Canisdirus wrote:
What more do you need to see? Tony lays it all out in one video using not one but two copies of the Oly300mm pro.
Yes they are sharp...but every modern lens fits that description.
But how sharp are they to their counterparts? Not very sharp at all.
When two zoom lenses beat out a prime lens and are cheaper to boot...it's a red flag.
You state you are still working at the age of 71...so I'd suggest you stretch your hard earned dollars somewhere else.
The fact that you started this thread saying you were saving up for Oly's last boondoggle lens at $7500...is worrisome.
What more do you need to see? Tony lays it all ou... (
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Sorry, Tony's shooting style and "apples and oranges" comparison didn't impress me the first time I saw it before I purchased my 300 f4 and it still does not impress me with his system comparison.
Tony shoots with a tightly controlled aperture and wants a higher megapixel sensor so he can crop if he needs to. I do not shoot that way. If I shot the way Tony shoots, I would never consider Olympus or Panasonic either. But the only mode I use less than Aperture Mode is I-Auto.
Even before high school I was taught to "fill the frame" in art. The professional I learned photography from also taught me to "fill the frame". I have shot nearly 50 years "filling the frame". Most of the time I never crop. I have shot mostly primes all my life. So it makes me laugh that he doesn't use tools made for finding sports and wildlife with long primes. You learn how to get close enough to be able to use your prime lenses. Unless it is an alligator, bear, bull elk, or other dangerous creature, one gets close to get the shot. With the dangerous creatures one uses the safest techniques and longest lenses possible that one has at their disposal.
The second video shows that he will only compare focal lengths that have the same depth of field. Well, anyone choosing 4/3rds knows going in that there will be a difference in depth of field for apertures between any other format, larger or smaller. If the 4/3rds depth of field does not match what they want or need, they need to consider a different format. Aperture is usually one of my least concerns for my shooting. I usually shoot Program Mode watching shutter speed, exposure compensation, and ISO and do not care where the aperture goes unless it is above f11. If shot right, aperture takes care of itself.
Look through the first video again. If you really watch, you realize he is showing format differences in sensor resolution, not true lens sharpness. I even watched this very same video while researching whether to buy the 300 f4. Knowing what I needed and wanted from a lens and format, this video was not impressive then or now. Also, if I wanted or needed higher resolution, I would choose a format larger than 4/3rds, like my Hasselblad.
I chose 4/3rds so I could travel light, no tripod, and with a system as a personal carry-on, not a regular carry-on, and still shoot sharp. Tony's options cannot do that regardless of how sharp it is. One cannot do that with any other system other than Panasonic.
Again, it comes down to the right tool for the right job. Tony's tools don't work for for my job.