ClarkJohnson wrote:
Your post, especially the opening paragraph, was exciting to me because I had NO IDEA of what you were talking about or even what these terms meant! New things to learn! I went off to google and wikipedia and astrophotography retailers, and now I have some inkling and insight into an aspect of astrophotography that I hope to get involved with some day.
I know you were posting for more advanced users, but this newbie thanks you for this insight.
You are Welcome, Clark!
I hope you do one day find the lure to your liking. But like Alberio sez, it can be a Black Hole that has you drawn into a financial ruin investing thousands to achieve a little bit more results.
Polar Alignment is the first step when setting up a
Mount, so that the main axis, called the
RA axis, is aligned with the
North Celestial Pole.It is a starting point to get the mount and telescope aligned to the Universe we want to take images from. It needs to as accurate as we can set it so we don't introduce errors into the efforts of taking multiple images over the course of the rest of the night. And that when we tell the mount to take our telescopes to a specific point in the Universe we can see from our specific location, it aims true and doesn't leave us looking at the wrong place.
Which is very easy of a mistake to make, then you are scratching your head wondering what you are staring at from your camera's Field Of View (FOV)
I've been using my Main Telescope for this, and my Imaging Camera mounted to that telescope. But there is another, more primary telescope we use for guiding, Called a Guide Scope and Guide Camera. (in my case, that is what I use)
This is set up to be
Coplaner to the main telescope. (Glance at this, and come back) Basically it means the two telescopes are pointed the same direction.
What I'm doing now is to use this guide scope to set the Polar Alignment, instead of my Main Telescope.
The advantage is that the Guide Scope and Camera can do this evaluation faster, because it has a wider Field of View. So it uses a method called Plate Solving, where it compares the image taken, to known images of the stars. Then the computation tells me what I need to adjust for the best accuracy I can get.
Once that basic is done, then the Mounts control needs to build a Model (AKA: Alignment) which teaches it where the stars are so it can take the Telescope and aim it accurately.
Once all these things are done, and the better they are done. It allows me to sit back after telling the telescope to go to a certain object, starting the guiding, taking an initial image to check if any last minute adjustments are needed, and letting the system run, collecting and stacking images for as long as I want it to, or the rotation of the Earth makes the object set out of my view, towards the West.
I seem to manage to learn something new every night. Which is a good thing, because it refines my results.
The better the equipment, the more can be learned. I started off with what should have been OK, but wasn't. So it was very bumpy and hard to learn with. Eventually the bad got replaced with good and better. Just keep throwing money into the Black Hole.
And keep learning from my Friends here.
Last night, even in spite of a late start, I got onto a Nebula called the Flaming Star Nebula. Not new to me, I've imaged and posted it before. But it was in a very favorable position at the moment, very near the
Zenith in the sky.
But my mount was positioned to where it could not have imaged very long before hitting the limit of travel.
So I tried something new for me. I did what is called
Syncronised my mount to the object, then initiated what is called a Meridian Flip, where the telescope and mount does a 180° flip and comes back to the object from that angle.
New to me, because it finally did work.
It flipped my telescope around so it could image the rest of the night. Or as long as I wanted to before calling it a night.
So the Flaming Star Nebula allowed me to image it for 18,000 seconds, or 5 straight hours, doing 300 second exposures, or 5 minutes each. Which seems to be a nice round figure for my equipment to collect images, and my Infinity camera to stack them. I save at points along the way, and I don't have to even stop the ongoing procedure to save a point in the process. So I tend to grab an image in increments. Last night was 10's, or 50 minute points.
Why? Why want such long images?
Glad you asked (Or I'm going to post this explanation even if nobody cares.
)
I'm on a vane of long exposure imaging. The reason is, the longer an object is steadily imaged, I believe the finer the detail comes into my program making the image in an As-Taken picture. So less processing is needed, and the end result amounts to what I might see out of a window in a space ship.
The light is altered by a filter I use to help block my neighbors obnoxious light pollution. I have a couple of these, but I'm using my newest one all along now, which is a dual band filter. It allows only two wave lengths of light to pass through, to my cameras matrix. And I use a One Shot Color camera, which in comparison is most like a Color DSLR matrix in performance. It has a Bayer, which as I understand it is an R,G,G,B configuration.
I just want as close to what is seen as possible in my pictures. Much like we are use to from our DSLR's.
After getting my new Mount a year ago, I discovered ways Scott Losmandy engineered into his line of mounts the ability to image from East, to West, without doing a meridian flip. So I've been doing my best to exploit that. Using this unique tool to my advantage.
When I was there to pick up my new mount, I had some time to chat with Scott and gather a few kernels of his knowledge. He is also an affectionato of long exposure astrophotography, but I believe he is from the film days.
Regardless of that, he understands the demands of Deep Space Astrophotography, and what the mount must do for anything put on it to attain as fine an image as possible for a given session.
OK, now that I have bored you to tears, grab onto one of these images and have a go at processing or playing with it for yourself.
I believe I need to come up with a focusing adjustment to get the most out of these stacks of images. Because they do tend to get softer as the night wears on, and the temperature lowers.
It appears to me the shorter one is sharper, and the longest one gets fuzzy.
But hey, they're free to download and play with. Because that's the way I think the Internet should be,
Helpful, and Informative. Not a platform for commercials and profiteers.
Have fun! Hope you actually got something from this ramble.
These are all tif file formats, in 16 bit images, straight out of the camera. Any adjustments to them have been done by the Automatic section of my camera's program.