Resqu2 wrote:
So I’m getting into more paid work and only shooting raw now. I have been importing straight into Lightroom CC and working from there on my IPad Pro. I’m always reading stuff on the internet and saw a few articles detailing why you should never do that and they include samples showing the raw file side beside in LR and in CDPP and of course the CDPP looks much better right off. The articles pretty much says to use the software that came with your camera which is CDPP for us Canon guys. It goes on to say you can export to PS or LR from there but to always start with the Canon software. What are y’all thoughts on this? Am I doing things wrong or making it harder on myself by not using the included software? Thanks as always.
So I’m getting into more paid work and only shooti... (
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I assume "CDPP" is "Canon Digital Photo Pro" RAW converter... (I've seen it called "DPP"... but never seen "CDPP" before now).
Anyway, I've used DPP in the past... But only with high ISO images because the Noise Reduction in it was better than in earlier versions of LR and PS. After dealing with the noise in images, I passed them off (as a TIFF) to PS for finishing.
However, since CS5 and, probably LR5, I've found they do better with noise and have stopped using DPP at all. And I've since added Imagenomic Noiseware plug in to Photoshop and that works great for the highest ISO images I do.
If you are doing "paid work", you are making key two mistakes.
1. LR is only half the process. There is NO WAY most images can be completely finished in it. PS is necessary, to complement LR and complete image post-processing.
2. You shouldn't do post-processing on a portable tablet or laptop. You need a fixed work-station in controlled and consistent lighting conditions with a calibrated monitor. Otherwise you will constantly mis-adjust your images.
The problem with a tablet or laptop is keeping them calibrated. Ever time you move to a different location with different lighting, you really should be re-calibrating the screen. You also change your viewing angle all too easily with portables, which skews what you are seeing. So even if you were to calibrate every time you move, you'd still have problems.
Some people use an external monitor set up in a permanent location with a laptop. But to do that requires a laptop capable of handling an external monitor and I don't know if this is even a possibility with a tablet.
Your post-processing will be "all over the place", wrong more often than it's right, as long as you're working with an uncalibratable portable.
You might even be better shooting RAW + JPEG and seeing if the JPEGs are better for your customers. (Some customers... particularly commercial users... require 16 bit TIFFs instead of 8 bit JPEGs. They also may need a different color space such as CMYK. Can't do those properly without a calibrated work station.)
In addition, there's a lot of post-process "finishing" work that simply can't be done in LR. Yes, it's a great organizer and is fine for the global adjustments, setting up a crop, straightening and a few other things. But it's fine retouching tools and such are crude by comparison to PS. LR also can't work in layers for selective adjustments. PS and LR are designed to complement each other. I can't recall the last time I exported an image directly from LR and called it "finished". I do export small "proof" and "catalog" size images from LR with only minimal work on them.... But every image that I finish for higher end-use such as a print or a digital file for a customer is ALWAYS handed off from LR to Photoshop for completion.