Jonathan wrote:
Hogs: Three interrelated technique and digital printing questions: How do you spot doge and burn using any of these processing platforms—Lightszone, Canon proprietary DPP, PhotoScape, GIMP 2 – in all of them there are ways to change the tones, saturation, contrast, backlight, alien infrared, sepia, on the entire image but no ability to selectively “spot” hold light back or add light (data) in as I used to do in, in my darkroom for over 30 years. I’m including a recent image of a waterfall as an example. Shot in color in Raw, converted with Canon DPP for HDR, one would want to burn in the bushes a bit more on both the right and left bottoms. But darkening the image ruins the details in the black and gray shadows in the foreground on both the right and left. How can you digitally doge and burn? If buying Adobe Photoshop is the way, I’ll do it. Next Q. - there are B & White presets, Grayscale, Bandicoot and Sepia, but I have never seen any ooption in any program for Selenium printing. What gives with that? Finally, is there any qualitative difference between printing at COSTCO and printing at Staples? I frequently see recommendations for COSTCO here at UHH. I have a hardly used Canon i950 at home and could download drivers, buy new inks, etc. but there is currently a very good Canon promotion on the Pixma Pro 100 so wouldn’t that be better? Why print at COSTCO or Staples if you have a 13 X 19 pro printer? Sorry, I guess that was 4 questions! Thanks in advance.
Hogs: Three interrelated technique and digital pri... (
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Johnathan, I too am a 'fan' of dodging and burning-in, and find Photoshop Elements most handy in doing so. You can do either under controlled amounts. I believe '18' is still the most current version but any Elements will offer this possibility. Elements is much less expensive than Photoshop, and you can buy it outright, without having to RENT it.