User ID wrote:
I believe you're mistaken. I replied upon reading
"color reproduction" .... meaning publishing and
printing of color images. In color reproduction the
image is deconstructed in CMYK [not RGB] and is
then reconstituted as "4-color reproduction". So it
doesn't matter how "accurate" the original is, so
long as all necessary colors are represented. That
the colors may be out of balance, or muted, or in
any other way "incorrect" will be "made good" by
the color separation process.
You DID say in the title this was about magazine
and book publishing color reproduction. That IS
what I addressed in my reply ! Most of what I
shot for a living is for 4-color separation.
Digital image editing software does very much the
same thing, except it works in RGB. One ought to
avoid confusing "color reproduction" with the color
RENDERING seen in a SOOC image. IOW, cameras
*render* color, color separators *reproduce* color.
Below is a SOOC image plus an edited version. My
cameras are set to produce low saturation, muted,
low contrast SOOC results. That is how I record all
subjects. This captures as much data as possible
in the shadows and highlights, providing files most
suitable the editing process. [The "SOOC" is not a
"pure" SOOC cuz I hadda downsize it to post it.]
The process of editing for direct viewing is akin to
the color reproduction process, thus the examples.
Point is that I would NOT need to submit the edited
image to the color separator. The SOOC has all of it
within itself, and the separator will render the image
according to editorial expectations. If I'd submit the
edited image, I'd limit their options.
I'm not convinced that you knew what the survey or
report was actually reporting about, colorwise.
Anywho, don't forget to click "download" to properly
view and compare the pair of example images.
I believe you're mistaken. I replied upon reading ... (
show quote)
Things must have changed an awfull lot, we prepared images in PS for the best available color converted to cmyk and provided tiffs for printing. It would of been unheard of to supply an uncorrected image to a printer, what they got was what they printed. I am not only familiar with color separation but owned my own lab. We not only created 4 negs but always a 5th to control contrast, of course this was film. I later did seps in PS and working for the largest Ad agency in the world if out art wasnt correctly balanced and separated you were in trouble.