Moose
Loc: North Carolina
Some like it and some don't, but I use it to focus the attention to the main subject. How much is enough? One person commented recently, if you can see it, it is too much. I guess he doesn't like vignettes. Appreciate your thoughts on how to use vignettes correctly.
I prefer very subtle unless it is going to be used on something like a greeting card.
--
I vignette all of my photos. It's like spice when cooking. If you can taste it, too much was added. One of the applications of vignette is to focus attention to a particular part of the scene. Otherwise, it's just a very gentle vignette applied generally to the image.
--Bob
Moose wrote:
Some like it and some don't, but I use it to focus the attention to the main subject. How much is enough? One person commented recently, if you can see it, it is too much. I guess he doesn't like vignettes. Appreciate your thoughts on how to use vignettes correctly.
Ideally frame your subject with dark elements in the corners. This will create a NATURAL vignette. I also agree that subtle is the key.
Moose
Loc: North Carolina
That would be good if the elements were available. Something to consider when I'm composing the photo. Thanks for your comments.
Haydon wrote:
Ideally frame your subject with dark elements in the corners. This will create a NATURAL vignette. I also agree that subtle is the key.
Moose
Loc: North Carolina
Subtle seems to be the key. Since I wasn't quite sure what subtle means I looked it up. "So delicate or precise as to be difficult to analyze or describe, understated, muted, subdued". That's the problem for me. If it doesn't show, why put it in there in the first place. However, I will take your advice and experiment with it. Thanks all for your comments.
Moose
Loc: North Carolina
Thanks RWR, I like your answer. Perhaps I try too hard to please everyone. I think all of us like to have the perfect picture that appeals to all, so what is the right amount of vignette is enough, is difficult.
RWR wrote:
If you like it, it's enough!
Moose
Loc: North Carolina
It sure is subtle. I can't tell if there is one or not. Thanks for sending the example.
My rule is, if it looks gimmicky, it's too much! Generally, I don't want the vignette to draw attention onto itself. Combining subtle vignetting with strategic application of dodging and burning can be a very effective means of directing the viewer to specific areas within an image, without being too obvious.
Moose
Loc: North Carolina
Thanks rook2c4 for your comments. Good advice.
rook2c4 wrote:
My rule is, if it looks gimmicky, it's too much! Generally, I don't want the vignette to draw attention onto itself. Combining subtle vignetting with strategic application of dodging and burning can be a very effective means of directing the viewer to specific areas within an image, without being too obvious.
dont use a dark vignette on a light subject, dont use a white vignette on a light subject
Lots of varied and valuable advice - especially the bit about pleasing yourself
With your recently posted oceanside pic, I felt the vignette weighed down the sky, making the image more somber. For me it was not attractive, but that is only one opinion.
I also tend to like vignettes when there is a large central subject and not much at the edges. I find they rarely work with landscapes where you're blocking some of the "view." However, you can learn to subtly (ayuh, that word again) darken the edges so that viewers' attention remains within the frame. One pro, from whom I took some classes, called this a "tonal hug," and used with b&w photos.
Moose
Loc: North Carolina
Thanks Linda. I agree I need to lighten up the ocean landscape. As it was, it was overcast, but I've made it too dark. Great comments from all.
Linda From Maine wrote:
Lots of varied and valuable advice - especially the bit about pleasing yourself
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