Kuzano wrote:
I shoot film and digital.
The niche market for film is growing strongly.
The community college where I teach has had film classes throughout the digital revolution. Three classes per quarter and a wait list continuously.
Exposure, lighting, composition and creativity is universal to both film and digital. The film camera's are much simpler and drawing some back from digital.
I won't make any comments on whether you can make a career out of film, but some pros are still shooting film, while others are succumbing to the immediacy of digital.
I would hope the cross-over fundamentals would be taught to your granddaughter.
As far as processing goes, the chemicals and film are still available and film production is growing from it's low points of the last ten years. Kodak is still producing. Ilford from England has created a presence on the US continent. The Impossible Project is recreating Polaroid, and a Type 55 Polaroid project is starting up. Fujifilm is strong.
I keep my film costs down by buying refrigerated, recently expired film from good sellers on eBay. There are high count positive feedback sellers who do cold storage and sell nothing but film on eBay. I frequently shoot film that has been cold stored and expired for ten to fifteen years, with no color shift. 1-5 expiry is somewhat better, and current date film is also available on eBay.
I have local processing for 35mm film available locally from 5-6 processors, and I can get Medium Format film processed by Fujifilm Professional Labs, with the middle man being Walmart and the prices absolutely minimal. (more on this if you PM me)
Digital is cheaper, but film is a hobby. People spend money on hobbies.. ie golf, sailing, betting on horse races. No accounting for hobby tastes and expenditure.
Young and old alike are attending those classes.
I wouldn't expect a lot from a high school class, but there will still be more advanced classes available for film in higher education.
Daylight film processing equipment has eliminated the need for a dark room. A light tight closet for loading the tanks suffices.
I'm having a great time using the Caffenol process. That's using daylight equipment (cheap) and Folgers Instant Coffee, Washing Soda and Vitamin C to process both film and paper prints. Look it up... Caffenol. It's all over the internet.
Furthermore, I have been making a nice side income buying and selling film camera's 35mm, medium format and Large Format for the last 15 years on eBay. Activity in film camera's and prices are rising for some equipment, while serviceable equipment is dirt cheap.
I have more than paid for ALL my photographic expenses, including gear... lenses and bodies, and counting both film and digital by my selling film equipment on eBay for more than the last decade. None of my photography expenses come out of household income.
I don't deal in much digital. The depreciation on digital equipment is measured in hours, and profit in gear is not a word synonymous with selling digital cameras.
Film is not going away.... In fact, it's doing quite well.
Give the young lady your blessings and don't try to sway her direction. Her interests are not your interests. In fact, your's may need some dusting off, when digital becomes boring and that old film camera beckons.
And please read my SIG line below!!!
:mrgreen:
I shoot film and digital. br br The niche market... (
show quote)
I agree with you wholeheartedly. Using film forces the photographer to work within the "confines" of the film loaded in the camera and the photographer has to adjust aperture and shutter speed in order to get the shot. The Photographer also has to have some idea prior to the shoot as to what he/she is intending to shoot in order to select the correct film ie ISO 100 ISO 200 ISO 400 Black and White Slide or Print. With digital, all the photographer has to do is adjust the camera (if the camera doesn't do it its self) . The photographer just needs to make sure the camera isn't raising the ISO before lowering the shutter or opening the aperture and suddenly the image is so noisy you can't use it. Also, with film (assuming that you do the work in a darkroom rather than send it out) you have to learn to load the reels for the tank in total darkness (or dim red or green light depending on film sensitivity), work the enlarger, dodge, burn and otherwise create an image.
With digital, if you work with Lightroom or some of the other more advanced processing software, you get to approximate the dodging, burning, cropping and other processes digitally without the feel of wet hands and chemical smell. I am one of the minority that agrees that serious photo students should learn film at some point (I think first, but many think later) in the learning experience for digital. Does it make them better photographers? I think that by them having to determine film type and speed before the shoot and work within those limitations, it teaches them how the aperture /shutter speed affect the shot. Many people that have never shot film, have difficulty understanding the relationship of ISO/ASA to the rest of the exposure triangle. But, in these days and times, I would hope that the school would have a few loaner film cameras for the students rather than forcing them to purchase and resell one. However with, as one mentioned on here, a waiting list for film classes there is probably a good market for reselling used film gear.