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Jul 12, 2015 21:30:14   #
MT Shooter wrote:
Maybe you could inform Canon of this, they claim ALL "L" lenses have at least one flourite (not fluoride) element in them.


Doing some more research I find quite a few high-end Canon video lenses with fluorite that are not white.
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Jul 12, 2015 21:14:50   #
MT Shooter wrote:
Maybe you could inform Canon of this, they claim ALL "L" lenses have at least one flourite (not fluoride) element in them.


Sorry about the spelling. According to this list from Canon

http://cpn.canon-europe.com/content/education/infobank/lenses/fluorite_aspherical_and_ud_lenses.do

they don't show fluorite in any non-white lens. Can you give me the Canon source that says otherwise?
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Jul 12, 2015 20:44:58   #
juicesqueezer wrote:
You are right on with most all of your posts, but the difference in heat retention between white and black is insignificant when it comes to small objects. Case in point; as a MSF motorcycle safety instructor, many students claimed that white was the lessor of two evils with regards to how hot they get. According to all test reports by both helmet manufactures and independent studies, there was no difference in the heat factor. Only when you have a large area, like a tent, roof of home, etc. was there a difference.
Also, keep in mind the white lenses tend to show dirt or grime vs. the black.
Nikon does offer a grayish white lens and they command a higher price for some reason. Maybe cause it looks like you are shooting with a canon????
You are right on with most all of your posts, but ... (show quote)



Mark7829 wrote:
This white lens heat problem is "Wive's tale" Those who promote it and believe it are likely not photographers.


The Canon lenses that are white are the lenses that use fluoride elements in their construction. Fluoride crystals are VERY susceptible to heat. Black Canon lenses do not use fluoride in their construction. For years Nikon said the fluoride did not improve a lens. They changed their mind and their grayish white lenses use fluoride elements. Those Nikon lenses are more expensive because of the added costs of the very expensive fluoride crystals.
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Jul 11, 2015 23:37:39   #
Well, wouldn't you know it. And I just invested in carbon credit futures.

UPI headline -

Earth heading for 'mini ice age' in just 15 years, scientists say

http://www.upi.com/Top_News/World-News/2015/07/11/Earth-heading-for-mini-ice-age-in-just-15-years-scientists-say/2751436649025/
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Jul 11, 2015 19:34:32   #
http://www.youtube.com/watch?v=aVsEtTkTDlM
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Jul 6, 2015 14:27:04   #
jeep_daddy wrote:
When Nikon came out with the new D800 with 36 megapixel images, everyone that had a 2 or 3 year or older computer asked the same question. It's because of the massive files produced by the camera. The new Canon produces 50 something megapixel files. They require a massive amount of ram, hard drive space, and a fast processor or you will be twiddling your thumbs for a long while.


According to Canon technical specialist Rudy Winston, the 5ds will produce raw .cr2 files of approximately 60 megabytes.
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Jun 22, 2015 19:03:04   #
will47 wrote:
I know this is a personal preference, but if a person uses as much care as possible is a filter on the lens really needed? Especially if one feels that he/she is doing this to protect the lens.


As you can see, it really is a personal choice. Keep in mind that some lens manufacturers do not consider the climate protection of a lens completed until you place a filter on the front.
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Jun 22, 2015 18:39:35   #
Jusoljoe wrote:
My Canon loaned to my daughter with 580 EX flash attached. When returned I could not remove the flash. The adjustment knob will not turn either way so I cannot loosen for removal of the flash. Much "finger" pressure applied but will not budge. Suggestions please.


I'm a little confused. Canon hasn't used a screw based knob on their flashes for years. To undo a Canon flash you have to push and hold a release button then slide the tightening/untightening lever. Is this a really old flash?
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Jun 16, 2015 11:27:54   #
bfphoto wrote:
Just wondering if anyone else is having this dilemma. I'm now 80 yrs old and more or less retired from professional photography. Still do a little photography, mostly for stock. This includes people, landscape, and nature.
I'm taking a third cruise to Alaska this August and thinking about updating my camera. Currently I own a Canon 1D Mark iii and a 5D Mark ii. Very seldom use the 1D except as a backup camera.

Anyway, I'm trying to decide whether or not to buy the 5D Mark iii, the new 5D S R, or just keep what I have. I've read a lot of reviews and watched a lot of videos, but I'm going crazy trying to decide what to do.

If any of you out there are in my situation, what have you decided to do and why. Money wise the 5D Mark iii is $1400.00 less than the 5D Mark s r. I could afford the extra money, but is it worth it.

