rockdog wrote:
Hi Bloke (Phil?) You have every right to be proud of this pyrite specimen, it is a beauty. I think you have done good work here. I have made attempts to photograph pieces from my collection and I appreciate the difficulties of the task. So many reflective surfaces, so much potential for subtle color shifts. I will be watching for future posts and I would value any details on your lighting set up that you are willing to share. I did enjoy!
Regards, Phil
Yes, it is difficult to get the light right, without draining the colour. I have a piece of Labradorite, which is absolutely iridescent, but in the photo it just comes out black.
My set-up is pretty basic, really. I have the camera on a tripod, right here in front of my desk. The 'surface' is a sheet of photo paper which provides a base and also curves up against the front of my printer, giving a plain backdrop too. I bought a cheap ringlight/flash, but the flash doesn't fire most of the time. The 48 LEDs do make a great modelling light, though, helping me get the focus dialed in. I have 2 speedlights, a Canon 430II, and a Newwer Triopo, supposed to be equivalent to the Canon 560. Until yesterday, I had not been able to get the 430 to flash using the 7D's wireless feature. My process on all these so far is to have the ringlight on, the Canon's internal flash up, and the Triopo standing about 12 inches to the side, pointing straight up to bounce off the ceiling. I shoot in ETTL mode, so don't worry about exposure.
My next test is to try using the 2 speedlights together, maybe one from the side with a softbox, and the other from the other side either pointing up again, or perhaps aimed at the subject... Don't know what that will do, but it seems worth a try.
I also found out how to have the internal flash fire the speedlights without contributing to the exposure itself. The book says it will still fire, so I am not sure how that works. I want to try that, because when I move closer, the shadow of the ringlight becomes very obvious at the bottom of the frame. At the scale I am currently working, it is no problem to crop it, but as I get closer, that shadow will start covering the subject itself.
So, for an off-camera flash setup, this is about as simple as it can get.
I will keep posting these as long as people want to see them! I have a whole bunch still to shoot, then there are the different angles, and trying proper macro when my extension rings get here from China... I am having a ball, although my first few days of efforts produced nothing worth looking at, and it got a bit dark there for a while!
Normally, my photography takes a back seat during the winter, since I don't do well in the cold. I always have a whole bunch of stuff accumulated during the year to process, but sometimes a bit of 'freshness' is required. I probably have enough here to keep me occupied for a long time to come! Also interested in trying some flower work, come spring, and I am intrigued by the water-drop shots I have seen. Not sure about having all my gear that close to water, but thinking about it...