Apaflo wrote:
He is totally wrong because he simply doesn't understand what DxO's "perceptual megapixel" figures are.
You have also in the past tried to equate the DxO meta concept to real pixels. They are not the same, and doing so produces invalid results.
The simple fact is that a D810, with 36 MP, provides higher resolution with any given lens that the same lens provides on any camera with fewer pixels. It doesn't become a 10 MP camera that isn't as good as a D750 with 24 MP.
It's obvious that
you don't understand this topic. Dan De Lion and I know exactly what is going on. Perceptual megapixels is just
a way to compare lens sharpness. It's easier to understand than MTF curves - at least for most, maybe not for you. You don't understand either concept or you would not be arguing about this.
I have never related DxOMark's perceptual megapixels to actual pixels. It is not a pixel count.
It is a measure of relative sharpness. On a D810 with a poor lens you get 36 MP of poor image quality.
On a D810, an $1800 Carl Zeiss Milvus 1.4/85 ZF.2 resolves the equivalent of 36 MP. That's very good, especially if you want an 85 mm focal length.
My $600 Tamron SP 35mm F1.8 Di VC USD has the sharpness equivalent of 29 MP or about as good as it gets for 35 mm and it's a lot of bang for the buck, especially since it is my favorite focal length.
The best zoom on the list is the $1699 Tamron SP 70-200mm F/2.8 Di VC with the sharpness equivalent of 28 MP
at a focal length of 100 mm. The best zoom that covers the 35 mm range is the $950 Tokina AT-X 24-70 F2.8 PRO with a sharpness equivalent of 27 MP
at 24 mm.
So not only are prime lenses sharper than zooms, zooms are best at only one of the focal lengths. And primes are less expensive, lighter and have wider maximum apertures.
In terms to which you might be able to relate, if your recording system can handle all the way from 20 Hz to 20,000 Hz but your microphone performs poorly below 200 Hz or above 2000 Hz, your recordings will suck. You will need a better microphone.