Highfield Ruins.
ozdude
Loc: Brisbane Australia
This is another composition of the convict ruins I posted a couple of days ago.(Ruins and the nut).
Trying for a starburst shock shot. LOL
FYC
Mark
ozdude wrote:
This is another composition of the convict ruins I posted a couple of days ago.(Ruins and the nut).
Trying for a starburst shock shot. LOL
FYC
Mark
Mark, excellent composition !!! The starburst is not overpowering and is just enough to get the point across, (no pun intended). A job well done.
Dave
ozdude
Loc: Brisbane Australia
Dave Chinn wrote:
Mark, excellent composition !!! The starburst is not overpowering and is just enough to get the point across, (no pun intended). A job well done.
Dave
Thanks Dave. I actually posted the wrong photo as I noticed haloing again too late. I will post the right one now.
Mark
ozdude
Loc: Brisbane Australia
Sorry folks. Here is the image for your consideration.
Instant impact! That strong form dominating the frame is wonderful. And as I love shooting towards the rising sun - that tiny few seconds as it becomes visible on the horizon - I am very drawn to that element in your composition as well.
I wonder about lightening/softening the bit of cloud bank on left of the ruin so that is less noticeable?
ozdude wrote:
Sorry folks. Here is the image for your consideration.
Mark,
Strong impact illustrating beautifully the equilibrium between a small bright focus and an imposing, dark, light-absorbing mass!
Great effect!
Dave
ozdude
Loc: Brisbane Australia
Linda From Maine wrote:
Instant impact! That strong form dominating the frame is wonderful. And as I love shooting towards the rising sun - that tiny few seconds as it becomes visible on the horizon - I am very drawn to that element in your composition as well.
I wonder about lightening/softening the bit of cloud bank on left of the ruin so that is less noticeable?
Thanks Linda for having a look. I can always count on you getting the best out of me. Your trained eyes are much more perceptive than mine. The cloud bank is just at that awkward position that meets the wall and thanks to you I will see what I can do.
Cheers
Mark
ozdude
Loc: Brisbane Australia
Uuglypher wrote:
Mark,
Strong impact illustrating beautifully the equilibrium between a small bright focus and an imposing, dark, light-absorbing mass!
Great effect!
Dave
Dave
Thanks for a marvellous description of my little snap. You are a true wordsmith my friend. The area is very imposing and with the knowledge of what hardship these convict men and women endured building a new nation demands strong documentation. Most were deported from England with quite minor crimes.
Mark
ozdude wrote:
Thanks Linda for having a look. I can always count on you getting the best out of me. Your trained eyes are much more perceptive than mine. The cloud bank is just at that awkward position that meets the wall and thanks to you I will see what I can do.
Cheers
Mark
Very little training and I miss much that others see; I just try my best with what I have
Great to chat, Mark.
I like the idea of it and I like how the light catches the top ridges of the grasses. I have mixed feeling about the ruins/composition. Since the ruins is the main subject, and centered, I want to see more detail in it, but since it is back lit, that is tough. And backlit rocks just doesn't work as well as backlit fur or feathers or grasses. Perhaps if the ruins were to the side and not centered (as if you had walked 60 feet or more to the left). I like the broken down left most part and would have liked to have seen the ruins on the right hand edge of the image. Sorry for my incoherent rambling, the history of prisoner migration is fascinating - thanks for sharing.
ozdude
Loc: Brisbane Australia
pfrancke wrote:
I like the idea of it and I like how the light catches the top ridges of the grasses. I have mixed feeling about the ruins/composition. Since the ruins is the main subject, and centered, I want to see more detail in it, but since it is back lit, that is tough. And backlit rocks just doesn't work as well as backlit fur or feathers or grasses. Perhaps if the ruins were to the side and not centered (as if you had walked 60 feet or more to the left). I like the broken down left most part and would have liked to have seen the ruins on the right hand edge of the image. Sorry for my incoherent rambling, the history of prisoner migration is fascinating - thanks for sharing.
I like the idea of it and I like how the light cat... (
show quote)
Thanks for having a look. The big problem with the site is that the ruins are actually on private property and it is hard to access. I did jump the fence but was told by I assume the owner passing in a car that I was not meant to be there and I quickly moved on. But yes there are better compositions to be had.
Mark
ozdude wrote:
Thanks for having a look. The big problem with the site is that the ruins are actually on private property and it is hard to access. I did jump the fence but was told by I assume the owner passing in a car that I was not meant to be there and I quickly moved on. But yes there are better compositions to be had.
Mark
Good story on the fence jumping. I am thinking a big piece of photography is our struggles with and our willingness to jump those fences!
ozdude wrote:
This is another composition of the convict ruins I posted a couple of days ago.(Ruins and the nut).
Trying for a starburst shock shot. LOL
FYC
Mark
Nicely done. I like the very dark ruins that still have enough detail in them to let us know what we are looking at. The sun is perfectly placed. Well done.
Erich
If you want to reply, then
register here. Registration is free and your account is created instantly, so you can post right away.