Uuglypher wrote:
... these two images using all criteria you deem appropriate.
Many thanks,
Dave
Repleo, RG, Ourspolair, Julian, and Scotty
Subject? Split decision.
There were, in fact, some Canada geese in the water when the scene attracted my eye, but they were out of view by the time my car was stopped and gear was set up and, IMO, the scene was not significantly the worse for their absence. To my eye the lake is the subject and the anchor of composition.
Exposure? Tonal processing? Cloud highlights? Split decision
Again, Opinions vary re: significance of some clipped cloud highlights.
Tonal management regarding whether or not to include sites of detail-free white - as commonly with specular highlights and/or with brightly sun-lit clouds - is the result either of a creative decision or dictated by slavish adherence to the so-called “rule” that “detail free white is an abomination”. Clearly, I reject the latter.) I find that utilizing the option of allowing both specular highlights and some detail-less whites as in clouds on a full-sun day to be not at all inimical to overall image quality. IMO the final decision come down to exercise of the artistic license - that license we all hold and exercise according to personal esthetic.
Composition? Split decision
I was particularly interested in whether or not to tolerate some background to the right of the tree trunk. Julian opined in favor of the view of the full width of the trunk, and I am of the opinion that the revealed bit of bright background to the right of the trunk was a distraction from an otherwise orderly composition.
Leveling?
Note the horizontal dotted line. Comments re: “leveling” suggest that perhaps some illusory phenomena may have been at play.
An improved (IMO) treatment of the raw file is posted.
Many thanks to you all for your input.
Dave