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Posts for: Cracker-barrel Philosopher
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Jun 22, 2020 12:37:01   #
Style is not something you "find" or actively develop. Style finds you or develops on it's own after making hundreds of images. You might then begin to see it in your imagery.
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Apr 19, 2020 13:27:06   #
For all my 35's, b&w negs, color negs and slides, I'm lucky to have a Nikon "Super Cool Scan 4000 ED" that still works fine and gives me a 53 Meg (I think) scan file which I save as a 16 bit Tiff. Lovely!
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Feb 8, 2020 14:05:02   #
A good starting point is 1/ISO for speed at f8 as I recall.
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Jan 29, 2020 17:43:09   #
Know most of the scenes well. Lived in Fairbanks 30 years and qualified for a photo pass so was in the Park maybe 15-20 times for a week at a time. Nice job. Must have been on film if it was 20 years ago.
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Jan 10, 2020 17:25:21   #
fourlocks wrote:
Next July, my wife and I are doing a "Land/Sea" vacation (Princess Cruises) in Alaska. We'll spend 5 days in the Denali National Park area followed by 7 days of cruising, stopping in Anchorage, Skagway, Juneau, Ketchikan and Vancouver.

At each port, there are a myriad of available side excursions ranging from guided town tours to whale watching boats to bush plane landings on glaciers. I'm sure I'm not the first Hogger to go on one of these trips so I'm asking for your advice: What might be some good photography opportunities? Photo equipment concerns? Are these canned excursions worth the cost or should we strike out on our own? Is the Botanical Garden in Vancouver a good choice (we're spending an extra day there)?

Our only limitation, is that my wife has a bad foot so hikes over a mile or two are difficult for her.
Next July, my wife and I are doing a "Land/Se... (show quote)


Lived in Fairbanks 30 years and in Denali regularly. 2 Points - a) if you go into Denali, sit on the left side of the bus. b) Ask how far into the Park the bus goes. If it doesn't go as far as "Stony Hill," you won't get a good view of the mountain if it's out regardless of what the sales/guide tells you. Have fun and hope this is useful.
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Dec 19, 2019 13:32:15   #
DocDav wrote:
A technical question.
I know that the more pixels you squeeze into the same area, each pixel gets smaller and at some “smallness” or other, you start to get an increase in noise.

Obviously, a full frame camera has more pixels just due to the larger size.

I shoot a cannon 80D crop sensor.

Keeping this all in mind my question is.

When I shoot with the same focal length on crop vs full frame and then crop my final product, it seems logical I need to crop less close with the smaller sensor than the larger sensor to get the same ultimate size since the same, say 50mm lens, is effectively longer on the crop camera getting me closer to my subject. Because of this full frame envy and pixel envy aren’t all they seem to be?

Yeah, I have full frame envy but to be honest, I get pictures I like with my current camera but the above question has just always bugged me and figured a few in here can provide an answer. I still want a full frame but want to learn more tech details anyway. Also partially my effort to learn and understand pixel's better.
A technical question. br I know that the more pixe... (show quote)


Keep in mind that a 50 is a 50 is a 50 regardless of the sensor format size. The magnification is always 50. S0, the 50 doesn't get you closer. The main subject will be exactly the same size on the sensor with the same lens at the same distance.
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Dec 19, 2019 13:24:41   #
rwilson1942 wrote:
Don't know for a fact, but I suspect it is because video cameras generally shoot 16:9 aspect ratio as compared to 3:4 for DSLRs.
A round lens hood that worked for the 16 side would not be very effective on the 9 side.


Hmmm, I thought Dslr's were 2:3. That's what 35 was and I thought full frames were, and even APS-c's.
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Jun 26, 2019 15:34:04   #
Neat shots. Lived in Fairbanks 1975-2005 and your images tickle wonderful memories. Thanks.
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Jun 21, 2019 17:53:24   #
Stevewayne23 wrote:
The visitor’s bureau of a California County wants to purchase one of my photos to use in marketing efforts. I retain rights, but they can use any way they want, send to media, etc. what to charge in a situation like this? Photo is about a year old. Anyone here have a similar experience? Thanks in advance for help.


Many considerations go into this kind of situations. What is the publication? How important is it to your client? Will your image be on the cover or inside use? What size is the print run and how many times might the publication be reprinted in the next year? How will the publication be distributed - mailed out to a list, set in stacks free coming into a restaurant, or? What size will your photo be printed? Full page? half page, quarter page? Keep in mid that a photo printed about a quarter page in size but all alone with nothing but white space around it as chosen by the designer for drama can be considered a full page size. What rights are you licensing? Exclusive? And for how long? Perpetual use? Are you giving up copyright? Can they lease your image to others as a stock photo thereby competing against you? Their "budget" has nothing to do with your sale, so don't ask them. Listen carefully and ask questions. These are some of the considerations off the top of my head. Good luck!
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May 22, 2019 14:29:54   #
jlg1000 wrote:
I try always to carry a camera with me, at least the one in the cellphone. Yo never know what you can find.

