Timmers Loc: San Antonio Texas.

This is a continuation from images on One A Day, Day 164, you can go there to see and read about the naughtiness that relates to these new posts.

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Possesed by Vapirella!

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Vada, why not put the ball gage in my mouth?

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That ball gage sucks! You dent wear it did you!

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Is this like pulling your chain?

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Timmers Loc: San Antonio Texas.

Now three more I that venue.

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jeep_daddy Loc: Prescott AZ

Who helped with that contraption pinching the nipples? It looks like it took quite a bit of coordination to get it attached to both at the same time. And I wonder how she liked that? Did it hurt?

Timmers Loc: San Antonio Texas.

First, 'did it hurt' is a usual question. With 'nipple clamps' the concept is not to create 'pain' but to heighten the reaction. Oddly enough after a momentary effect at the start (that is often minimal by stroking the erectile tissue to alter the 'pain' threshold), it is when the device is removed that an intense rush of pleasure is produced. Quite often the model will remove the pressure device so that the effect become self controlled.

The device was put on by the clothed woman in the photographs. That is pretty much one of the 'concepts' that I have evolved over the years working with models. It helps to garnish precipitory involvement from the women involved.

The device was given to me by a person who did not know what it was for. The device is supplied by a company called 'Sub Shop' it is pretty much a vanilla company that sells pretty much junk play toys for the middle of the road sleepy people who want to do mock BDSM. It's pretty sleepy. It is a lot like buying lingerie from Victoria Secrets (the kink world call that company 'Victoria's Secretion"), poorly made, way over priced, and not well though out. Ask any woman about the lingerie from Fredric's of Hollywood, silly and it does not feel good and is cheaply made, but they will tell you men love it so they wear it, but are delighted to get out of it!

If you want to get into the world of kink, do power transfers, or BDSM the name of the game is Home Depot (in the kink world it is called Home Dungeon). Home Depot (Lowell's is just not kink kool!), can provided you with everything you would ever need or desire. Spreader bars, go to the ceiling fan sales area and look at ceiling fan suspension bars, pre drilled on both ends. Carabineers, from $1 to $10. O rings in three sizes. Double ended chrome spring clips, pulley, rope of all kinds, not to mention chain. Just look at the images here, all parts from Home Depot, and cheap! Don't forget Velcro One in 3/4 and 1 1/2 width to make cuffs out of with steel chrome rings. The black nylon covers over VADA's hands, Frost King faucet protectors for freezing winter weather ($ 5.00 each) instead of $65 for a set from some on line supplier (where do you think these suppliers get them from?).

Women in general enjoy being submissive, they want to be ordered about during erotic play. The accessories are just the frosting on the cake. And by the by (spoiler alert!) VADA was not getting pain, she was acting out the fantasy. She sings opera and has been on stage during operatic performances! She is acting plain and simple, sorry!

Rab-Eye Loc: Indiana

I’m afraid enough is enough. I am not blocking you, but there’s nothing I can say about your posts that I haven’t already said. The posts continue to be redundant. I’m just going to stop looking. I wish you all the best especially with your leg problem.

JohnFrim Loc: Somewhere in the Great White North.

Right on, Ben. Tim’s offerings have nothing to do with photography. They are little more than illustrations to support his love of kink.

And while I am not knocking kink for the pleasure it gives many, I just don’t feel UHH is the right place for this stuff. I have said many times that there are other websites where this kind of imagery is more appropriate and will receive a more welcome reception.

alawry Loc: Timaru New Zealand

Keep going Mr Timmers I'm sure a lot of us look foward to contributions regardless. Best Wishes. Andrew.

Rich2236 Loc: E. Hampstead, New Hampshire

Ditto for me too.
Rich...

Timmers Loc: San Antonio Texas.

So that will be three of you that will no longer clutter up the posts with your 'opinions' that have been delivered so many times. Thank you Rich, and I will hold you to your word!

So good to know that I will not have to be directed to the threads just to note it's you and move on to the other posters who actually have some input, other than the conservative sleep from yester years. I appreciate this notice and am all for it, so adios, and I hope to NOT catch you on the flip-flop!

vertigo

I don't mind the pictures you post and I can see the thought behind many (not all) of them. I am not sure I agree that one must silent the internal voices in order to create art. For me the arguments of the internal voices is important. It is conflict that drives my creative juices (if I have any). Many of the pictures I post are not art with a message, nor even a time line. They are more about learning and testing craft. As a potter I have heard many beginners talk about the vitality and kenetic energy of their sloppy pots. Actually you can see the pots they make are because they haven't mastered the craft of throwing a round pot. Then you watch a master craftsman throw a tall, perfectly symmetrical pot and finally stretch and pull into a moving art piece--there is a difference. So I am trying to simply master the craft and the art can then "become". I have listened to multiple accomplished, and art educated, people give definitions of modern art and none of them quite agree on everything.

Working with models becomes a cooperative endeavor. I've worked with various experienced models that have resulted in zilch--we just didn't connect. On the hand I have started with a model that is not the usual definition of "beautiful" but we connected and the results pleased both the model and me. It is still a moment in time, and there is certainly a past and a future but capturing the moment is a part of what I try to do. Just sometimes the moment becomes a story. Many times is a moment that makes my eyes and brain feel "happy" a little (or larger) burst of endorphins. Even trying to make art I am still a biologist. We need to observe, cogitate, and then let those inner conflicts direct our growth.

