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May 25, 2019 19:26:38   #
Doc Barry wrote:
I'm glad you are so lucky Bill. I have a fine collection of Nikon pro-glass and have AF tuned each of them. FoCal is a good tool to use to obtain the best AF tune for a given lens. Nikon zoom lens have a proprietary compensation equation that is tweaked at the factory so that it (hopefully) stays sharp over the distance and zoom ranges. Same is true for prime lenses regarding the need to AF tune. However, Nikon can not make every camera body to have the AF and imaging distances be the same. In other words, this is an inherent characteristic of all DSLR cameras. Mirrorless cameras do not need AF tune because there isn't the mirror.

You are a fortunate photographer to have never had to AF tweak your lenses. But I bet you a chocolate chip cookie that I could AF tweak your lenses and improve their resolution/MTF.
I'm glad you are so lucky Bill. I have a fine co... (show quote)


Fine tuning a f4 or f2.8 for a specific distance is fine. If you read what I was responding to first before responding you would see that the OP was taking about a f6.3 lens used at long distance. Which, as any competent photographer knows, fine tuning is unnecessary.
And I am glad you fine tune your lenses, BUT IT IS ONLY GOOD FOR THE DISTANCE YOU FINE TUNE IT FOR. (and this comes directly from Nikon, not me)
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May 25, 2019 17:57:32   #
Doc Barry wrote:
I have the Tamron 150-600 G2 I use with my D810. It is an excellent copy I have. Using the TAP-IN Console to program the lens for a number of ranges and zooms to match a specific camera allows very sharp images over the entire range I found. With the Nikkor 200-500 lens, you can only AF tune for a single value. The Tamron is well suited for an outing in Kenya. Also, take your other lens.

I recently spent a couple of weeks shooting in Ireland and carried my "heavy" gear. No problem for me, but others on the tour could hardly lift the camera and lens. (They need to go to the gym I think.) I do suggest that you get a good shoulder strap. I like the Sun Snipper because it has some shock absorber built in and it has a steel cable internally to keep from suffering slash and run.

Have a great trip!
I have the Tamron 150-600 G2 I use with my D810. ... (show quote)


Because of it's better engineered lenses, and the fact that they are made start to finish by one company (not parted out to the lowest bidder) Nikon lenses DO NOT NEED fine tuned. I have shot Nikon glass for over 50 years and every lens, manual and auto focus have not needed fine tuning to get sharp images from every distance. My 20X30 competition prints speak for them selves. Not a rotten apple in the bunch.
I am happy that you like your Tamron, I am sure after you spend TIME fine tuning your lens it may give the same result as a out of the box Nikon.
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May 25, 2019 17:01:40   #
Barndog wrote:
From what I have read and heard it is a little soft at 500. I looked at comparisons of the Nikon against the Sigma 150-600 f5.6-6.3 Sport and, I have decided against the Nikon and will go with the Sigma. If that helps at all. The Nikon is suppose to be sharp up to 500mm.


The Nikon 200-500 is sharp throughout it's range. It is extremely sharp at 500. I have used that lens for almost three years and commonly show print at 500 mm to 20X30 without issue.
Again, the Nikon 200-500 is extremely sharp at 500mm.
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May 25, 2019 14:30:54   #
tomcat wrote:
I buy refurbished lenses from Nikon often. The focusing AF and zoom features are restored back to factory specs and cleaned. They look brand new when Nikon finishes with them---no scratches, scuffs, etc


Your quote, "The focusing AF and zoom features are restored back to factory specs and cleaned" is very misleading.
The vast majority, 98% of them at least get only a cursory check, to make sure they are working properly, most all refurbished lenses are actually lenses that customers have returned because they FELT they were not working properly. Most of these lenses have NO PROBLEM, they are run through a general check, they are not restored mainly because they do not have to be restored. And they are cleaned only on the outside, there is no INTERNAL cleaning. They look brand new because they are, they are brand new lenses returned by consumers, and since they are returned, they cannot be sold as new.
So, yes, refurbished lenses are a great value, the vast majority are not SUPER checked over, BECAUSE THEY DON'T HAVE TO BE, because their was nothing wrong with MOST of them in the first place.
I like to refer to these refurbished lenses as someone else's BAD COPY.
Finally, just let me say that the majority of the refurbished lenses are returned by very, very fussy photographers that would not be pleased if they could walk on water.
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May 25, 2019 07:51:42   #
frjeff wrote:
Leave on a two week vacation to Alaska on Tuesday. So,.....packing.

Want to stay as light as possible and have been thinking my best lens options for use on the D7200 will be my Sigma 17-70, 1.9-2.4 and my Nikkor 70-300, 4.5-6.3

I haven no greater telephoto. Other lenses are a 105 Macro and my 35mm prime.

My best options??


