One definition of high contrast black and white is that the image contains a full range of tones. However, I propose we do away with middle gray for a day :)
Please post images that include high contrast light, such as silhouettes and shadows; a bold study of patterns, lines and shapes...or whatever else youd like!Let us know if you shot with b&w in mind, and anything you feel is important regarding your vision, pp, backstory, etc. Thanks so much for participating.
A concise how-to for b&w photography (link provided by James R):
http://www.picturecorrect.com/tips/black-and-white-photography-tips/---
Discarded wheels for irrigation equipment, half buried in snow. Shot specifically for this series. Canon T3i, aperture priority and +1 exposure compensation. Since there was a lot of blue in the snow even with overexposure, prior to the b&w conversion I desaturated the blues in PS Elements. Nik Silver Efex Film Noir pre-set (including frame), red filter (in pp) to help lighten the remaining tones caused by blue shadows, and some cloning of stray weeds.
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2. Great blue heron enjoying the view from an ospreys nest. Another photo shot for this series, and planned as silhouette. Canon SX50, no time to adjust settings as I was not parked safely; but the sky was fairly light with sun just a bit out of frame to right, and I was able to wash it out more with a Nik Silver Efex high contrast pre-set and blue colored filter in pp.
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Download)
Linda From Maine wrote:
One definition of high contrast black and white is that the image contains a full range of tones. However, I propose we do away with middle gray for a day :)
Please post images that include high contrast light, such as silhouettes and shadows; a bold study of patterns, lines and shapes...or whatever else youd like!
Let us know if you shot with b&w in mind, and anything you feel is important regarding your vision, pp, backstory, etc. Thanks so much for participating.
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One definition of high contrast black and white is... (
show quote)
Here's one shot with black and white in mind but later processed for higher contrast. I like the shapes.
ronwande wrote:
Here's one shot with black and white in mind but later processed for higher contrast. I like the shapes.
Oh, I do too, ronwande. All the tiny details of the tree stand out so well in download, and with sturdy solid trunks (and eye-pleasing curves) - so effective. And the bush adds a sort of counter balance to the whole composition. I really like this; thanks so much for posting!
Since it's basically black and white outside, I thought I'd share this photo.
angela k wrote:
Since it's basically black and white outside, I thought I'd share this photo.
And here I sit with sliding door open because it's 63 outside and partly sunny :)
Thank you for this very pretty, but happily far-from-me shot, Angela! I could also see this cropped a bit closer, removing all sky and really focusing on the pleasing lines of the tree trunk taking us up to the tangle of snow-covered branches.
Linda From Maine wrote:
And here I sit with sliding door open because it's 63 outside and partly sunny :)
Thank you for this very pretty, but happily far-from-me shot, Angela! I could also see this cropped a bit closer, removing all sky and really focusing on the pleasing lines of the tree trunk taking us up to the tangle of snow-covered branches.
Lucky you!!! We might reach 50 this week after the torrential rain tomorrow!!
angela k wrote:
Lucky you!!! We might reach 50 this week after the torrential rain tomorrow!!
February is always so eventful :)
Thanks for posting the crop. With this version I feel we can better keep our eye on the prize. What do you think, thumb up/thumb down?
@ Linda.
Good examples.
I particularly like #1
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I do not have a real lot of these as recent pics, however these are from the achives.
#1 Architectural detail - Very high contrast when shooting this (mid day sun to deep shaddows) so it was a natural.
Probably B&W conversion done in Nik Silver Efex,
#2 The opera house
Were going for 28C or 82F here today and looks like clear blue skies.
argggg... I can't do it - too many grays.
Here is my best stab at it..
RichardTaylor wrote:
@ Linda. Good examples. I particularly like #1...
Thank you, Richard!
I am very drawn to the design of #1. I don't think I would have thought to compose as you did, and I really like it.
Sydney Opera House at night, in b&w - a photographer's dream! That is one stunning image, Richard. Love it!
pfrancke wrote:
argggg... I can't do it - too many grays.
Here is my best stab at it..
Piet, we are all learning together and sharing; don't get frustrated :) What was your vision for the shot? What drew you to the scene, and what would you like to be the subject?
Linda From Maine wrote:
Piet, we are all learning together and sharing; don't get frustrated :) What was your vision for the shot? What drew you to the scene, and what would you like to be the subject?
hi Linda,
Perhaps a closer crop, but what drew me was the light and cold outside and the dark warmth inside and the reflecting surfaces.
Linda From Maine wrote:
Thank you, Richard!
I am very drawn to the design of #1. I don't think I would have thought to compose as you did, and I really like it.
Sydney Opera House at night, in b&w - a photographer's dream! That is one stunning image, Richard. Love it!
Thanks Linda - I get to spend a lot of time there, hanging around, as my sometimes sings in concerts.
pfrancke wrote:
hi Linda,
Perhaps a closer crop, but what drew me was the light and cold outside and the dark warmth inside and the reflecting surfaces.
Here is a quick crop and adjust in a free editor I have on my Chromebook. Though you lose the fireplace mantle, I think you retain the mood, with the cozy chairs. How do you feel about this one?
It does have a lot of midtone grays, but sure is an inviting scene! Maybe even add a steaming pot of tea onto the table? :)
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