DerBiermeister wrote:
I have purchased an ND4 (2 step) filter primarily to bring color brightness back to what otherwise would be washed-out images on wide angle when facing the sun. The filter arrives on Monday, so I have not yet been able to experiment with it. I have also reviewed dozens of youtubes and articles on ND Filters and while they are informative, they don't address the basic BASICS.
I admit right up front that I am a dummy when it comes to instinctively knowing how to go through the set-up from beginning to end and I cannot find that kind of instruction.
I know it is important to have a low ISO setting. I know using the filter will also create a decrease in the f-stop setting by 2 stops. And as I am not after a blurring effect, I should stay with a fast shutter speed.
Check my setup steps here and correct me where necessary.
I believe I should first start off without filter in Auto and do an Auto focus and take note of my f-stop and shutter speed. I assume here that ISO will be around 100.
Before taking the picture, I should switch to A priority and also set focus to manual on the lens. I should also return the f-stop to whatever was shown when I was in Auto. (The filter will darken it to the equivalent of 2 stops.)
I guess that is one of my first questions? Do I do any manual adjustment to the f-stop setting or do I simply rely on the filter to do the job?
Is there anything else I need to do at that point? I am assuming that Live View will be pretty much useless. The Viewfinder not much better. I think it will be hard to assess just how effective the filter was until I download to a computer for analysis.
After I am comfortable with ND filter use for this purpose, I intend to buy a couple of more filters with higher values to begin to learn how to blur images.
Thank you for your help and your patience with a novice.
I have purchased an ND4 (2 step) filter primarily ... (
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What you are after is best done shooting raw, with careful and correctly evaluated exposure, and applying saturation, dehazing, and exposure adjustments in post processing.
An ND filter is not going to do any of this. It will allow you to use a slower shutter speed, larger lens aperture or higher ISO - or some combination of all three.
Your sample image of the Silver River is overexposed, by at least two stops.
I'd say it's a good time to bone up on post processing skills in Lightroom Photoshop and/or whatever else you are using. A two stop ND isn't going to help you much, especially since water flowing usually needs between 1/2 sec and 3 secs to look OK, unless you are at the beginning or the end of the day, or you are in a deeply forested area with considerable canopy where very little light is getting in. The typical ND for this purpose is from 4 to 10 stops. But this is not your intent anyway, you just want to get better exposure and saturation.
Shooting raw allows you to capture a little more highlight detail. But when you have scenes such as this with such high contrast, a proper raw exposure will often result in darker images than you are accustomed to. Luckily this is easily addressed (notice I did not say fixed or recovered), in post processing.
To specifically darken and add detail to clouds the only sure-fire way to do this is to avoid overexposure (blown out areas). You can do this by using a polarizing filter - but it will not affect the clouds as much as it will affect the blue sky, with the greatest effect when you are at right angles to the sun, or with a graduated neutral density filter, which will gradually add density to the upper part of the filter. The drawback is that the added density is not selective, and if you have a "v" shaped sky area, all of the scene above the transition will be affected simultaneously, not just the sky. So tree tops, tops of buildings, rocky projections, distant mountains will all be darker at the top. The better way to do this is to expose for the sky (the highlights) and adjust overall tonality color and contrast in post.
A proper exposure is one that captures all the information you need to make a good image. It is seldom one that looks great right out of the camera. Admittedly, many images look ok out of the camera, but not great.
This is what can be done with post processing. Had you exposed the image correctly and shot raw, you would have had more sky detail to work with, and better tonality in the lower right hand corner, and better overall quality - all the highlights were blown out, and reducing the exposure level just made them go murky gray. Working on a small jpeg grabbed from a screen capture is far from ideal, but it does give you some sense of the possibilties.
BTW, the reason you did not see a change in depth of field in your example is that you did not change the aperture.