Szalajj wrote:
My first question would be what equipment are you comparing? Camera, lens, and film brand , vs. your new digital equipment.
Did you move to a comparable set of equipment?
The ONLY real difference between similar film to digital cameras (meaning for instance a Nikon F2 Photomic and a Nikon D610 or similar full frame camera) is that the digital camera (whether full frame or cropped) can cover (easily) a large spectrum of ISO (film) sensitivities. In the film days, you had to make a choice when you purchased film whether you wanted black and white or color, ISO (ASA) 100, 200, 400 etc. Whether you wanted to push the film (in other words take an ASA 100 film and shoot it at ASA 600 or so by exposure and developing techniques which would cause you to have more grain and other issues in the completed processing). We even had similar controversies in film size, 8mm Minox, 35mm, 110, Instamatics, Rolliflex Twin Lens Reflex, Hasselblad, Speed Graphic, 8x10 cameras and my dad even use a 28 by 30 lithographic camera with a large horizontal bed that had a stage that moved back and forth to hold the items to be photographed to make litho plates. All of the film (in essence) used the same formulae for processing (developer, stop bath, and fixer ((color had a few extra steps because of the process but the process was similar and all had to be done in total darkness or at least until the film was in a light proof developing tank)). Now, we have digital, where the camera doesn't really care whether the image is going to finally be color or black and white, it all starts as color and the photographer makes the "graphic" decisions about color or B&W or even by altering colors on his/her computer. We can then either send the image to a color (inkjet or laser) printer for paper copies of the image or post the digital representation on computers, save them to CDs, emails or the web. (in the days of film, converting images to be emailed, put on the web (yes the www and before that was ARPNET) was extremely difficult. Also, we have to thank the increase in computing power and the decrease in the price of computers for the progress in photography. Remember that as late as 1970's, microcomputers were in their infancy. We had 8 bit computers (The Commodore Pet, the Vic 20, the Commodore 64, Apple II, Atari 400, Atari 800, Compaq, etc. and we had a variety of operating systems (Dos, Apple Dos, CPM) the graphics (with the exception of the Atari computers) was very basic and not really conducive to high resolution photos. Also, back then, storage was extremely expensive. Many home computers used an audio tape recorder for storage or as the price came down a 128k 5 1/4 inch floppy disk. The original Apple and Atari computers started with a whopping 8 or 16k of memory and a Corvus 10mb hard drive retailed for about $10,000.00. So, digital cameras (which are, in essence, small computers) were non-existent and it was very expensive to store one digital image (assuming you could convert it from analog anyway. Remember, even sending FAX was basically a word only sending devise and very expensive. So, since the price of digital has come down, the price of film (if you can find the film and processing chemicals((not to mention that many of the chemicals used in processing film would now be considered hazardous and covered by OSHA) has gone up. Is film better than digital? That would depend on the digital camera and the film camera. A Nikon, Canon or similar digital DSLR would compare favorably. I wouldn't compare a DSLR image to the image from a Minox or an Instamatic, but I would compare a current point and shoot or a cell phone camera to them and say that the digital images are much better than the old film versions. Also, we have the Hasselblad Digital and other large format digital cameras that produce much better (and larger) digital images than the DSLR's or cell phones. Choose your poison.