vininnj2u wrote:
Are we photographers OR "PhotoShoppers" That is the question????????
The answer is YES (both). If you ever used black-and-white film and did your own darkroom work, that was essentially the same thing. You had to make a print, but you had many choices about how to make that print. You could pull it, push it, dodge it, burn it, vignette it, add soft focus filters over the enlarger lens... That was "post processing".
Of course, you could (and still can) always do a lot of PRE-processing, by using light modifiers, putting filters over the lens, using the Zone System for metering to capture just the right tones, rating the film at a different ASA/ISO, and choosing the right developer for the contrast range or need for speed.
You could also take the film to a lab and let them develop it and machine print it. You relied entirely on their printer's algorithm (or simple sensor) for judging exposure. That's MUCH worse than working in JPEG mode.
At least in JPEG mode, you can set the camera menus to achieve literally millions of different results. (Besides ISO, shutter, and aperture, you have many variations each, of white balance, hue, contrast, saturation, sharpness, color tone, picture style or film simulation, custom downloadable response curves (some models), highlight compensation, and dynamic range compensation to retain shadow detail.
Of course, in raw mode, you have much greater/finer control over those same things, and a lot more. And once you are in post-processing software, you have oodles of tools to play with! There are far more controls, and far more PRECISE controls, in Photoshop and Lightroom than we ever had in the film era.
So yes, we are photographers with choices! Not to decide is to decide. The judge was probably saying it would not have taken much more effort to do something better.