I also like to take long walks on weekends, on which I carry my trusty Sony RX100M3 in a belt pouch.

Last Saturday I took one of my walks at dusk, and forgot to take the camera with me. I had a second opportunity 2 o 3 blocks from home, but for no reason I decided not to go back ad grab it... after all, I was about to complete the same circuit as ever, and there should not be anything new, right?

Wrong.

Big, BIG, mistake.


As I was 5 o 6 kilometers from home, I discovered an unexpected food-truck fest on the riverside with live music, classic cars and even two restored vintage firetrucks !

They started to light fireworks !!

And I didn't even carry a crappy cellphone !!

And worst of all, because of my schedule, I knew that I had no time to WALK home and DRIVE back to take any pictures.

So, I learned the hard way: always, ALWAYS carry a camera, or whatever thing capable of taking pictures.

Next time, I might just miss that one historical UFO landing with aliens willing to pose for the camera :-)
I try always to carry a camera with me, at least t... (show quote)


Good story and lesson for all to heed. Thanks for sharing. For years I've tried to always carry a Leica M, either film or digital, with the Leica 35mm f1.4 ASPH lens and it has resulted in many published images.
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May 21, 2019 21:49:22   #
Jim Bianco wrote:
What would you guys buy a Nikon 50mm 1.8 afs lens or a 60mm Nikon 2.8 D lens. What do you think is the better lens.I would like to get one of these lenses but I don't know what lens I should get, I have a D7100, your thoughts. Thanks James Bianco
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Leica ASPH lenses on a Leica M camera is the best there is; street, portrait, travel, much of nature, much of studio and the list goes on - either film or digital.
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May 17, 2019 14:32:00   #
Cartier-Bresson photographed people for decades in mainly Paris but other places as well. He was chased several times by the unhappy but he didn't bother with asking for a signed release in his street photography. Today, I'd say try to avoid children that can be identified or it looks like they are the main subject and not just incidental. Releases are definitely necessary if the photos are used for commercial, endorsement or other promotional purposes. News and educational publication of people photos don't generally need releases.

Dawntin wrote:
I belong to a small photographers club. The question arose about taking photographs in which people are in public places and participating in public events, (e.g., athletic events, public parks, local fairs, street scenes, etc.). Turns out almost everyone had her/his own "ethical" standards. We did a little online research and found that, in the US, there is quite a bit of state-to-state difference in what should be considered both legal and ethical standards.

Since I tend to prefer photos without people, I'd never really given the matter much thought. When I've taken pictures of people, the photos are of family members or friends attending parties or fun events. Now, though, I'm more confused than ever.

This leads me to asking, what ethical, legal, and just old-fashioned good manners should be considered for folks who are basically hobbyist photographers and love the creative outlet of taking photographs?

Most folks agree a "model release form" is necessary if they are photographing someone that may end up in an ad or involve commercial use for the photograph. Even more were adamant about not taking photos of children.

Would appreciate discussion of this issue, information, or specific protocol suggestions on this matter.
I belong to a small photographers club. The quest... (show quote)
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Apr 27, 2019 14:20:58   #
blacks2 wrote:
Different Points.


Nice work. Since we lived in Fairbanks for 30 years and photographed Denali over and over, I'm particularly attracted to #4 from about mile 135 on the Parks Hwy.
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Apr 8, 2019 14:37:06   #
Davethehiker wrote:
I subscribe to PhotoShop CC and pay my monthly fee. I can't say I'm happy about it but it does keep me up to date with the latest versions of PS and Lr. I can afford it. Today when I opened a file in PS it informed me that I do not have connection to the Internet and then refused to continue until I established connection to the Internet. I live on a mountain top out in the boonies. Often I do not have connection to the Internet. That's why I prefer to store all my images on hard-drives and make two independent backups to hard-drives in my own home.

I was able to fire up my iPhone and make a hot spot that let me get onto the Internet. Then PS relented and let me continue with my work. I resent that much intrusion!
I subscribe to PhotoShop CC and pay my monthly fee... (show quote)


I've both heard about and early on suspected that PS by monthly subscription only was going to be a headache and that's why I stayed with CS4 as it does everything I need
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Mar 30, 2019 12:11:55   #
pdsilen wrote:
I'm looking to buy an all around lens to use for impromptu shots when I'm driving or walking around, but not for specified use. In short a "workhorse" lens. Right now for that those purposes I'm using a Canon 18 - 55mm kit lens (which is for the birds) and an old Canon 28 - 80 lens which vinyets excessively when I extend it. I am open to any ideas.


My f1.4 - 35mm ASPH lens on any of my Leicas is a "killer" lens.
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