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SUpermoon
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Jul 12, 2014 12:06:08   #
rgrenaderphoto Loc: Hollywood, CA
 
It will be a rare night here in Los Angeles, a Supermoon and clear skies. Usually, when there is some astronomical event, like a comet cruising by it's cloudy or we have a coastal fog bank.

Seeing as it will be clear tonight, what do you recommend for exposure settings for a good lunar shot?

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Jul 12, 2014 13:57:57   #
Mac Loc: Pittsburgh, Philadelphia now Hernando Co. Fl.
 
rgrenaderphoto wrote:
It will be a rare night here in Los Angeles, a Supermoon and clear skies. Usually, when there is some astronomical event, like a comet cruising by it's cloudy or we have a coastal fog bank.

Seeing as it will be clear tonight, what do you recommend for exposure settings for a good lunar shot?


That's a good question, I hope there's a better answer than mine. My plan is to set up at f/16 and a shutter speed the reciprocal of the ISO. Probably an ISO of 200 and a shutter speed of 1/200.

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Jul 12, 2014 20:09:32   #
rgrenaderphoto Loc: Hollywood, CA
 
Well Mac, sounds like a plan to me.

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Jul 12, 2014 20:29:18   #
Erik_H Loc: Denham Springs, Louisiana
 
Seeing as how the moon is a sunlit object, the sunny 16 rule is a good place to start. Mac pretty much nailed it.

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Jul 12, 2014 20:44:38   #
lighthouse Loc: No Fixed Abode
 
rgrenaderphoto wrote:
It will be a rare night here in Los Angeles, a Supermoon and clear skies. Usually, when there is some astronomical event, like a comet cruising by it's cloudy or we have a coastal fog bank.

Seeing as it will be clear tonight, what do you recommend for exposure settings for a good lunar shot?

Spotmeter on the moon and underexpose about 1-1/2 stops, check the live histogram and adjust, use a fast enough speed to counter movement.
Are you handholding or using a tripod?
How long a lens are you using?
Suggesting 1/200th without knowing these may be well intentioned and close to the mark, but its not acting on all relevant information.
They might be using 600mm handheld.

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Jul 12, 2014 22:22:02   #
Jamers Loc: Michigan
 
lighthouse wrote:
Spotmeter on the moon and underexpose about 1-1/2 stops, check the live histogram and adjust, use a fast enough speed to counter movement.
Are you handholding or using a tripod?
How long a lens are you using?
Suggesting 1/200th without knowing these may be well intentioned and close to the mark, but its not acting on all relevant information.
They might be using 600mm handheld.


Overcast here outside Detroit :(

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Jul 12, 2014 22:33:45   #
skiman Loc: Ventura, CA
 
Mac wrote:
That's a good question, I hope there's a better answer than mine. My plan is to set up at f/16 and a shutter speed the reciprocal of the ISO. Probably an ISO of 200 and a shutter speed of 1/200.


This was taken on Friday the 13th back in June with my D7100 with 28-300mm at 300mm (then cropped to 949x934).

Manual, ISO 100, 1/250, f/7.1, EV0 on tripod with remote shutter and mirror up.


(Download)

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Jul 12, 2014 23:13:27   #
Chris Knight Loc: Ayden, nc
 
rgrenaderphoto wrote:
It will be a rare night here in Los Angeles, a Supermoon and clear skies. Usually, when there is some astronomical event, like a comet cruising by it's cloudy or we have a coastal fog bank.

Seeing as it will be clear tonight, what do you recommend for exposure settings for a good lunar shot?

Took a few on the east coast tonight...



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Jul 13, 2014 06:09:55   #
djenrette Loc: Philadelphia
 
Using the "sunny 16" rule for photographing the moon is not a bad place to start since the full moon is, of course, an object in full sunlight and if the exposure is off you can chimp that and make corrections, BUT the moon's surface is NOT th silvery object we see but is actually a dark grey color. Following the sunny 16 rule will produce a photograph that will probably look too dark compared to what you might expect. So you may need to open up an f/stop or so. But if you have photographed the moon, you already know this.

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Jul 13, 2014 12:34:32   #
bobzeller Loc: San Angelo, Texas
 
rgrenaderphoto wrote:
It will be a rare night here in Los Angeles, a Supermoon and clear skies. Usually, when there is some astronomical event, like a comet cruising by it's cloudy or we have a coastal fog bank.

Seeing as it will be clear tonight, what do you recommend for exposure settings for a good lunar shot?


That sun shining on the moon is the same sun that is shining on earth. Figure your exposure accordingly. Heck, the Sunny Sixteen rule can be applied here.

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Jul 13, 2014 12:37:10   #
bobzeller Loc: San Angelo, Texas
 
bobzeller wrote:
That sun shining on the moon is the same sun that is shining on earth. Figure your exposure accordingly. Heck, the Sunny Sixteen rule can be applied here.


My bad, I agree that the sunny sixteen is the starting point. Then adjust from there.

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Jul 13, 2014 19:17:02   #
Shoeless_Photographer Loc: Lexington
 
rgrenaderphoto wrote:
It will be a rare night here in Los Angeles, a Supermoon and clear skies. Usually, when there is some astronomical event, like a comet cruising by it's cloudy or we have a coastal fog bank.

Seeing as it will be clear tonight, what do you recommend for exposure settings for a good lunar shot?



Head up to Big Bear, or Griffith Observatory!

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Jul 16, 2014 19:41:13   #
EngineerAl
 
rgrenaderphoto wrote:
It will be a rare night here in Los Angeles, a Supermoon and clear skies.


Your vile words follow, to lend some of your absolute genius to your own thread, Mister Hateful Troll. Some of your own words to brighten up everyone's day who visits your thread, as you brighten up so many others.

rgrenaderphoto wrote:


You are, without a doubt, the perfect example of the single helix mongoloid idiot product of a mutant gent pool on here.

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Jul 16, 2014 21:41:39   #
Jamers Loc: Michigan
 
:?:

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Jul 17, 2014 01:25:11   #
EngineerAl
 
Jamers, this "rgrenaderphoto" fellow simply goes from thread to thread, lobbing his grenades into threads and spewing things like this, all the time:

rgrenaderphoto wrote:
You are, without a doubt, the perfect example of the single helix mongoloid idiot product of a mutant gent (sic) pool on here.


What a brilliant conversationalist he is, don't you think?

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