Sony HX99V, 24-720 mm Zeiss lens, pop up viewfinder, HDR at 6 stops. Carry in a belt pouch and you will thank me when you return from your trip.
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May 25, 2019 07:47:28   #
David in Dallas wrote:
I just received a message offering the subject lens for $999.95 and I'm wondering what the folks here think of it. I'm going to Kenya, Africa in September for about 2 weeks and my current lens is a DX 18-200VR2; my camera is a D7100. I have been considering renting a longer lens for this trip. I can afford to purchase this lens, but wonder how good it is and how much use I'd get out of it (I'm not a "Birder").

I'm open to suggestions.


You are referring to the current sale on Nikonusa.com that has the refurbished Nikon 200-500 on sale for $999.99.
https://www.nikonusa.com/en/nikon-store/refurbished-cameras.page
Many here have been very happy with Nikon refurbished products. Keep in mind that they also have a new Nikon 200-500 on sale for $1256.95 with a 5 YEAR WARRANTY vs. 30 DAY WARRANTY for a refurbished 200-500.
https://www.bhphotovideo.com/c/search?Ntt=nikon%20200-500&N=0&InitialSearch=yes&sts=ma&Top+Nav-Search=
So, this is the question, is $256.96 worth an extra 59 months of warranty?
Only you can answer that question.
As for the lens, it is my go to lens for wildlife photography, it is sharp, sharp, sharp throughout it's zoom range. YOUR DECISION. But either the new or refurbished will serve you well.






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May 25, 2019 07:36:28   #
Vinosity wrote:
I want to pick the minds of UHH experts! I am looking for suggestions and advice on what you may utilize as a "rolling cart" to transport gear when at a location with good enough surfaces to do that. I have looked at tool caddies, grocery carts, and rolling beach coolers, all of which may be an option, but there must be some great ideas from the photographers posting here. Thanks for the help!


Here is the staple for Florida wildlife photographers who carry way more equipment than they need. BUT IT WORKS.
https://www.amazon.com/Baby-Trend-Debut-Stroller-Cascade/dp/B078227XTG/ref=sr_1_fkmr1_1?keywords=three+wheeled+baby+stroller+with+pneumatic+wheels&qid=1558784080&s=gateway&sr=8-1-fkmr1
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May 25, 2019 07:30:05   #
Pysanka Artist wrote:
I am looking for a monopod recommendation. I like to shoot a lot of nature -- flowers, insects and the like and get tired of supporting my 100mm macro lens. A lot of times I'm close to the ground or squatting and was thinking perhaps a monopod could help take the weight of my canon 7d mark ii and my lens. I also have a mpe-65 lens with flash that I haven't played with yet. Do you have any recommendations for me. Besides the monopod itself, is that anything else I should get with it? I'm going with an acra swiss system for my tripod and ball head.
I am looking for a monopod recommendation. I like... (show quote)

I do not recommend a monopod for macro work. You are much better off with a tripod, one with an independent center post. Here is one that is on ebay for a good price, the photo's do not show it, but the center column can go horizontal, if you put a ball head on it, you will have a great system for macro.
https://www.ebay.com/itm/Manfrotto-055XPROB-Tripod/133061832376?epid=97346115&hash=item1efb1a6eb8:g:HXoAAOSwIJRc5xGu

Monopods and wildlife do not mix well, for me, birds in flight are too unpredictable for a monopod. You cannot follow fast enough. If you must, use a tripod with a GIMBAL head.
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May 24, 2019 07:59:11   #
brontodon wrote:
I'm going on a cruise along the Seine River from Paris to Normandy for the 75th anniversary of D-Day. I'd like to travel light, yet have as much versatility with my Nikon D7100 as possible. The lenses I'm choosing among are:

Tokina 11-16mm f/2.8
Nikon 18-55mm f/3.5-4.5 VR
Nikon 15-140mm f/3.5-4.5 VR
Nikon 55-200mm f/4-5.6 VR
Nikon 70-300mm F/4.5-5.6 VR
Nikon 50mm f/1.8 (either AF or MF "pancake" version)

We'll be walking on shore excursions each day, and shooting from the boat the rest of the time. I should probably go with just the 11-16 and 18-140, which keeps me to just two lenses. I usually bring a fast 50 with me, and I'm thinking of the MF version because it's so tiny. But I just don't know how much "reach" I'll need when shooting from the boat. The 55-200 is very duplicative of the 18-140 but it's very lightweight. The 18-55 is very lightweight for walking around, but the 18-140 is more versatile. The 70-300 would give me the greatest reach, but it's the heaviest lens on the list.

Any suggestions, especially from people who may have taken such a river cruise and know what it's like? Thanks in advance!
I'm going on a cruise along the Seine River from P... (show quote)


My wife and I have taken several river trips. As a result of this EXPERIENCE I now only take a pocket Sony camera in a belt pouch. Taking any DSLR is TOO much. My favorite travel Sony's are the HX90V and HX99V, both have a Zeiss 24-750 zoom lens capable of 20X30 sharp enlargements. And they have pop up viewfinders that act just like your DSLR.
The belt pouch keeps you hands free for those shore excursions.
Please do not take your DSLR, you will not be needing it if you take a pocket camera.