Can't argue with you on art--don't have the depth of knowledge in the area to even fully understand the vocabulary. So no arguments--just they way my brain works (sloooowly).

Timmers Loc: San Antonio Texas.

Thanks for the feed back there Andrew. I of course plan to continue ignoring the sleeping weasels* that have nothing to contribute but their myopic bulling. Yes, I said bulling. Bulling does not bother a person with the sort of experience that I have. I've been around the art world block quite a few times and know when someone is stamping their feet and having a personal moment.

It just more Crusader Rabbit cartooning with out the humor or gaiety. Glad I'm not part of their tiny world!

* Reference to Frank Zappa's Wheezes Rip My Flesh (album).

Timmers Loc: San Antonio Texas.

Hey Vert! So, you are one of those guys who inhabits the World Of Mud! Too kool! I could never do that clay thing, I just don't have that ability to focus in that way. It is a great skill as you state. I cut and play with wood, but I'm no carpenter, not even accomplished at driving nails (use screws and drivers). My studio training was NOT in photography, it was in sculpture. More hours were taken in the realm of 3D design. It was rather odd as I entered a new and rather weak MFA program still getting established. So as I looked around I had all these disciplines to 'play' in but no lead professor to direct my development.

As I looked around I was taken by the notion that to do ceramics would require skills and knowledge for that crafting. The same for Intaglio and Gravure, print making. I played in these as well as drawing and painting but all demanded a level of skills that would take years to develop. That's when I 'found' sculpture. No real skills needed unless you wanted to do certain aspects and I did not want that. What dawned on me was that to do photography truly in a gifted manner one needed to grasp how a 2D image is transformed from 3D space. It is precisely what is so often missed by photographers who are not compelled to understand this concept.

As to a discipline, I had some basic parts there having gone to San Houston University in the photography/graphic printing department (NO Art was allowed in there!), yes vary basic skills with no intellect. Then I graduated and landed a job as a photo tech with MD Anderson Hospital. Rapidly dropped into the main support for the Pathology people, morgue, Frozen Section, animal research and scientific photography. What a great teaching curve that was. But still no art of any real sort.

The MFA program is demanding in that of the History of Art and Criticism. More than half of the classes were Art History with deep discussions with regards 20th century art. That educates one into the realms of what an artist is, how they think and what motivates and directs their attentions.

So from the hospital I learned the discipline of the craft with no other reward but to be able to deliver images for another purpose and with no excuses. The MFA program was all about the why, how the thinking goes, but more important why and how to feel about what the artist is doing from a thoughtful feeling position.

One important thing that was apparently misleading in my posting, that of 'internal voices'. I was speaking to what I have been told is internal dialogue. It is the constant bombardment that is an apparent 'thing' that human beings do. I am of course parroting this idea as I am free of this effect. It is said to be distracting, even madding for most of the human race. I can only say that I some what understand because I can simulate what I believe to be this internal conversation. As soon as I stop supporting that internal dialogue I go back into a state of quiet. Yes, there are internal voices, but they are more momentary impressions, ideas, they come as images, images of memories from some experienced idea or event. The are fleeting, like impressions, but they are never vocal, though the effect of sound does come in momentary spurts. I hope that makes some sense.

This statement that you made is vary true and critical, " Working with models becomes a cooperative endeavor. I've worked with various experienced models that have resulted in zilch--we just didn't connect. On the hand I have started with a model that is not the usual definition of "beautiful" but we connected and the results pleased both the model and me. It is still a moment in time, and there is certainly a past and a future but capturing the moment is a part of what I try to do. Just sometimes the moment becomes a story. Many times is a moment that makes my eyes and brain feel "happy" a little (or larger) burst of endorphins." So often the new worker does not connect to this 'connection'. This is where the magic happens. After working with a model that there is a connection with and one has gotten many sessions with models under ones belt as it is said, then something weird happens. Time becomes protracted. In some films this is when that weird zoom happens and the main character is frozen on the screen and the surroundings seem to change interdimensional by zooming out. Nice effect in a movie, I mention this because most everyone has seen a film with this effect in it. The weird thing is that it actual does happen as a special moment, not just with a model but out in the world with locations, landscapes, still lifes, excreta. It is a real effect and the artist both feels and sees this effect. The main thing is that time slows down to a crawl, then it just jumps back to the 'normal' time frame. This is what I call 'the cubic centimeter of chance popping out". When working with figure models this may actual happen twice but no more than twice. The second time is so far beyond the first time during the session and it is actual debilitating. Ones energy is drained totally. The only thing for it is to go to sleep and recharge one's inner core.

So, there you have some more fun food for thought.

Los-Angeles-Shooter Loc: Los Angeles

Try saying something positive. It will be a revelation.

latebloomer Loc: Topeka, KS

What a loss.

JohnFrim Loc: Somewhere in the Great White North.

I have given Tim credit and positive comments — as I have you and your work — when I feel moved in a positive way. And in case you have not noticed I have been ignoring most of Tim’s postings for the last several months; kinda tit for tat... he ignores me, I ignore him. In this thread I just wanted to support the thoughts and feelings of another poster who feels like I do. We are all allowed to do that.

As for positive comments being a revelation, the photos for which I gave Tim accolades were a revelation... that Tim actually can do photography/art if he tries. These last images are just date/time stamps of his life and mean nothing to me. Your mileage may vary.