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Going Manual all the Way
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Mar 23, 2017 11:32:13   #
John Gerlach Loc: Island Park, Idaho
 
Think of manual or automatic for flash exposure, ambient exposure, and focusing. Each could be set individually to auto or manual. I can think of situations where every possible combination of the three works best. Anyone who thinks only one way is best for everything either won't admit the obvious or simple doesn't see the opportunity for the various options. For example, I prefer manual flash for hummingbirds and landscapes, but it isn't effective at all for macro shots where you are handholding the flash to light the subject. Accidently holding a flash at four inches instead of 5.6 inches which is generating the optimum exposure will overexpose by one stop (Inverse Square Law). This should not be a problem for TTL flash as the flash will shorten the flash duration to maintain the ideal exposure should you hold the TTL flash a little closer, or further away and the flash duration gets longer. I am a big fan of manual exposure too, but if the ambient light is steadily changing, manual exposure does not adjust for it, so an auto exposure mode makes more sense. And when fighting dim light where shutter speed is critical for sharp images, the incredibly useful Auto ISO/shutter priority combination is wonderful and effective. Thanks for starting this thread! I will create a future article out of it.

Good to see you hogs are going strong. I have been recovering for the past month from a severe accident on a photo trip that I was most fortunate to survive!

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Mar 23, 2017 11:38:30   #
Don Steele Loc: Massachusetts
 
I am still learning after many years of shooting. I used auto for years then the various priorities and finally manual. I guess it depends on your goals but for me photography is an exercise in stretching my mind and creativity. Having to think about what I want and finding a way to get it makes me use manual when I aam not rushed. My photography has improved since i learned the various benefits of varied f stops and shutter speeds and more recently adding iso to the mix. But letting the computer do it also is great if rushed or if I want to be absolutely sure I get a good , but maybe not perfect shot

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Mar 23, 2017 11:47:13   #
boberic Loc: Quiet Corner, Connecticut. Ex long Islander
 
I learned (as so many here have) on fully manual cameras, without an on board light meter. If you want to use your camera that way, go for it. But ignoring the electronic stuff will limit your results. Unless you get familliar with all the settings and their limits, you will never know what your camera can do.

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Mar 23, 2017 13:00:55   #
digit-up Loc: Flushing, Michigan
 
Digital1022 wrote:
RLoren
Look at the bells and whistles as tools. ""To quote Forest Gump, "Photography is like a box of chocolates, you never know what your going to get".

John


I guess that you are RIGHT with that......Photography is indeed like life And the logical jump-to-conclusion is LIFE is like a box of PICTURES>. You never know what you're going to get. In fact, take a close look at my last ACCIDENTAL acquisition. Look closely and you will see the photographer(that's me) in the eye of "A BEHOLDER". See the camera brand, almost.


(Download)

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Mar 23, 2017 13:24:05   #
Peterff Loc: O'er The Hills and Far Away, in Themyscira.
 
digit-up wrote:
I guess that you are RIGHT with that......Photography is indeed like life And the logical jump-to-conclusion is LIFE is like a box of PICTURES>. You never know what you're going to get. In fact, take a close look at my last ACCIDENTAL acquisition. Look closely and you will see the photographer(that's me) in the eye of "A BEHOLDER". See the camera brand, almost.


Pentax you mean?

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Mar 23, 2017 13:55:14   #
oldtigger Loc: Roanoke Virginia-USA
 
digit-up wrote:
I guess that you are RIGHT with that......Photography is indeed like life And the logical jump-to-conclusion is LIFE is like a box of PICTURES>. You never know what you're going to get. In fact, take a close look at my last ACCIDENTAL acquisition. Look closely and you will see the photographer(that's me) in the eye of "A BEHOLDER". See the camera brand, almost.

Doesn't it just drive you nuts when you realize shifting your aperture could have greatly improved your shot?


(Download)

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Mar 23, 2017 17:21:44   #
digit-up Loc: Flushing, Michigan
 
GAlanFInk wrote:
My camera doesn't, and can't, make a photograph.

Period... end of discussion.


Promise??

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Mar 23, 2017 17:32:31   #
digit-up Loc: Flushing, Michigan
 
oldtigger wrote:
Doesn't it just drive you nuts when you realize shifting your aperture could have greatly improved your shot?


I haft a admit, your version was certainly BETTER. Pentax. A guy here in Dana Point offered me a glimpse through his "big-league" spotting scope.. Fantastic. He inquired about my camera and lens. I said I would get a good picture of his eye. I didn't consider Settings, I just shot, Auto everything. You got the best of it.. Pentax is "in-there". RJM

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Mar 28, 2017 14:07:08   #
speters Loc: Grangeville/Idaho
 
amfoto1 wrote:
Why? The labels might vary a little, but all cameras have pretty much the same M, A or Av, S or Tv, and P or Program modes.

Any variations are due to the way the metering system is calibrated and works. Even with those, the difference are usually pretty slight... Most cameras today offer some "intelligent" form of metering now (Canon "Evaluative", Nikon "Matrix", Pentax and Sony "Multi-Segment" or Olympus "ESP"), as well as "old school" style Center Weighted, and often Partial or even Spot Metering patterns. Most also offer some form of Exposure Compensation and AE Lock, as means of overriding the auto exposure modes. The exact labels and controls used to access the modes and metering methods may differ from model to model and brand to brand... but the functions are pretty much the same.

In fact, these exposure modes are universal enough (since the late 1970s) that folks like Bryan Peterson can write books such as his "Understanding Exposure", which is applicable to the vast majority of DSLR and more advanced mirrorless, "bridge" or P&S cameras being offered today.

The more highly automated "Scene" type modes are another matter (and personally I never use them... just as I don't use White Balance presets or auto focus "Cases"... all of which are someone else's idea of how a camera and lens should be set up to do a particular type of shot under certain conditions).
Why? The labels might vary a little, but all camer... (show quote)

Thank you for you second my posting!

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