Here is a link that compares the two cameras: http://www.youtube.com/watch?v=Gq3ISUHsfsQ

Thanks for any input.
Just wondering if anyone else is having this dilem... (show quote)


Here's Roger's results. These guy's are unbiased and just report what the test equipment says.

http://www.lensrentals.com/blog/2015/06/canon-5ds-and-5ds-r-initial-resolution-tests
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Jun 10, 2015 17:20:02   #
Nightski wrote:
I read this review.
http://www.dpreview.com/previews/canon-eos-5ds-sr

If you scroll down the specs are listed side by side. Now I have these questions in my mind.

What does 50.2MP vs 22.1MP really mean? It sounds amazing. Would I notice a clear difference in IQ?

The 5DS & 5DSR have a maximum ISO of 6400. The 5D III has a maximum ISO of 25,600. My 6D has a maximum ISO of 25,600. I have shot some decent shots at 6400. I have shot some crappy shots at 6400. I think it depends on the light you have when shooting at high ISO's. I think .. high ISO is not some kind of magic that lets you shoot in low light all the time. Here's my question. If the max ISO is 6400, does that mean that the acceptable ISO is much lower?

The other thing that is important to me is fps. I have been shooting alot of wildlife this past year. I have been frustrated a few times by the lag. The fps of the 5DIII is 6. The fps for the 6D is 4.5. Would I notice a difference? The 5DS & SR are only 5 fps.

All three of these cameras have a 61 point focus system 41 of which are cross type and 5 are double-cross type ... would this actually be more helpful than the fps in shooting bif?

BIF .. Wildlife is almost always seen at dusk and dawn. This means a high shutter speed in low light .. would the ISO really come into play here? Would that max of 6400 really limit me in these conditions? I never shoot over 6400 on my 6D because if it's that dark and I am forced to go higher, I know in my heart it's going to be the delete button for those shots when I get home.

Thanks in advance for any wisdom offered.
I read this review. br http://www.dpreview.com/pr... (show quote)


None of the following is an absolute, just things to think about based Canon's and reviewer's comments.

Difference in IQ? See Peter Hurley compare the 5ds to his medium format cameras -

http://www.youtube.com/results?search_query=peter+hurley+canon+5ds

From what I have read, if BIF and wildlife are your primary interests, the 5ds/r cameras are not for you. They were not designed with a primary function of capturing moving objects

The 5ds was designed to be primarily a studio camera used in controlled lighting and where there would be the possibility of moire.

The 5dsr was designed to be primarily a landscape/architectural camera where the chance of moire is minimized.

You might want to wait to see what the 5div brings to the scene. I am.
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Jun 9, 2015 16:45:57   #
MikeMcK wrote:
Has anyone heard anymore about the issue with the Canon T6S sensor imperfections?

thanks.


Try this -

http://www.usa.canon.com/cusa/support/consumer?pageKeyCode=prdAdvDetail&docId=0901e02480f0bcb2
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Jun 8, 2015 15:56:52   #
zerobeat wrote:
Wish I would get invited as a second shooter. I suppose you still get to eat cake.

Dale


Nope. You get to eat the energy bars you brought with you. At the end of the 12-14 hour day you will be a tired puppy.
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Jun 8, 2015 11:49:23   #
Chefneil wrote:
I have been invited to be a second shooter for a wedding. I have a nifty 50 and 18-55. Not sure what the number one shooter has. It is outside at a campground informal.
Any suggestions are great! I aka first timer for any wedding photography


What does your contract require of you?
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Jun 7, 2015 17:23:34   #
Wellhiem wrote:
I've just received one of these, but it arrived without the instruction manual. Does anyone else have one? If so would you scan the bit about the C.Fn button and either post it here or email me a copy please?
Thank you.


If this is a clone of the Canon MR-14EX II, why not go to Canon's web site and pull up their manual and see if it operates the same?
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May 4, 2015 16:38:06   #
Jim Bob wrote:
Not sure how calibrating your monitor will assist with "muddy" prints. Tell us about your printing protocol.


A calibrated monitor will let you more accurately adjust brightness, hue, saturation, contrast and highlights in your post processing. Most monitors come from the factory with the brightness level set way too high. Since the picture looks fine on the monitor you skip the brightness adjustment and quite often highlights and contrast and end up with dark, 'muddy' pictures. This topic shows up here on UHH several times a week.
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