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My most recent pottery piece
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May 7, 2014 08:50:34   #
waykee7 Loc: Cortez, Colorado
 
I've been making pottery for about 8 years, heavily influenced by my years working with the pueblos of the southwest. Gradually, I developed a style which I call pueblo fusion, which utilizes design elements of many different historic-era (pre-1940) pots in a fashion that a Native potter would be unlikely to ever employ.

This piece has design elements from 23 different pots, all of which are Zuni, except the leaping bighorn ewe, which is derived from a southwestern rock art panel.

I don't throw on a wheel, instead I hand build using coils of clay pinched together, and then the piece is scraped until it's thin, then sanded, then slipped with a white slip I make from a clay. The clay work, drawing, painting, and retouching on a pot this size (about 9 inches tall) takes me about 40 hours and it's fired 3 times.

My product photography could be improved; I was in a hurry when I snapped these so I didn't set up my lights and umbrellas and the depth-of-field is lacking a bit.

















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May 7, 2014 08:53:42   #
sarge69 Loc: Ft Myers, FL
 
Beautiful artwork on that pottery. Thanks for showing.

Sarge69

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May 7, 2014 08:54:53   #
Pixelpixie88 Loc: Northern Minnesota
 
Simply amazing and so beautiful! Thank you for sharing your wonderful talent with us.

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May 7, 2014 08:57:44   #
dennis2146 Loc: Eastern Idaho
 
That is very beautiful. You do excellent work and the photographs show off the pot beautifully. I am very impressed.

Dennis

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May 7, 2014 09:02:20   #
DebAnn Loc: Toronto
 
Beautiful pottery! Thanks for showing us.
waykee7 wrote:
I've been making pottery for about 8 years, heavily influenced by my years working with the pueblos of the southwest. Gradually, I developed a style which I call pueblo fusion, which utilizes design elements of many different historic-era (pre-1940) pots in a fashion that a Native potter would be unlikely to ever employ.

This piece has design elements from 23 different pots, all of which are Zuni, except the leaping bighorn ewe, which is derived from a southwestern rock art panel.

I don't throw on a wheel, instead I hand build using coils of clay pinched together, and then the piece is scraped until it's thin, then sanded, then slipped with a white slip I make from a clay. The clay work, drawing, painting, and retouching on a pot this size (about 9 inches tall) takes me about 40 hours and it's fired 3 times.

My product photography could be improved; I was in a hurry when I snapped these so I didn't set up my lights and umbrellas and the depth-of-field is lacking a bit.
I've been making pottery for about 8 years, heavil... (show quote)

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May 7, 2014 09:02:27   #
amyinsparta Loc: White county, TN
 
Beautiful! I have a pot in that style myself and love it. That is really labor intensive. I hope you get a good price for it.

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May 7, 2014 09:11:33   #
4ellen4 Loc: GTA--Ontario
 
lovely pottery piece and photos

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May 7, 2014 09:46:26   #
ebbote Loc: Hockley, Texas
 
Great job Waykee.

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May 8, 2014 20:43:18   #
Dick Z. Loc: Downers Grove IL
 
waykee7 wrote:
I've been making pottery for about 8 years, heavily influenced by my years working with the pueblos of the southwest. Gradually, I developed a style which I call pueblo fusion, which utilizes design elements of many different historic-era (pre-1940) pots in a fashion that a Native potter would be unlikely to ever employ.

This piece has design elements from 23 different pots, all of which are Zuni, except the leaping bighorn ewe, which is derived from a southwestern rock art panel.

I don't throw on a wheel, instead I hand build using coils of clay pinched together, and then the piece is scraped until it's thin, then sanded, then slipped with a white slip I make from a clay. The clay work, drawing, painting, and retouching on a pot this size (about 9 inches tall) takes me about 40 hours and it's fired 3 times.

My product photography could be improved; I was in a hurry when I snapped these so I didn't set up my lights and umbrellas and the depth-of-field is lacking a bit.
I've been making pottery for about 8 years, heavil... (show quote)

Wow! waykee, you do great work. I really like #6 the full shot. It Gives most of your art work I don't think your Photography needs any improvement. Thanks for posting.




:thumbup: :thumbup: :thumbup:

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May 10, 2014 19:09:29   #
Tiny Tim Loc: Forest of the Pacific Northwest
 
Very, very impressive! I assume that you sell them?

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May 10, 2014 19:11:11   #
stevesottl Loc: Morristown, NJ
 
I collect Zuni pieces and you have mastered the forms very well. Your technique is fascinating.

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May 10, 2014 19:51:48   #
waykee7 Loc: Cortez, Colorado
 
Tiny Tim wrote:
Very, very impressive! I assume that you sell them?


I do sell them but this one was made for a friend of mine. He's a fabulous porcelain potter; his teacher studied in Japan under a legendary potter. In Japan pottery is considered the highest art form. My pal had an undergraduate degree in ceramics, but then became interested in environmental concerns, got a graduate degree, and then had a long and successful career as what we affectionately called E-Ho's, Environmental Health Officers. He was assigned to the Coast Guard for 5 years, then spent the rest of his career as an E-HO with Indian Health Service. So I trade my pottery for his. . . and since we both admire each other's work so much, we're both pleased!

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May 10, 2014 19:52:32   #
waykee7 Loc: Cortez, Colorado
 
stevesottl wrote:
I collect Zuni pieces and you have mastered the forms very well. Your technique is fascinating.


Steve, that's a fine compliment! Made my day.
Wayne Keene
Cortez, CO

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May 10, 2014 20:03:36   #
srfotog Loc: Northeast Pennsylvania
 
You are very talented and the pots are beautiful.
srfotog

waykee7 wrote:
I've been making pottery for about 8 years, heavily influenced by my years working with the pueblos of the southwest. Gradually, I developed a style which I call pueblo fusion, which utilizes design elements of many different historic-era (pre-1940) pots in a fashion that a Native potter would be unlikely to ever employ.

This piece has design elements from 23 different pots, all of which are Zuni, except the leaping bighorn ewe, which is derived from a southwestern rock art panel.

I don't throw on a wheel, instead I hand build using coils of clay pinched together, and then the piece is scraped until it's thin, then sanded, then slipped with a white slip I make from a clay. The clay work, drawing, painting, and retouching on a pot this size (about 9 inches tall) takes me about 40 hours and it's fired 3 times.

My product photography could be improved; I was in a hurry when I snapped these so I didn't set up my lights and umbrellas and the depth-of-field is lacking a bit.
I've been making pottery for about 8 years, heavil... (show quote)

Reply
Jan 13, 2017 02:08:02   #
Karenn Loc: Sydney Australia.
 
Beautiful.
waykee7 wrote:
I've been making pottery for about 8 years, heavily influenced by my years working with the pueblos of the southwest. Gradually, I developed a style which I call pueblo fusion, which utilizes design elements of many different historic-era (pre-1940) pots in a fashion that a Native potter would be unlikely to ever employ.

This piece has design elements from 23 different pots, all of which are Zuni, except the leaping bighorn ewe, which is derived from a southwestern rock art panel.

I don't throw on a wheel, instead I hand build using coils of clay pinched together, and then the piece is scraped until it's thin, then sanded, then slipped with a white slip I make from a clay. The clay work, drawing, painting, and retouching on a pot this size (about 9 inches tall) takes me about 40 hours and it's fired 3 times.

My product photography could be improved; I was in a hurry when I snapped these so I didn't set up my lights and umbrellas and the depth-of-field is lacking a bit.
I've been making pottery for about 8 years, heavil... (show quote)

Reply
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