The Canon SL1 is an 18MP camera (two generations old sensor and Digic 5 sensor).
The Canon 80D is 33% higher resolution 24MP camera (current generation sensor and Digic 6 processor, just recently some models have been released with Digic 7).
The noise levels of those images look pretty similar to me. That speaks really well of the 80D, since it's got a considerably higher resolution sensor that's both more crowded and has smaller pixel sites. There has been some discussion of the latest 24MP Canon CMOS sensors have slightly wider dynamic range, too.
To evaluate the usefulness of higher ISOs, it really makes the most sense to see what can be done with specialized Noise Reduction software, since you're very likely always do some NR to any images shot at those high ISOs. In other words, you're unlikely to ever use a 6400 ISO image
without any NR at all.
There's in-camera NR, though it's largely JPEG-only. With RAW any NR is applied during the conversion or afterward in post-processing. There are a number of choices... Lightroom, Photoshop and elements all have some NR built in. So does Canon's own Digital Photo Pro. In the past I used DPP, when older versions of LR and PS didn't seem to do as well. But now they're all pretty equal, at least with the cameras I'm using (might be different with an SL1 or 80D, neither of which I use). I've experimented a little with Nik DFine, but mostly use and am happy with Imagenomic Noiseware, a Photoshop plug-in (also can be installed and used as a standalone software).
You might want to read this article by Rudy Winston....
http://www.learn.usa.canon.com/resources/articles/2011/high_iso_noise_reduction_article.shtmlFrom 2011, I think that pre-dates the SL1... and certainly the 80D. But the info is pretty much the same, though newer cameras have been getting better and better at high ISO.
If you want to see "noise", look at film! Back when I was shooting slides the highest ISO I used was 200, but most was 100 or 50! I used some color neg and B&W films as high as 400, even sometimes pushed the B&W to 800 or 1600... but that was about the limit and there was lots of grain at the higher ISOs. A lot of people today have never used film, so probably don't fully appreciate just how incredibly good and helpful it is that digital can be done at incredibly high ISOs!