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May 24, 2019 07:00:10   #
dyximan wrote:
I have a nikon D 500 and the nikon 18 to 300 lens and the Tam on 150 to 600 G2 lens, I read an article I believe it was by Steve Perry who talked about using a tele converter on the 18 to 300, I recently looked online and see that Nikon or others have a 1.4 a 1.7 and a 2.0 Tele converters. I would use the converter on either one of the Previously mentioned llenses, any suggestions, I would be using this primarily for birding and/or obviously very distant objects in the daylight hours. I'm sure you can direct me to comparisons which are helpful but am also looking for practical and personal experiences.
Thank you
I have a nikon D 500 and the nikon 18 to 300 lens ... (show quote)


A tele converter will not work on your 18-300.
There has not been a tele converter made that IMPROVES image quality, in fact, the opposite happens.
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May 24, 2019 06:57:07   #
CurleyB wrote:
After 2 D3200s crapped out on me for different reasons I opted to buy a more sturdy camera, sucked it up and got a D750. (I was stuck with Nikon because of the lenses and attachments already in my bag.) While doing some night shooting I found my cheapo tripod was not up to the additional weight of my new camera. In order to avoid going through a bunch of different tripods, I was looking for recommendations. Criteria is: cost, weight, ease of use, replacement parts, etc. Any suggestions, and why?
After 2 D3200s crapped out on me for different rea... (show quote)


1. I am so sorry for you that you are STUCK with Nikon, I know many feel differently.
2. I have found BENRO tripods reasonably priced and substantially built. They also come with a tool bag and carrying case.
3. INDURO is another great brand. The Enduro GIT403/404 are examples.
4. Benro TMA 38CL ser3M3 is another
5. TMA48CXL series4 mach 3 I believe is $437.00
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May 24, 2019 06:47:11   #
markwilliam1 wrote:
I don’t own a full frame camera. I don’t understand why lenses are made for a crop sensor camera and different lenses are made for a full frame camera. Why can’t you use a crop sensor lens on a full frame and vice versa?


Good question grass hopper, here is your answer.
https://www.youtube.com/watch?v=7XG5YcG3sxM
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May 24, 2019 06:45:19   #
tenny52 wrote:
By looking at the reviews and photo samples of the Hwawei P30 Pro, I find that dsl camera days is numbered. At a price of less than a pro zoom lens, it can do much more.
Its technology may not be truly optical, but the effect is similar to 100 times the iso capacity of today's camera. This is only the beginning of a new era of photo technology.
At least for now, you won't need to carry 20 lbs of photo gears on a safari trip.
Hwawei is a smart phone and network company, which is under Trump's censorship heavily.
If Hwawei opens a camera subsidiary, I believe a lot major camera companies will go bankruptcy.
And we can mothball our collections of gears.
Do you find this is true, scary, or fiction?
By looking at the reviews and photo samples of the... (show quote)


I am 70, nothing scares me anymore.
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May 24, 2019 06:42:38   #
snipershot wrote:
The title says it all. I have the D500 and am learning and loving it. I have the sigma 50-100 and its nice, but I need something wider. What say you guys?


I own the Nikon 17-55. It acts like and looks like the Nikon 24-70. First of all they are both made in Japan, I stand corrected, the 17-55 WAS made in Japan.
I find this lens just as sharp as my 24-70 F/2.8, which is saying something because the 24-70 is SHARP. The 17-55 of course gives the same field of view as the 24-70 on your D500, which, I find anyway, an ideal lens for almost everything.
The 17-55 is not a light weight, I would not want it around my neck all day, unless of course, I used in on my favorite BLACK RAPID strap, then carrying that lens around all day would not be too bad.
The range of the 17-55 is better than the 18-35 especially at the top end, the 24-70 is almost a portrait lens, but also wide enough for good architectural shooting. The Sigma will give you a field of view of 27-52.5 mm. So it looks like the Nikon gives you more at both ends. The Sigma however is a 1.8 lens vs. a 2.8 lens, so chalk one up for Sigma, but with the ISO range of the D500, one stop is nothing for that camera.
The 17-55 is built like a tank, and will give you years of service and after years of service you should get almost what you paid for it on resale.
Good luck and keep on shooting until the end.
Yes, the 17-55 is a real value, I got mine on Ebay, Mint in the box for a really great price.
Good luck and keep on shooting until the end.
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May 24, 2019 06:28:33   #
cygone wrote:
I read a post somewhere that the commenter states the 1.8 or 1.4 50 MM lens are not good lenses to use on my D850 because they can't handle (or is it, resolve) more than 23MP. Is this correct? If so, what is a good walking around lens on the D850. Thanks


I shoot the 50mm 1.8 lens off the D850 without a loss in MP unless I crop of course.
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