typical 300 dpi needs 7.2 megapixels. For most people, this is all they need. By simple multiplication, you'll use up all of your 24 megapixels by the time you get to 16x20 at 300 dpi. I don't think that anyone would argue that 6 megapixels is adequate when you start making very large prints, and the point about 6 megapixels is moot when you consider that you can't find cameras these days with less than 12 megapixel sensors, 20 now being common in compact cameras, but the actual need of most people isn't 24 or 36 or more megapixels in their cameras.
A 4K monitor can display 8.3 megapixels of informa... (show quote)

"most".........."most"................"most"................"most"..............."most"....................but not all.

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Jul 3, 2017 15:52:06   #
russelray Loc: La Mesa CA
 
Gene51 wrote:
Oh, and if you do bird and wildlife photography, cropping to 6-12 mp is the order of the day.

Not necessarily if one has a 600mm lens. I have the Tamron 150-600mm, and I find that I no longer have to crop to get that close-up. Thus I have 24 mp, 6000x4000 pixel close-up images now. Since wildlife is my #1 sales category behind flowers, having a 60"x40" print sells at a much higher price than smaller sizes. Much greater profit.

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Jul 3, 2017 15:56:36   #
russelray Loc: La Mesa CA
 
therwol wrote:
Also keep in mind that throughout this thread, I've been a support of the concept that we don't need as many pixels as most think we do. We get them anyway because that's where the market has gone.

There's that "most" qualifier again.
I'm one of those who does not fit into the "most" category.
I need as many pixels as I can get. In fact, I need so many pixels that I'll often take 3-40 pictures and stitch them together using Photoshop's Photomerge function to get even more pixels. My biggest so far is a 33,000 pixels x 4,200 pixels photomerge of a unique home in Del Mar CA. Fine Art America printed it on metal at 100 ppi. It came out to 330 inches long by 42 inches high. Sold for $6,000 to the guy who owns the home. Looks awesome in his great room, and he's the happiest person in the world.

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Jul 4, 2017 06:38:18   #
Gene51 Loc: Yonkers, NY, now in LSD (LowerSlowerDelaware)
 
joer wrote:
Excellent Red-bellied.


Thanks!

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Jul 4, 2017 06:49:17   #
Gene51 Loc: Yonkers, NY, now in LSD (LowerSlowerDelaware)
 
russelray wrote:
Not necessarily if one has a 600mm lens. I have the Tamron 150-600mm, and I find that I no longer have to crop to get that close-up. Thus I have 24 mp, 6000x4000 pixel close-up images now. Since wildlife is my #1 sales category behind flowers, having a 60"x40" print sells at a much higher price than smaller sizes. Much greater profit.


As an FYI, I shoot with a Sigma Sport 150-600 and a 600 F4. I found the Sigma the sharpest super zoom at the time I purchased it, but since I have also found the Tamron G2 to be pretty much it's equal.

I often need to crop, and with either lens I have enough contrast and acuity to do that on a D800. It's challenging to shoot small birds without cropping.

I don't need 24mp to get to 40x60, 12 is more than enough, and 6-8 is also fine. I too make large images for sale in galleries. No one is complaining about softness or lack of detail. The images below were hand-held with the Sigma.

I took a look at your gallery on FineArt America. I have one question - are all your bird shots done with the watercolor effect?

My "journal" gallery is here https://www.flickr.com/photos/gene_lugo/

female robin
female robin...
(Download)

wood thrush(?)
wood thrush(?)...
(Download)

red headed woodpecker
red headed woodpecker...
(Download)

common yellowthroat
common yellowthroat...
(Download)

gray catbird
gray catbird...
(Download)

house wren
house wren...
(Download)

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Jul 4, 2017 08:14:41   #
russelray Loc: La Mesa CA
 
Gene51 wrote:
I took a look at your gallery on FineArt America. I have one question - are all your bird shots done with the watercolor effect?

No. In fact, I have no idea how anything was done because I don't keep notes and they are truly one-of-a-kind. I play around until something satisfies me. I'm using Photoshop, Lightroom, Elements, Paintshop Pro, Photo-Paint, Illustrator, DRAW, Word, Topaz (everything), Redfield, onOne, Dynamic Auto-Painter, After Effects, OpticsPro, Photomatix, Landscape Pro, PanosFX, Painter, Light Zone, Affinity, Photo Impact Pro, Faststone, Photoscrape, Xara, PhotoDirector, Photo Gallery, Automatix, Capture One Pro, Final Cut Pro, Davinci Resolve, Wondershare Filmora, and VideoStudio Pro.

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Jul 4, 2017 08:20:37   #
russelray Loc: La Mesa CA
 
Gene51 wrote:
I don't need 24mp to get to 40x60, 12 is more than enough, and 6-8 is also fine.

Fine Art America requires a minimum of 100 ppi. So to get a 40x60 print, 12 mp just is not going to get me there. The mathematics is not difficult.
I am at Fine Art America for two main reason: (1) I don't have to keep physical inventory, and (2) they have a money back, no questions asked, satisfaction guarantee. I am averaging just over $10,000 a month in sales and have never had anyone return anything they ordered from Fine Art America.

Gene51 wrote:
I too make large images for sale in galleries.

I don't make any images at all for sale in galleries. My target audience comprises Realtors, loan agents, title agents, and escrow agents. They use my work as close-of-escrow gifts.

More about my company and my marketing that I shared with UHH on August 2, 2015: http://www.uglyhedgehog.com/t-327835-1.html

I love your work. I could make some great Photographic Art with it!

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Jul 4, 2017 09:47:32   #
Gene51 Loc: Yonkers, NY, now in LSD (LowerSlowerDelaware)
 
russelray wrote:
I don't make any images at all for sale in galleries. My target audience comprises Realtors, loan agents, title agents, and escrow agents. They use my work as close-of-escrow gifts.

More about my company and my marketing that I shared with UHH on August 2, 2015: http://www.uglyhedgehog.com/t-327835-1.html

I love your work. I could make some great Photographic Art with it!


Thanks!

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Jul 6, 2017 01:59:00   #
David Taylor
 
CatMarley wrote:
Why? Haze may be an important component of the landscape. Many a painter has deliberately painted their landscapes that way. Why do we always insist on "tack sharp, contrasty" (and artificial)? This substitution of technical exactitude for reality is perhaps an excuse for a lack of artistic empathy.



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